Shop now Shop now Shop now See more Shop all Amazon Fashion Cloud Drive Photos Shop now Learn More Shop now DIYED Shop now Shop Fire Shop now Shop now
Customer Review

25 of 26 people found the following review helpful
5.0 out of 5 stars MAGICAL PERFORMANCE: MAGICAL OPERA, 12 Nov. 2005
This review is from: Britten: A Midsummer Night's Dream (Audio CD)
This was the first opera I ever saw live, during its initial London run a few months after the Aldeburgh premiere. I still carry vivid memories of that evening as a magical experience. And magic certainly lies at the heart of this entrancing (almost literally) piece.

From the sounds of the forest breathing in the opening string glissandos to the fairies' glittering benediction on Duke Theseus house at the end, Britten conjures a wonderful array of colours and pictures from his relatively modest orchestra. Each group of characters is given its own distinctive orchestral palette - strings with woodwinds predominate for the Lovers, the trombone fills in its fatter, comical tones when the Rustics appear, horns add a touch of regality for Theseus' court and the Fairies sparkle with the inspired combination of Purcellian harpsichord with harp and modern tuned percussion. Puck flits around with a sprightly trumpet always in tow (brilliantly played by William Lang on this recording).

But the piece is much deeper and more disturbing than all that surface magic suggests. Britten and Pears extracted one of the most successful of all Shakespearean librettos from the play. They managed to excise the whole of Shakespeare's First Act merely by the addition of their one and only original line ('Compelling thee to marry with Demetrius'). Thus the opera focuses even more than the play on the Wood and the misunderstandings, confusions, dreams, nightmares and, above all, the power of sleep that it brings to all the characters (including, of course, Oberon and Tytania despite their delusions of omnipotence). Sleep with its benign and malign effects was a preoccupation of Britten's throughout his career - from Les Illuminations and the Serenade through Let Us Sleep in War Requiem and Dormi nunc in the Cantata Misericordium to Aschenbach's Dionysian nightmare in Death in Venice. The deepest explorations, though, are contained in the contemporaneous Nocturne and here in the Dream.

The key to this is Act 2 of the opera and the four 'sleep' chords that open it and on which the whole structure is based. Between them they contain all 12 notes of the chromatic scale. But this is no serial piece. The implicit dissonances can certainly cloud the harmonic air at moments of crisis and conflict, but the key centres implied by each chord can also restore consonance again. And all four chords provide a healing benediction below Puck's 'Jack shall have Jill' prophesy at the end of the Act.

None of this takes away from the fact that this is, of course, a comedy - it merely serves, as in all great comedies, to deepen the human impact. Much of the opera is very funny - the lovers' confusions, the big quarrel scene and, naturally, much of the Rustics material. The Pyramus & Thisbe play has come in for its share of stick - too arch, too knowing, etc. - but I still find Britten's parodies of grand and bel canto operas funny, especially the way he takes the Michael out of Bellini and Donizetti.

This recording, under the composer's direction, has most things going for it, not least Britten's impeccable pacing of the score. The lovers are a mixed bunch: Veasey and Harper are excellent, Hemsley very good, but Pears is hopelessly miscast as Lysander. Flute was his part in the premiere and was probably the best part for him - he caught 'Oh sweet bully Bottom' perfectly. But he is frankly too old, too knowing and the wrong voice for the ardent young lover. Brannigan is by far the best Bottom on disc - as well as all the knockabout stuff, he captures the awe, the wonder and the sense of a life changed by his experiences to perfection in Bottom's Dream. The rest of the Rustics, ably led by Norman Lumsden's Peter Quince (J.R.Hartley, no less), are all worthy of their starring roles in the play as well as in their contributions to the rehearsals. The Fairies are a match for any of their rivals on disc. Deller may lack some of the darker, more menacing side of Oberon's character that James Bowman captures so well, but his singing of the ravishingly Purcellian 'I know a bank' is matchless. So, too the late Elizabeth Harwood in all Tytania's florid coloratura passages.

While Colin Davis and Richard Hickox produce performances of this many-layered opera that make for fascinating comparisons with this first recorded reading, these are still the yardstick discs of Britten's Dream.
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No

Be the first person to comment on this review.

[Add comment]
Post a comment
To insert a product link use the format: [[ASIN:ASIN product-title]] (What's this?)
Amazon will display this name with all your submissions, including reviews and discussion posts. (Learn more)
This badge will be assigned to you and will appear along with your name.
There was an error. Please try again.
Please see the full guidelines ">here.

Official Comment

As a representative of this product you can post one Official Comment on this review. It will appear immediately below the review wherever it is displayed.   Learn more
The following name and badge will be shown with this comment:
 (edit name)
After clicking on the Post button you will be asked to create your public name, which will be shown with all your contributions.

Is this your product?

If you are the author, artist, manufacturer or an official representative of this product, you can post an Official Comment on this review. It will appear immediately below the review wherever it is displayed.  Learn more
Otherwise, you can still post a regular comment on this review.

Is this your product?

If you are the author, artist, manufacturer or an official representative of this product, you can post an Official Comment on this review. It will appear immediately below the review wherever it is displayed.   Learn more
System timed out

We were unable to verify whether you represent the product. Please try again later, or retry now. Otherwise you can post a regular comment.

Since you previously posted an Official Comment, this comment will appear in the comment section below. You also have the option to edit your Official Comment.   Learn more
The maximum number of Official Comments have been posted. This comment will appear in the comment section below.   Learn more
Prompts for sign-in

Review Details



Location: Suffolk

Top Reviewer Ranking: 32,401