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Customer Review

16 of 16 people found the following review helpful
3.0 out of 5 stars Exodus, with Revisions, 30 Nov. 2003
This review is from: The Crystal City (Tales of Alvin Maker) (Hardcover)
It's been five years since the last installment in this series, which is a long time without fuel to maintain the energy and enthusiasm this series originally engendered. As an alternate history where people have 'knacks' for doing things, from repairing barrels and bones to seeing the future, its fire came from its ideological underpinnings, of the fight between those who build and those who destroy, of machine versus nature, of the rights of all to be self-directing autonomous individuals versus the cultural assumption that some are better than others, and those inferior beings are suited only for slavery. While much of this underpinning is highly relevant to this latest installment, it does not seem to bring with it the deep emotional involvement that would have made this story come alive.
Alvin Maker is the prime mover here, a man conflicted between his incredible abilities and the knowledge that regardless of how much he builds, however much good he can accomplish in the world, the Unmaker will be following right behind, tearing down all he can accomplish. Alvin's dream of a city built by Makers seems further and further off, as he becomes embroiled in actions to save many of the slaves and poor of the city of Nueva Barcelona (New Orleans) from both yellow fever (that he unwittingly helped to spread) and its other bigoted and superstitious citizens. Almost as a side plot, his brother Calvin becomes embroiled in a foray by Steve Austin and Jim Bowie to conquer the Mexica, with Calvin's typical disregard for the consequences or moral rightness of his actions.
The depiction of the historical characters that dot this novel, from Abe Lincoln to Bowie, is definitely problematic. All of them seem to have no depth, all are portrayed with only the sheen of their legendary characteristics, from Abe's honesty to Bowie's fighting drive, with no signs of other human foibles that would have made these stick-figures into something real. The plot itself is reasonable, a modern alternate version of Exodus with Alvin as Moses, and its final resolution points the way towards where this series may ultimately be headed. But I found as I was reading that I was looking for something more concrete to the action; too little description, not enough supporting details, an almost dreamlike feel to what could have been a very gritty slice of life under very unappetizing conditions.
While Card has a long list of those people who helped check this manuscript for continuity errors with earlier volumes, and obviously their efforts did help eliminate most of those kinds of problems, I did find it a little amusing that the maps on the end papers clearly show Alvin's Crystal City located on the wrong side of the Mississippi river.
Card does manage to make most of his moral points without clobbering you over the head with them, and some of the final section shows at least a willingness to concede that not all that is man-made is bad or that all that is nature-derived is good. But the fire that drove the earlier books, of their implied Great War between good and evil, is not here. Clearly, Card is planning at least one more book in this set, where perhaps the anticipated and long delayed war against slavery will combine with Alvin's dream of a better world to form a heart-wrenching finale. I do hope so.
--- Reviewed by Patrick Shepherd (hyperpat)
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Location: San Jose, CA USA

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