Learn more Download now Shop now Learn more Shop now Shop now Shop now Shop now Shop now Learn More Shop now Shop now Learn more Shop Fire Shop Kindle The Grand Tour Prize Draw Learn more Shop Women's Shop Men's

on 18 September 2014
This is a classic 80's slasher movie with a more than amazing Blu-ray release, basically the story is a group of young dancers are rehearsing for a play one night in an old theatre and get locked in while an escaped mental patient from the hospital has found his way inside and begins to kill them off nastily one by one! If you love the video nasty era and horror slasher movies from the 80's in general then this is a must have, great cast here too, the usual fodder for the killer mainly girls, plenty of great bloody kills all presented uncut, the movie has a great music score too, very erratic and over the top at times! Exposurecinema have done a top notch job of this release lets hope they do more of these classics.

Blu-ray picture looks brilliant. Has DVD version too.
UNCUT, comes with mini booklet about the film 22 pages.
Loads of very cool features including several cool documentaries lasting from 30 - 50 odd minutes.
English language, 90 minutes, REGION B only.
33 Comments| 10 people found this helpful. Was this review helpful to you?YesNoReport abuse
on 22 January 2016
Limited to 3000 copies
Cheesy crazy film finally uncut, given excellent treatment bluray picture & sound is 5 stars film 3 - 4 stars extras 5 stars.
If your a fan of crazy Italian slasher films you must buy this & for only £6.00 its a steal.
In 6 month's this will be selling on eBay for 10 times this amount don't miss out.
0Comment| 2 people found this helpful. Was this review helpful to you?YesNoReport abuse
on 22 September 2011
Regarded as a slasher flick but there is not that much slashing,more thudding pick axe!This film is frankly nuts but highly entertaining,and delivers violence wise,some great,inventively gruesome set piece killings,one of which is so surprising I'm tempted to turn spoiler but won't.It's the directorial debut from Italian Horror maestro Dario Argento's most prodigious pupil,Michele Soavi.I was inclined to give it 4 stars for lack of extras,it's a bear bones release,one of Blue Undergrounds earlier releases only offering a trailer&Soavi bio,and that's yer lot but what you do get is an uncut,region 0(usually listed as reg 1 but double check with seller)fantastically enjoyable slice of mayhem!.The murderer uses a Giant Owl mask/costume,I'm not sure of this but it must be the biggest head disguise in horror cinema,knocking off a crew of young actors rehearsing a musical(about a horror no less!)who look amusingly like failed auditions for 80s triple cheese fest"Fame",best of which is John Morgen who really is as camp as a row of pink tents,this is the hard man from Cannibal Ferox&equally,well more,demented guy in Cannibal Apocalypse,prancing and dancing in spandex,classic!The violence thus feels unexpectedly high,stylish but with a knowing sense of it's place,it's purpose is to entertain fans of crazy horror flicks and it's mission accomplished,never a dull moment,nothing complex,It's not"Dellamorte Dellamore"(aka Cemetery Man)or"The Church"(La Chiesa),great films by same director,Stagefright is very different with tongue firmly in cheek compared to the better known,far deeper and darker Soavi films I mentioned,just leave your brain at the door and be entertained!

0Comment| 4 people found this helpful. Was this review helpful to you?YesNoReport abuse
on 5 August 2017
So, only 3000 copies made, eh? That's 2,999 too many! Sometimes, with 80s films (not always) we wonder what all the fuss was about, but I just can't imagine myself being entertained by it, even back then! Probably the worst acting I have EVER seen and a 'plot' line that was written on a postage stamp! Implausable characters and cornier than a rich farmers field!
0Comment| One person found this helpful. Was this review helpful to you?YesNoReport abuse
on 30 May 2016
Well if you are wanting the best current version of stage fright this is it. Its a really thin box if only all blu-rays were this size it also comes with a booklet which has some stuff about the film and the directror as well as photos of alternative titles and covers. The picture is great and its duel format so if you cant find a blu-ray player or want to lend it out to someone without one you can.
The film its self is one of the original video nasties its hard to see why as it isnt that gory you can see a clear influence of suspiria and inferno on the film but is more violent than both of them. It is a bit predictable but it has one of the best slasher villiains in my opinion whats cooler than a man with an owl head its like a scooby doo episode gone crazy.
The film is pretty fun and i dont think it really gets dull so enjoy fellow slasher fans
0Comment| 2 people found this helpful. Was this review helpful to you?YesNoReport abuse
on 13 September 2013
Stage Fright released in 1987 can be described as an Italian giallo, even in the dying days of the genre. This was Michele Soavi's first feature film, and it succeeds for the most part incredibly well. Full of tension and atmosphere its hard to look away from this gem of a movie. Most of the film is played out during theatre rehersals, but there is a maniac on the loose behind the curtains- and ready to slice and dice everyone on board. It's a film with a plot that could have failed, yet Stage Fright is engaging full of interesting characters and carries it off very well. Try and get this edition as its uncut, and I'm quite sure the UK releases have some cuts.
0Comment| 2 people found this helpful. Was this review helpful to you?YesNoReport abuse
on 19 June 2014
Stage Fright is the brilliant debut slasher/giallo film from Michael Soavi, it was also produced by joe d'amato's filmirage. A group of actors rehearsing a play about a nameless killer find a new name attatched to the character- Irving Wallace when Wallace escapes from the local mental hospital and kills a wardrobe mistress. The director locks everybody in the theatre overnight to rehearse the play so it can be brought forward to cash in on the murder publicity. But Irving Wallace gets locked in too and he wants to continue his killing spree. The key was hidden by his first victim. Despite the apparently cliche ridden plot this film really manages to shine. It has a bit of everything - strong gore, nice 80's music, great style and some real moments of tension and suspense. The Killer also wears this large owl mask which gives him this really ominous and creepy presence. You can tell that director Micheal Soavi learned alot from Dario Argento since he worked closely with him alot during his career, he was kind of like a protege. The setting is one of the better features of the film. The building is incredible, with several great stalking areas, long hallways, a huge stage for the production and so much more going on that there's a really great feel coming from the location. This one offers up many great moments from the location that really work well. This also has a great air about it, one that feels perfectly comfortable being such a film. It doesn't stay away from any of those typical clichés. This one gets sown and dirty with being a traditional slasher film. There's a whole lot to enjoy from this one due to how much it plays by the slasher rules. That means that it puts in appearances for almost everything the genre has to offer, and it makes the film seem that much more important because of it. This one also becomes more entertaining when it moves into the slasher territory, since this has plenty of goodness from its slasher moments. The stalking is among the best in the genre, as every single one is tense, exciting and wholly interesting, which is exactly what a stalking sequence should be. The chase up into the rafters is beyond glorious, as there's a long battle to get there, followed by several extended stalking scenes and there's even a couple of particularly brutal kills as well. This one gets more points for several scenes it doesn't seem obvious as to what's going to happen, and that is a fantastic skill to having in a film, much less several times within the same sequence. A later scene where the killer attacks a group of victims who have locked themselves inside a small room is another standout scene. The last really big plus is it's blood and gore. The kills here are out-and-out graphic, where one is pulled into view from below sawed in half at the waist with a chainsaw, repeatedly hacked with an ax, decapitated with an ax, drilled through the stomach with an electric drill, set on fire and stabbed in the stomach, among so much more. These here all make it that much more important. This is one of the best of the genre. Highly recommended to all Italian or giallo fans, as well as those into the late 80s slasher scene.
0Comment| One person found this helpful. Was this review helpful to you?YesNoReport abuse
on 14 November 2012
The film opens with a troupe of actors rehearsing in the theatre late at night, it's a musical about a mass murderer known as The Night Owl. During rehearsal, one of the performers named Alicia sprains her ankle. Without telling the overbearing director, she and the wardrobe mistress, Betty, sneak out to go and see a doctor. The only place near by where a doctor would be is the mental hospital, so they decide to take a chance and go there. The doctor on duty decides to make an exception and agrees to help. Whilst there, Alicia asks about one of the patients and is told that it's the notorious mass murderer, Irving Wallace, an actor that went beserk and chopped sixteen people up into little pieces. Whilst Alicia was getting her ankle treated by the doctor, Wallace kills an orderly and puts him in his bed. The two girls leave and head back to the theatre, completely unaware that they're giving a lift to an extremely psychotic hitch-hiker. Once they arrive back, Alicia heads back in hoping the director hadn't realised she'd gone, leaving Betty to park the car. Alicia is then told by the smarmy director to go home, but to clean out her locker before she leaves. She packs her things and heads out to the car where she makes a gruesome discovery, Betty has taken a pickaxe through the face. She runs back inside and the police are informed, they seem certain the killer has left the area but a police car will be parked outside all night. The director being the kind-hearted man he is, decides to change the name of the killer in the script to Irving Wallace and asks everyone to stay behind and continue rehearsals, he also asks one of the actresses called Corinne to lock the door and hide the key. Once rehearsals start again, Brett who was meant to be wearing the giant owl head to play the killer, has been replaced by the real killer. He kills Corinne on stage infront of everyone as he was meant to, but only Alicia realises it's for real. With Corinne dead, no one can get out of the theatre. Their only option is to stick together and hope to survive, or to beat the killer at his own game.

Barbara Cupisti is pretty good as Alicia, she's a veteran of this type of film having appeared in Lucio Fulci's New York Ripper, Dario Argento's Terror at the Opera and a couple more of Michele Soavi's films. I really liked the way she played Alicia with inner strength, but also with vulnerability. David Brandon also plays his character of Peter the director quite well, he makes his character very unlikeable but manages to bring you around a little as the film progresses, despite being a little over the top in certain scenes. Every Italian horror fan will know exactly who Giovanni Lombardo Radice is, he's appeared in a lot of the best known Italian horror films and has even made a few appearances in US films in recent years. His most memorble roles were probably in his first four films, Cannibal Apocalypse, City of the Living Dead, The House on the Edge of the Park and Cannibal Ferox, all good films and well worth watching. I think the whole cast do a good job, director Michele Soavi even gives himself a small role as one of the cops who are parked outside the theatre.

Michele Soavi made his debut as a director with Stagefright, after working as an assistant director for five years for Dario Argento, Lamberto Bava and Joe D'Amato. I highly doubt that any of those could have directed the film any better than Soavi did, it's quite simply a brilliant debut. I feel quite sad that he only became a director right around the time Italian cinema was coming to an end, many of the best Italian directors from the previous twenty years or so had already retired or moved on to TV movies and TV shows by the late '80s, you could argue that Dario Argento's last really good film was Terror At The Opera from '87. Soavi went on to make the The Church in 1989, the strange but interesting The Sect in 1991 and the brilliant Dellamorte Dellamore aka Cemetery Man in 1994. I think it's fair to say that Soavi was probably the most successful director of horror films in Italy between 1987-1994, if only he had started directing ten years earlier I see no reason why he wouldn't be spoken about the way Argento and Fulci are. After the success of Dellamorte Dellamore he took five years off, he then returned to the wasteland that was Italian cinema and moved into low budget TV movies like most of the best directors, having his talent wasted. The music is outstanding and really helps the film to develop its claustrophobic atmosphere, and the killer wearing the giant owl head is creepy and inspired. There's also some really bloody moments in the film, but it's much more about atmosphere than blood and guts. It's also worth mentioning that it was produced by Joe D'Amato who directed many a smutty film but also some great films like Anthropophagus, Horrible and Beyond The Darkness. The script was written by George Eastman who was a fine actor who gave it up to become a full time writer, surely one of the most talented men in Italian movies. What was achieved for $1,000,000 was amazing.

The DVD is classic Blue Underground, it's another great film that's been beautifully transferred to DVD but lacks any sort of decent extras. The only extras are barely worth writing down, a trailer and a Michele Soavi biography. There's also no option to watch the film in Italian, which isn't a problem as most of the actors seem to be speaking English anyway, there's also no subtitles. Stagefright has more humour in the film than you would think, though that's mostly in the first half of the film. There's a particularly funny part right at the end involving a character called Willy, where he really enjoys repeating himself. I've also heard people call Stagefright a giallo, but to me it's not one. Giallo to me makes me think that the film is going to have some sort of mystery that's going to be solved by a character throughout the film, leading us on their journey to find the truth. There's nothing like that in Stagefright, so I think it should simply be called a horror. Stagefright won't be for everyone, but if you love European horror, you should love Stagefright.
0Comment|Was this review helpful to you?YesNoReport abuse
on 31 January 2015
its amazing, and its aquarius, on blu! i loved this when i was an argento nut when i was 12, and it looks great after the many non animporphic terrible dvd transfers i bought from all over over the years
0Comment| 2 people found this helpful. Was this review helpful to you?YesNoReport abuse
on 4 March 2016
I saw this film back on the I think Avatar label on video over 20 years ago. It was cut of course thanks to the BBFC but this uncut blu ray/dvd combo is brilliant and the extras are excellent as well as a nice informative booklet. One of the best giallos from the 80's. The first film from director Michele Soavi and he directed a classic Italian horror.
0Comment| One person found this helpful. Was this review helpful to you?YesNoReport abuse

Sponsored Links

  (What is this?)