In hearing "The Love of Richard Nixon", it had been expectant that we were drawn to hear uninspiring tunes from the Manics similar to the messed and flawed "Know Your Enemy". In fact it's sheer brilliance from the Blackwood's finest trio. It kinds of throws away the tension, confusion and experimentation from their previous album starting with a nice mellowing clean slate. The majority of its slow tracks, it hooks to your feel-good senses desperately often unrequited with their earlier work, in every way possible it is whispering to you breathlessly to say this album is a modern-art classic. Kicking with a good opening track, "1985" shows light anthem rock with soothing melodic rhythms similar to "A Design for Life", clearly reminding you how they matured as a band to a softer direction in rock. "Empty Souls", "Song for Departure", and "Live to Fall Asleep" really highlights that the Manics can produce nice pop-rock with the digging of 1987-era U2 in "To Repel Ghosts" to New-Orderish feel in "Fragments" suiting for all tastes. The album adds new blends of nice upbeat, harmonious electro-piano melange topped with classic vocals of James Dean Bradfield putting them on a new inspiring level although not clearly as profoundly ingenious with their dark album "The Holy Bible" but this is an album for mature Manic fans. Go buy and listen as it proves the Manics fulfil to all expectations.