Often cited along with Easy Rider as an example of 60s counter culture film making, Two Lane Blacktop is really a very different kind of movie. Easy Rider is about the pop culture of the late 1960s and the idea of the romantic outsider on a quest. Two Lane Blacktop is far odder and far more timeless. To me what this film does is capture the mesmerizing almost hallucinogenic rootless quality of travelling. It's like being in the passenger seat on a long journey with nothing to do but observe the shifts in the landscape. It should be deathly dull, but it isn't. It's hypnotic. The race between the Driver (James Taylor), the Mechanic (Dennis Wilson) and GTO (Warren Oates) is simply a meaningless gesture, a theoretical destination on an infinite map. The girl ( Laurie Bird) is a self invented muse, almost like ghost on the highway. She's not really interested in the male characters and they are not really interested in her beyond the belief they all seem to share that at some level cars and girls seem right. Two Lane Blacktop is a truly fascinating film and the ending is perfect. Who care who won the race, it was just a race.