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Customer Reviews

4.3 out of 5 stars
4.3 out of 5 stars
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on 3 March 2017
Thanks great cd
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on 16 April 2017
Fantastic albums. And it's still a Best seller now. Truly fantastic. It's like being in a night club. Everyone on here buy it. You will love it.
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on 25 April 2017
WOW !!!! just bought this one, and I realise I've just been missing one of the best dance albums of all time. EVERY song is just perfect. Thank you Boys (Stuart too!)
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on 6 April 2017
Great album
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on 2 April 2017
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on 19 September 2014
I am a huge Pet shop boys fan and had been to see there tour where a lot of the songs on the album are from. There are not a lot of tracks on the album, but it was not expensive so I think it was worth it.
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on 29 August 2014
Definitely the strongest thing they've produced in years. I slightly dreaded this release as I'm certainly not what you would call a "dance music" fan. I've always been drawn to Pet Shop Boys by their melodic gifts, interesting lyrics and arrangements but this, their most dance floor orientated release perhaps ever, also happily includes some of the most fresh and interesting songs of their career. Elysium had some moments but it's lows (looking at you "Winner") were enough to bring it down considerably in my estimation. A year since acquiring it I'm still keeping this album in my all time PSB top 5.
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on 23 December 2013
I like the people, I like the song, this is my kind of music, they play it all night long.

The first time I heard Vocal, I couldn't believe it was PSB, it's an epic tune. I am gutted I haven't been able to get to a show this year, just for that, all those lasers. I was filled with utter green envy watching that crowd go bananas on the concert they did in Buenos Aires almost at the beginning of the Electric Tour.

I have been a fan for a long time, because they have been around for a long time, and I feel I have learnt alot through their influences, in art, history, social observations etc... but I think Electric is almost devoid of it's need to get deep, like another review on here, it's less about the lyrical content, the story and more about the energy and excitement. It feels more like a Chris Lowe project than a Neil Tennant one for sure, but the lyrics are still exceptional on some tracks.

I don't know what anyone else thought when they announced they were doing a Bruce Springsteen song, but I thought 'oh dear' but it is gorgeous, I have even found myself listening to the original, and I never thought I would do that! Electric has had comparisons to Introspective, but I feel it's more like Please, and I am enjoying it immensely, i'm probably going to go deaf from the volume, shame you can't really drive with lasers in the car.

With every artist, you cannot please everyone all the time and as a fan you can't like everything that is released. I can't bear 'Before' and they released that as a single over 'It always comes as a suprise' which is honestly beautiful and of it's time.

Anyway, Electric is exciting and the first of 3 albums they are doing with Stuart Price I read, if this is what they are starting with, then I will be intrigued and excited to see where they go next.

Also I hope they do some more shows next year, i'm not yet fully fulfilled.
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While last year's "Elysium" was downtempo, world-weary and a bit of a revisiting of well-trodden PSB territory, "Electric" - produced by dance wunderkind Stuart Price - is that album's antithesis: it's uptempo, energetic and fresh-sounding.

1. "Axis"
The opener to the album is really a statement of intent, without the usual verse/chorus structure we've come to expect from the Boys, and in fact featuring hardly any vocals at all. The message is clear: this is no ordinary PSB studio album. It's a great - if slightly overlong - start.

2. "Bolshy"
Interlaced with lines spoken in Russian (probably an allusion to the derivation of the word "bolshy"), we get to hear Neil Tennant singing for the first time on the album. Halfway through there's a dream of a breakdown that features the kind of cowbells, handclaps and orchestral hits that might have come straight from the Phil Harding remix of "Always On My Mind" circa 1987. A brilliantly catchy track.

3. "Love Is A Bourgeois Construct"
This track is backdropped against a Purcell melody that'll be instantly recognisable to virtually everyone (Michael Nyman also used this melody in his soundtrack to The Draughtsman's Contract). Like most PSB songs based on classical compositions, it doesn't quite work, but it's still highly enjoyable nonetheless.

4. "Fluorescent"
With a sample of what sounds like someone grunting for a snare drum and banks of wibbling synthesisers that constantly threaten to wibble off key, "Fluorescent" is gloriously sleazy-sounding. Tennant sings about a person's beauty and fame, and how both are destined - just like a fluorescent light bulb - not to last forever. Along the way he manages to rhyme "mark" with "oligarch".

5. "Inside A Dream"
The previous track's less sleazy sibling, "Inside A Dream" is a sublime track with a spritely bassline and a percussion sound that might have been lifted straight from Mel & Kim's "Showing Out". There's something indefinably wonderful - dreamy, even - about this song.

6. "The Last To Die"
The only track on the album not written by Tennant and Lowe, this is probably the strongest song on the album, and a testament to Bruce Springsteen's songwriting skills. It somehow manages to be both euphoric and heartbreaking at the same time, and is reminiscent of "Human" by The Killers (also produced by Stuart Price).

7. "Shouting In The Evening"
This track is light on vocals, and is really just based around a single synth riff - but what a riff! Hi-energy, pounding, infectious: that riff would get any club going. My only complaint is that the track goes out with a whimper rather than the bang it deserves.

8. "Thursday"
"Thursday" has the same kind of bassline and synth pads as the Boys' first ever hit "West End Girls" 28(!) years ago. "I wanna know you're gonna stay for the weekend," sings Tennant, followed by Chris Lowe listing the days of the week from Thursday to Sunday. Then up pops Example, whose rapping/singing style suits the song to a T.

9. "Vocal"
The first "proper" single from the album, "Vocal" is an ode to nightclubbing that, suitably enough, is in the generic style of a clubbing track. The melody - or the vocal - lifts it above the average club fodder though, and, as ever, Tennant's voice sounds so right laid on top of an electro dance track.

This is the best Pet Shop Boys album since 1993's "Very", and the most exciting since 1988's "Introspective". You have to wonder whether it's been made possible by the Boys' departure from Parlophone, a label who'd possibly been demanding "Radio 2-friendliness" ever since the Boys' records were dropped from Radio 1's playlists (if so, those same record company execs will be flagellating themselves with their own rulebooks when they hear this album). Or maybe the Boys are just overly fond of coming up with lush, middle-of-the-road ballads.

Either way, it's the energetic tracks that made the Pet Shop Boys' name. I'll never forget the first time I heard the over-the-top thunderousness of "It's A Sin", nor the first time I heard an old Elvis ballad transformed into a joyous show-stopper. "Electric" has the same kind of feel to it, and I can imagine it becoming the soundtrack to summer 2013 for many people. It's been a long time coming, but the Pet Shop Boys are back on top form.
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on 5 November 2013
Barely 12 months since the release of 'Elysium' and embarking on another tour, I don't know how the Tennant/Lowe stable have found the energy and room in the diary to provide us with latest offering 'Electric.' Now on their own label, the premiss for this album is to throw the rule book out of the window and stray completely off the beaten track of traditional song structure. Exciting eh?!
With complete contrast to 'Elysium', this is PSB hardcore- The synths and sequencers charge out of the speakers like a herd of wild animals who have been chained up for an eternity. Of course, courtesy of messrs Lowe/Gleadall and on this outing 'Les Rythmes Digitales' Stuart Price. This album would not look out of place in Pet Shop Boys' 'Disco' series of long players.
However, it doesn't quite live up to previous dance offering 'Very/Relentless' from 1993,but it is a refreshing PSB journey, proving continued relevancy with guest vocals from Example on track 'Thursday' as well as new material for the massive established for life, fan base. Opener 'Axis' sets the scene nicely for the rest of the album and would fit nicely as an intro to Neil and Chris' tour set. Time for a well deserved rest boys? No chance!!

Disc Jockey.
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