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Fantastic news/media critique - abysmal character relationships
on 19 February 2017
The first thing you have to tune in to is writer Aaron Sorkin’s unrealistic ping-pong-ping-pong rapid fire dialogue. Sorkin feels like the Tarantino of scriptwriting, everything seems to make it to the screen unedited, and you can hear him through the lines, smugly asking you: “Can you hear just how smart this show is!? Did you catch that cultural reference!? Can you keep up OK? Are you impressed? Please admire me…”
The show is split into two main areas – the elite production team that are trying to bring facts and ethics back into news broadcasting, and two personal love dramas between various employees. The news stuff/cable network politics is absolutely dynamite and I could watch it all day; it’s dramatic, informative, well-researched, well-written, eye-opening, and makes for some of the best acting, speeches, and #scenes I can remember watching. The love angles on the other hand completely torpedo the show: it’s old writers writing unrealistic dialogue for youths; actors struggling to play dated neurotic caricatures; stretched out sub-Dawson’s Creek relationship arcs. I hate fingering people out, but it child over-actor Alison Pill plays the most unlikable love-interest in history – a terrible actress/character combo.
To top off the stupidity, there’s a throughline of abysmal slapstick moments like people walking in to doors, falling over objects, ‘hilariously’ struggling to put trousers on, and general ACME antics that would perfectly match this song. When one of the female characters gets splashed by a passing Sex and the City tour bus playing the show’s theme song, I wanted to chew my fists off – this potentially great show is jumping sharks in season 1.
It’s ironic that a ‘highbrow’ concept about how stupid TV has become, decides to devote over half of its runtime to banal and moronic will-they-won’t-they love stories, aimed squarely at the very idiots it’s trying to scold. Worse still, this is clearly Sorkin’s idea as HBO doesn’t tend to shy away from serious, engaging, and intellectual television. More than anything else, it’s a shame that the scathing, and brutally honest critique of US mainstream culture (especially tabloid press & broadcasting) loses out to second-rate soap opera stories.
I can’t remember any other TV show that is so brilliant at some things (news, drama, dialogue), and inept at others (relationships, interactions, dialogue). You’ll be fist-pumping the air one minute, then tensing up in maximum cringe mode at the next. It gives with one hand, then takes a steamy dump all over both of your hands.
I could watch Jeff Daniels and Sam Waterson all day – and there’s a phenomenal mini series praying to be edited out of this – but in the current form, The Newsroom is one of the most frustrating TV shows you’ll ever watch.