on 24 March 2014
What at first seems like an odd alliance makes the most sense when you realise that Mick Green and the Pirates were the common denominator, shaping Wilko's guitar style and steering The Who towards its powerful approach with rhythm and lead guitars lines flowing seamlessly in and out of one another.
There are no prizes for innovation for the music on this album, but what a celebration of a classic style of R&B and a showcase for Wilko's song writing. The energy that powers many of these tracks is stunning and puts many a young band to shame. Wilko drives them along hard without letting up and Daltrey's puts in the best vocals that he's recorded in years. If only Pete Townshend could write something new to get him this fired up. In fact, the vocals are very reminiscent of the old High Numbers days when Daltrey tried his best to sound like a gruff and growling bluesman, now it comes naturally, but with an added power that defies his years.
This is good time music with old school excitement and urgency about it and it will put a smile on your face. It's all about having a good time and it's plain that the musicians had that in spades when they recorded the tracks. I hope that this album puts a smile on Wilko's face that even his rotten illness can't wipe off. This deserves to be a best selling album.
PS (2 May) I've just heard that Wilko has undergone a radical surgery to remove his tumour, which could give him a serious shot at survival - fingers crossed for him.
on 13 August 2014
A confession - I've never been a big fan of Daltrey's voice. I admire him rather than love him and have always found his style a tad one dimensional compared to some of the other iconic rock vocalists (the ultimate perhaps being Mr Percy Plant). In this setting, though, it really works. Not quite the glorious menace of Mr Brilleaux, but still a gruff, raw R&B joy, Daltrey responding brilliantly to the backing of the indefatigable, inexhaustible, irresistible Wilko. The only thing that would top this is a Volume 2, recorded in about a year's time, with Wilco still going strong. And then a Volume 3, 4, 5........
on 27 March 2014
I have to say although I like Dr Feelgood and The Who I wouldn't have bought this album. But having read a review in classic rock mag giving it 9 out of ten I thought well it's only a fiver lets give it a try. Well I'm glad I did. It's brilliant can't stop playing it. All the songs are Wilco's that he wrote for Feelgood with the exception of a Dylan cover which I'd never heard before. Every track is full of great Wilco guitar licks and sassy harmonica which I love. But the bonus on this album is Daltery. He sings Wilco's songs like a man reinvented. The Who were never like this. It's a piece of Rock n Roll and Harmonica heaven. Short but full of toe tapping tracks. Even the ballad Turned 21 a song about lost youth is good. I recommend this album if you like Feelgood but even if you don't give it a try you'll be pleasantly surprised
In 2010 Roger Daltrey and Wilko Johnson found themselves sitting together at an awards ceremony. After talking about their love for old-style British R&B, the pair resolved to record an album together. And after Wilko was diagnosed with pancreatic cancer in January 2013, he decided make the most of the time he had left and so Going Back Home was born.
Of the eleven tracks on the album, ten are drawn from Wilko's back catalogue, the eleventh is a cover of Bob Dylan's 'Can You Please Crawl Out Your Window'.
There's nothing particularly subtle about Going Back Home, Daltrey growls his way through a selection of classics from the Wilko songbook - such as 'Everybody's Carrying a Gun', 'Sneaking Suspicion' and 'Keep It Out of Sight' whilst former Blockheads Norman Watt-Roy and Dylan Howe, from Wilko's live band, as well as Mick Talbot and Steve Weston provide solid backup.
In summary, Going Back Home is a good record of British R&B that brings the career of a British music maverick to a decent end. Well worth a listen.
This is a cracking album, I think. It's good, solid British R&B (in the old sense) with two geniuses of the genre on fine form. Seeing The Who at Charlton in 1974 and Dr Feelgood (twice) at close range in the Cambridge Corn Exchange around the same time remain among the great musical experiences of my life even 40 years on, and while Wilko, Daltrey and I are all old gits now, it's good to see that at least two out of the three of us have still got the old magic.
There is a mix of old Dr Feelgood songs, Wilko's own stuff and one Dylan cover in Can You Please Crawl Out Your Window. I think it's a joy from start to finish. They open with Going Back Home which Daltrey delivers (brilliantly) with a Brilleaux-esque growl way down in his throat (Wilko bends a string and that's all she wrote, of course) but it's recognisably his own take on it. Later in a fantastic Keep It Out Of Sight he really goes for the full Daltrey singing an octave above Brilleaux and, as Pete Townshend once memorably said of Love Reign O'er Me, Roger gives it his b*ll*cks. It's just great stuff all the way through.
Wilko is...well, Wilko. Brilliant, distinctive and perhaps slightly more solid and less bonkers than of old, he chops and hits that great beat like a teenager and in my mind he's still staring like a madman and moving around the stage as though he's on casters. Just perfect. The two of them and a very, very good band produce something really good here. Anyone with any interest in this type of music will love this and fans certainly won't be disappointed. This may well be Wilko's swan song and the decision to close the album with All Through The City is inspired.
If this is Wilko's last album it is one he can be proud of. Thanks for this, and for everything, Wilko. Go well.
“Going Back Home” was supposed to be a farewell album from Wilko after he was diagnosed with terminal pancreatic cancer. His plans were to do one final tour then spend his last days recording an album's worth of songs with Roger Daltrey. One revolutionary surgery later and, thankfully, Johnson is still alive, cancer free, so we end up with a win-win situation: a superb, career-defining album and the great guitarist still with us. Facing losing such an excellent musician, Wilko has enjoyed perhaps the most attention he has ever received and, instead of the general public realising what a talent he was after he is gone, he remains alive and well and now, it seems, a lot more appreciated than he was before. Of course, it is a pity that it took his battle with cancer to have his talent put in the spotlight, but it is evident that he has won a lot more fans because of his heightened profile and, also, the way he dealt with his illness.
If you like good old fashioned rhythm and blues, then “Going Back Home” will be like a breath of fresh air to you. It is a piece of work jam packed full of spiky, incisive riffs, Daltrey's gruff, bluesy delivery and some top notch musicianship from a fine band comprising of Blockheads Norman Watt-Roy (Bass) and Dylan Dowe (Drums), Style Council founder and current Dexy's member Mick Talbot (Piano/Organ) and Steve Weston (Harmonica). It is a massively enjoyable affair, a deeply life-affirming, joyful collection of songs and a rip-roaring listen from beginning to end; a superb good old-fashioned blues rock album without pretension. Although it's all pretty much great, I do have a handful of personal favourites. The riff on “Ice On The Motorway” is irresistible, “I Keep It To Myself” completely sweeps you away with a relentless groove and the Dylan cover “Can You Please Crawl Out Of Your Window” surely joins the ranks of the greatest Zimmerman interpretations ever. The last of my picks from the album sees another classic riff glueing the toe-tapping “Sneaking Suspicion” together, but, quite honestly, there isn't a below-par song to be found here.
Daltrey and Johnson are a great pairing, complimenting each others' styles perfectly. Whilst, given the quality of “Going Back Home” it may be impressive to know that the album was recorded in just a week, the urgency and energy contained within these tracks make it no surprise. Johnson's playing, at times, borders on the aggressive and Daltrey is singing like his life depends upon it; unique circumstances produced a unique album. Long-term Johnson fans will already be familiar with many of the songs on the album, but the extra dimension provided by the Who frontman and the tangible spark of electricity running through these tracks means that it will be thoroughly enjoyed by both old and new listeners. I'm not sure what the future holds for this collaboration, as Roger is now throwing himself into The Who's fiftieth anniversary celebrations and Wilko is still recovering from the major operation that saved his life. Given the sheer brilliance of “Going Home”, we can only hope that there will be another Daltrey/Johnson record some day soon.
on 27 March 2014
I Bought this on the strength of hearing one track on the radio ( I keep it to myself).
I could not believe that a man nearing 70 (when recording) could produce such a clear, strong tone (Roger Daltrey was 70 on 1 March) he has obviously learned to manage his voice and sing in a key and range where he can actually hit all the notes without sounding as if he is straining, unlike some of his peers! Equally, for a man given under a year to live in January 2013, Wilco Johnson should be on a cloud playing a harp! However he clearly felt he had unfinished business with his Fender.
I have been a Who fan from the start (early to mid sixties) but am nowhere near so familiar with Dr Feelgood or Wilko Johnson's work,this is a wrong I will have to right! What a guitarist this man is, I have heard interviews with Roger Daltrey and he has said he wanted to do this album for fun (and the Teenage Cancer Trust to whom he is donating his share of the earnings from this album) this sense of fun can be heard in the music and performances.
All in all a terrific album!
on 26 March 2014
As a fairly recent fan of Wilko, I have ordered alot of his back catalogue, and looked forward to this release with great interest. It is fantastic to hear Wilko's blistering riffs backed by a terrific band- while part of me prefers Wilko to sing his own tracks, Roger's vocal dexterity lends a new dimension to these classic tracks. Keep on rocking Wilko- one of this countries greatest and most unsung guitar heroes. You live forever.
on 29 November 2014
WORTH IT FOR SECOND DISC ? I already have the first edition of this cd, I would rate that at around 3 and a half stars, being a feelgood fan since their first album I have grown up with Lee Brillaux's vocals and of course wilko's and although neither are the greatest of singers they did write most of the stuff and have the passion to make it work. I think Daltry's voice is not what it used to be and sounds strained and a bit flat at times but I am very much used to the originals, so if I was hearing these songs for the first time all would change. All of the songs on this second edit have been available before(different versions) cept for muskrat a new studio song written by wilko and featuring Daltry on vocals. So we have 4 other studio recordings of alternative versions that appear on the original disc, then 6 live tracks from 2014 shepherds bush gig, then 7 more live tracks feat Daltry from 2014 gigs. Some of these versions do benefit from extra keyboards and harmonica for a fuller sound, If only Daltry could remember the players names when he gives thanks !! I am happy with this disc but I am a bit of a fan and think this good enough to buy for this extra disc but there are better dr feelgood/wilko albums out there to enjoy before buying this one.
I purchased this as a gift for a friend's birthday next month and, since it wasn't for me, I would have been perfectly content to have it crawl its way towards me via Super Saver Delivery... were it not for the associated MP3 download that was included in the price of it. What I knew (indeed, what I still know) about these two, fabulously complimentary, artists and their work could all be put on to a Lilliputian postage stamp while still leaving space for a couple of chapters of 'War and Peace', but it took just a few bars of the opening track, 'Going Back Home' to really grab my attention.
And, by the time 'Can You Please Crawl Out Your Window' came around, all I knew for sure was that I simply had to fork out for the expedited delivery of the actual hard copy no matter how expensive it turned out to be... because to deprive my friend of this fantastic collection of music for a whole month would have been quite unjustifiable.
I did tell him all that when I proudly presented it to him (I was hoping he'd reimburse me for the price of the next day delivery actually but, so far, no joy: I think I was a bit too subtle) and, as it stands, I'm still going to have to find him another birthday present. But, just as I suspected, he has done nothing but rave about this since he took possession of it. It would have made a fine, fine birthday present, I was right about that.
It still might do. I just need to somehow acquire the hypnotic services of someone like Paul McKenna sometime between now and the 23rd April, so my friend can be 'persuaded' that he has never heard this CD before. OK, yes - it will save me the price of a replacement gift (less whatever Paul McKenna might charge to make those sort of house calls)... but, much more important than that, my friend will be able to experience the sheer joy and excitement of listening to those first few bars of 'Going Back Home' for the first time, all over again.