Top positive review
31 people found this helpful
A welcome evolution
on 17 June 2013
I first discovered Jon's music a couple of years ago and, like many, was enamoured by Opalescent. It was melodic and ethereal without being 'new age', and struck a great balance between emotion and electronics. Likewise with Contact Note, which I saw as a decent step forward for Jon's sound. When Insides hit in 2009, I was at first shocked by the harder-hitting more industrial sound but soon fell in love with that album too (particularly Light Through the Veins which I play almost daily on my commute).
So here we are in 2013, and Immunity is finally upon us. I've read a few customer reviews and some seem disappointed by Jon's slightly 'glitchier' sound, but I personally see this as a huge step forward. Rather than being synthetic and false-sounding like some downtempo artists, Jon uses real-world sounds to create a far more organic feeling that permeates the disc. Tracks like 'Open Eye Signal' and 'Sun Harmonics' benefit from these inclusions. Additionally we're treated to Jon's masterful use of the piano, and the closer - 'Immunity' - is now firmly one of my favourite Hopkins tracks. Sure, it's a slow burner, but this is music that's meant to be listened to more than once; it's an album you really need to immerse yourself in. One listen just won't cut it.
If you're still on the fence about Immunity, I urge you to spin it a few more times before casting judgement. It's a journey that may take a while to get underway, but once it does, it's one you'll want to take again and again.
Top-notch stuff, Jon; long may it continue.