It starts as a process of reminiscing a love that was gone, which comes into mind when hearing Norwegian Wood play in the background.
Toru, now an adult, moves the reader through his odd relationship with Naoko, a fragile girl he falls in love with. Their relationship has a sad history, since they knew each-other through Naoko's boyfriend, who committed suicide at 17.
The book is actually full of references to characters who had committed suicide, leaving the reader with an intense sense of sadness and loss, but there is something beautiful about the way in which Murakami manages to guide the reader out of that existential despair and towards hope, new beginnings and the possibility of life after the death of others.
Descriptions of Japanese student halls, taking the subway in Tokyo, visiting Naoko in a modern type of mental institution, secluded in the mountains, all these make the novel a source of new experiences for the Western reader (such as myself), but the feelings depicted are universal, despite their Japanese context, and that is what struck me the most about it: how all those situations, relationship shifts and personal doubts could be applied to people that I know and to my personal history as well.
Beautifully sad, painfully joyous!
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