This imaginative, sensitive, intelligent novel attempts to imagine a marriage, an era, and a world, and, in my view, it does so surprisingly effectively. Author Paula McLain submerged herself in books, letters, memoirs and anecdotes about Ernest Hemingway and his first wife Hadley Richardson and then resurfaced to speak, see and feel as this couple might have done, telling the story of their relatively brief but intensely memorable relationship during a richly evocative moment in modern literary and social history. Amidst a backdrop of 1920s Bohemian Paris, peopled by such figures as Gertrude Stein, Zelda and F. Scott Fitzgerald, Ezra Pound, James Joyce, Ford Maddox Ford and Jean Rhys, sipping the wines and the spirits as they mix and interact and compete, McLain looks mainly through the eyes of Hadley Richardson to seek to understand the period and place and explore the rise and fall of her time with a writer traumatised by the Great War and still groping for his literary voice. Through prose knowingly redolent of the period, we move smoothly through some bright and colourful incidents, and some darker and heart-rending scenes, before reflecting on what has died, and what remains. It is in many ways an audacious piece of fiction, and also a rather haunting one.