I have the author's REM: Fiction biography, which is very good, and I read an extract of Publikation in a magazine, so was very much looking forward to this book. Content definitely wins out over style of writing. I have a casual interest in Kraftwerk and wanted to read beyond the widely-held view that the 'band' was/is a neatly packaged musical entity. Publikation reveals the blurred edges of Kraftwerk's birth and development, as well as the now thirty-year saga of personnel changes and internal politics. These are, when all is said and done, human beings, not robots! Structurally and as a narrative David Buckley's latest is superb. It's linear but has many welcome diversions and is never less than a great read. My main criticism is that it's written with a music journalist's often careless use of language and an over-reliance on cod sociology. So the author will adopt the obscure word (e.g. simulacrum) of the academic but use the descriptive repetition of a hack in a hurry ('song' three times in four consecutive sentences rather than song, track, piece etc.) If I sound picky it's because this lets down an otherwise excellent book. And some of the claims are a little A-level essay, not backed up by any evidence. "Kraftwerk's music has always appealed to children, too..." Really? Perhaps Buckley's three year old nephew nodded in time to The Model once! Again, lets the side down. However, these are ultimately minor irritations to me which might not be to others. Still a fascinating read; five stars were the book a bit more carefully executed.