Top positive review
11 people found this helpful
on 21 October 2013
So I came to this release having got over the embarrassingly juvenile band name and being the owner of both Street Horrsing and Tarot Sport. The short clips on Amazon are never going to be much of a clue as to whether to splash-the-cash when you are talking about lengthy compositions welded together and so I returned to the two previous albums and gave them a listen (which hadn't happened in a while).
I love the concept of FBs. I love the noises. I love the songs. The problem with the last two albums for me was that, when the songs were lined up back-to-back, it resulted in an aural assault with little variation of light and shade and by album's end, I was always screaming for less. Now don't get me wrong. I'm as noise-addicted and discordant as the next guy - if the next guy happens to love Autechre as much as I do. The albums weren't so much 'nosebleed' as 'bleeding out through the nose'.
What finally drove me to buy this was the (excellent) review by the two dudes at velocitiesinmusic on u-tube who made me realise that this album actually has...LOW FREQUENCIES. Did they get a new piece of kit ? This was what was lacking in the last two album releases. Furthermore, they are used to such great effect on each track that this feels like...(drumroll plz)...an album...with each track having some respect for the previous one rather than being a variation on it. Overall, the album has the right length, the right blend and sufficient variation for this type of barely-controlled, flailing, abrasive noise. At the album's end, I can even contemplate listening to it again...remarkable.
I really do feel that this is an important progression and I doubt that I'll be so hesitant when the next album comes around.