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Customer Review

on 18 May 2014
My expectations set abysmally low going into this, I was actually shocked by how enjoyable 'I, Frankenstein' turned out to be. Perhaps not classic cinema, but better than average on all accounts, with fairly decent (if occasionally hokey) dialogue, an excellent cast of main characters, and commendable use of special effects.

Beginning with a very terse introduction to the final pages of Shelly's original novel, Frankenstein's monster, referred to as Adam in this production, is merely borrowed for plot purposes here, so do not expect this to be a faithful adaptation. It was never intended to be, and is only an extended epilogue, taking place in the present day; though there are some subtle parallels regarding the ethics of certain scientific endeavors, and how that related to Victor Frankenstein's experiments two hundred years previous. In the here and now, Adam is sought after by demonic forces who wish to use his body, with all its preternatural strength, for reasons that are probably a bit spoilery, so I will say only that since he is a re-animated corpse, the demons /and/ gargoyles alike have made assumptions about the nature of his life.

The gargoyles, it has been mentioned, seem a strange adversary for the demons - this is actually not the case. In medieval Europe, gargoyles were utilized as protectors of churches, as their countenances were thought to ward off evil spirits. This aspect I found refreshing, as while many of the demons were beautiful and alluring on the outside, goodness within was not always equated with an outer appeal. Kudos to the producers for that subtextual nugget of gold.

Aside from battling the demons, the gargoyles true mission is to defend mankind from the demons whose sole purpose is to destroy humanity. Neither are initially portrayed as allies to Adam - they are essentially both using him for their own ends because there is one aspect both gargoyles and demons have not accounted for.

I cannot agree there was no character growth in this movie. On the contrary, once Terra (a scientist unknowingly in the employ of Wessex, a.k.a. Naberius The Demon Prince) comes onto the scene, Adam's interactions with her eventually force his entire outlook upside down. Everyone has misjudged Adam, but none more than he has himself. The final revelation played heavily upon the overall theme, that is to say, that "all life is sacred", which is the reason I suspect so many reviewers are having conniptions over this movie. Based on its own merits, and not of other franchises, which it bore no resemblance to, this was a good, solid film in the vein of old school good vs. evil movies.
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