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Customer reviews

4.4 out of 5 stars
17
Symphonies Of The Night
Format: Audio CD|Change
Price:£15.75+ Free shipping with Amazon Prime


on 11 January 2014
Pre-ordered on strength of "Meredead" plus all earlier albums. Played once - underwhelmed. Left a few weeks then played again - still underwhelmed , hit the skip on several tracks down to "growling overload ". Several other songs set out promisingly enough but somehow lose their way down to either recycling too many bars from previous albums or even some straining in Liv's vocals not sounding quite right.

So what's up here? Well ,first, where "Meredead" was light on grunts/ growls from Alex compared to all Leaves Eyes previous albums, for me at least this album simply overdoses on them . Next, in some songs here Liv seems to be trying to develop a heavier "opera metal" vocal style only to sound as if she is trying to force her vocal chords beyond their natural range. As a folk-metal "whispering goddess" Liv has few equals, and has been equally entrancing in much of her "solo" work likeDeus Ex Machina

Sometimes a band needs an outside producer to bring out its best. Especially one ,as here, with several albums already under its belt. Alex has worn both his Mastersound Studio Producer and his band-member "hats" together on all these, until now nearly always to great effect. And any other band `s album I have that he has produced has always turned out very well.

For some reason though it just hasn't worked out near as well this time.
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on 4 January 2014
A great album which is deceptively simple and easy on the ear. It just steamrolls along without any intricate, complicated or difficult passages to sway the momentum. I would say that Leaves Eyes are no longer Symphonic *Metal* but rather Symphonic Heavy Rock. The anarchistic edge of that Metal sound has gone and has been replaced by melodious and powerful rock tunes.

Liv's voice has never sounded so good. She is by far the most dominant voice on the album. There are male extreme vocals as well but not enough to interfere. Every song sounds confident and sure of itself. There is not one dud or filler on the whole album. Great tunes, great vocals and a great achievement in my opinion. This must be Leaves Eyes most self assured and accomplished album. It is however a simpler album too. With less experimentation and more focus on power and drive.

The album has a warmth and a richness to its character too. Every song sounds like a "power ballad". I really enjoyed it. It is another step forward for a great band.
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on 3 January 2014
I don't know why some other reviewers haven't liked this album - I loved it!
As the title suggests, it has a darker feel to it than previous albums, with songs like 'Symphony of the Night', 'Ophelia', 'Nightshade' and 'One Caress' giving it a dark fairytale-forest kind of feel. It's got a great range of moods and scenes: the title song has a beautiful, operatic, somewhat lamenting sound, 'Hell to the Heavens' is a powerful and (from what I can see) very popular track, 'Fading Earth' is a simple but very strong, catchy and melody-based song with an epic film-soundtrack sound to it, 'Galswintha' is a folk dance-type number with a danse macabre feel, telling a sort of dark legend, similar to 'Angel and the Ghost' (another melody and story based song), and 'Ophelia' is an epic highlight that encapsulates all elements from the album, with a powerfully catchy melody in the chorus, soaring vocals from Liv, some Krull vocals in the bridge, a strong structure and the story of Ophelia behind it. There are also quiet, hauntingly beautiful ballads in the form of 'Nightshade', 'One Caress' and 'Eileen's Ardency', the last of which is a folky, Shakespearian-sounding song with a steady, hypnotic beat.
My one criticism - and I know that not everyone agrees on this! - is that there's a lot of Krull's vocals, and some songs, like 'Hymn to the Lone Sands' and 'Maid of Lorraine', I feel are just back-and-forth alternating patterns of Liv and Krull, therefore lacking some structure. Personally, I prefer the tracks with as little growling as possible.
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on 14 January 2014
I have never liked Leaves eyes. I saw them at Bloodstock but I was not keen on their Nordic folk Viking metal. I think this album is heavier than previous outings. The vocals are more ethereal but they have the added bonus of a gruff metal singer to bulk up the sound. When they first came out their were many bands trying their hand at the Nightwish sound. Most of these bands have fallen by the wayside.
The production is great. Yeah the folk is still there but now there is opera in parts. Metal in others.
I love it.
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on 23 October 2015
Almost every track Here is a winner. As some others have commented she is straining her voice to hit pitches beyond her range but it works, and works a treat . She sounds magnificent , and is a delight to listen to
Singing about burning at the stake , haunting the person who caused your death what's not to love ?
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on 28 October 2017
I've been a fan for many years. This album i believe is their best. When i heard it for the first and even the sixth or seventh time it cast a spell. Maid of Lorraine is possibly one of their finest moments. Buy this album and get lost in it. Highly recommended.
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on 8 February 2014
After taking a chance and buying a ticket to see leaves eyes at rock city Nottingham..... I'm hooked! Stunning vocals stunning presence.... let this band carry on! And hopefully I can see them at rock city again knowing more of their back catalogue!
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on 21 May 2017
Thanks.
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Very good
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on 4 January 2016
excellent!!
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