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Customer Review

on 13 October 2013
A very interesting book from Mr Nash. Certainly worth a tenner on Kindle Store.

I don't agree with much of his politics, or views on alternative energy etc., but I do think that Graham Nash is a decent human being in that he cares for his fellow man in the global sense.

Key points are largely covered well, although the split with the Hollies could do with another couple of pages. He never really explains his relationship with Allan Clarke between 1968 and 1983. Did they speak at all? Glad to see that all is well now though.

Throughout Nash is generous towards others and gives credit where credit's due (Allan and the rest of the Hollies, for example). He is often very honest about his own failings and dubious motivations, and some of his personal contradictions. This is refreshing, and makes the book a good, balanced read. There is a bit too much 'poor boy from Manchester made good' but it is sincerely felt, I think.

The big selling CSN(Y) albums are well-documented, but the lesser selling ones don't always make it. The important 1988 reunion, American Dream, is glossed over too quickly for my liking. How did Stephen Stills get to pollute that album with some real stinkers?

If you're a Neil Young fan, take note that he comes out of this book VERY badly! Nash portrays an immensely talented but totally, totally selfish man. And it's believable! For the most part, Nash is generous - and sometimes brutally honest - about all the characters here, but the final swipe at Neil Young on the last page is stinging and, I am sure, is what he really feels about him.

David Crosby is obviously a great, great friend, but Nash does not spare David's blushes in any way shape or form! A total mess for much of his life it seems, and not a pleasant person on the surface.

The OBE is a mystery for several reasons: Nash doesn't seem to know the person nominating him at all, which is odd. More importantly, Graham makes no attempt to explain why, as an American citizen of some 30 years AND a constant critic of the Establishment/Global Corporations/people in power generally, he would want to be honoured by the Queen in this way?! Instead, it's more 'imagine this poor boy from Manchester meeting the Queen!' sentiment.

So, all in all, Nash comes across as the decent human being you probably always suspected he was, despite his sometimes sermonising music. On paper, his worldview and politics are somehow less grating than on stage!

This is a good read for anyone interested in US/UK rock pop scene in the 1960s and 1970s.

One final warning: Strong language throughout (for no good reason I can think of!) He may be 71 but he's going on 12 on this evidence....why the publisher let it through is anyone's guess. It doesn't add anything: he can tell a good story without it.
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