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Customer Review

on 29 August 2013
This album is without a shadow of a doubt, the most impressive, unique and spellbinding album of the year. I had been familiar with Altar of Plagues music but had never given it a chance before, this is because I felt I had their sound down and threw them in the pile of standard Post-Black Metal bands. I have never been so wrong, I am ashamed that I didn't at least give them a fair chance but in a way I am glad this is my first album exposure to the band. Otherwise I may not have liked this album as much as I do; this assumption of their sound is why this album has impressed me so much.
The first track I had heard from this album was the track 'God Alone', which straight away knocked me in my place and made me interested to hear the rest. But because of the mix of reviews I held back from buying it until I had heard the entire album. What I have kept noticing is that all the people who are slating this album, are doing it because of them comparing it to their previous material, because of this change in style people are feeling disappointed that there favorite atmospheric black metal band weren't still producing the long spellbinding single track epics which have been present on all of their previous releases. But I feel that this is a great thing, the band in my opinion had already perfected their atmospheric black metal sound with 'White Tomb' and the 'Tides' EP. This split of opinion shows the sign of a great album, as many people have said "If you aren't upsetting someone, you're doing is wrong."
The instrumentation on this album is dense, and done incredibly well. The guitars are tight and biting, which have there usual tremolo riffs but are rarely done to the same extent of their previous compositions. There are Post-Rock styled guitar melodies which remind me of a schizophrenic Mogwai, drone/doom riffs which make the album extremely atmospheric and dark (think Godspeed mixed with Sunn O))) ), and syncopated sludgy riffs which really stand out and give the music a ritualistic and manic feel. For instance the staccato riffs in 'God Alone' which are just disorientating and spellbinding. The bass is there but is mainly for backing up the guitar parts, but there are occasional bass rumbles and drones contributing to expanding the textural experimentation tenfold. This is also achieved by the very stylistic and impressive use of synth's and samples which add to the ritualistic feel of the music and add to making the album more atmospheric, varied and making the album as a whole flow incredibly well. The standout timbre though is the drumming; it is brilliant to say the least. There are the usual blast beats which add to the aggressive black metal fire, but there are also complex and interesting fills and beats which work perfectly with the music. Parts remind me of Dillingers drummer, others of Isis's drummer but he retains a constant style which is pretty unique to him. I think without the detailed drumming this album wouldn't be as good.
The vocals are just jaw dropping, the sounds he can produce from his mouth simply make other black metal vocalists look like pansy's. Super aggressive black metal rasps which are bone chilling but still add understandable narrative to the music, understanding the lyrics add a lot to the music which I feel some black metal bands lack. But it doesn't stop there, he also uses almost Post-Metal barks, and the absolutely blood curdling shrieks which make me take my hat off to him. These shrieks really add to the crescendo's of the music. There are also some really great clean vocals which add a great change in dynamic and add a great variant in melody.
The attention to detail in these tracks just make them stick in the back of your head which keeps the album entertaining and memorable. This gives the album huge replay value because there is always something you missed, or a little tidbit which just wont get out of your head. I feel this wouldn't have been as effective if the production wasn't as good as it is, everything is audible and incredibly mixed. It has a good amount of dynamics which a album of this style really needs. But the depth of the sound makes you feel like you are being engulfed by the music which makes the album a truly immersive experience. But the real triumph is how heavy/crushing the album is, his is done by it sounding gritty and dark but still having the clean sound which allow space for other textures and sounds to be incorporated. Bravo
As with anything it isn't without its faults, there are sections which could have been elaborated on to make a track a bit more progressive and lengthy, I agree with some people that some songs could have been longer. But they aren't, which makes the album sound more urgent and makes it more re-listenable. The drums also sound a bit muddy, and distinguishing between different toms is hard. But I feel this really doesn't take anything from the music, this is why I have given this 5/5. While there are faults, it didn't take away from the album enough to make me deduct points.
Well done Altar of Plagues, this is their farewell album and really rounds off there career on a epic note.
For fans of: Neurosis, Krallice, The Ocean, Cult of Luna, Kayo Dot and Deathspell Omega.
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Product Details

4.7 out of 5 stars
£12.00+ £1.26 shipping