Archetypal Godard with strange, symbolic behavior substituting for a plot, and cryptic, philosophical declarations substituting for dialog.
This one starts out like a spy thriller but by the 30 minute mark, it had declared it's dystopian theme. Beneath the confusion there's a message that would make Capt Kirk happy -- that emotions are superior to analytical thought. And love is the best of all.
Spock would have raised his eyebrow at this one.
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