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4.3 out of 5 stars
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on 28 May 2017
Tess of the D’Urbervilles is a classic Thomas Hardy novel which has been adapted a few times into film and television series. Both the BBC and ITV have since done productions which I would say are superior to this Roman Polanski version, though it is worth watching.

The main flaw I would say is the choice of lead actor. I don’t think that Polanski was being as objective as he might have been in choosing Nastassia Kinski to play Tess. She is too “dreamy” and lacking energy and vitality, and the accent is a problem. Overall though ok.
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on 4 May 2017
Nastassia Kinski is achingly beautiful, vulnerable and melancholic in this classic rendition of Hardy's novel. Polanski captures the agrarian life in Victoria England very well, despite having to film this in France, although some of the sets are hence not convincingly that of Wessex.
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on 8 May 2017
Almost word for word Tess of the D'Urbevilles. Nastasia Kinskie is stunningly beautiful in her faithful rendition of the tragic Tess. Despite its tragic ending, it's a must have for your DVD collection.
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on 27 April 2017
This is a classic version and captures the spirit of the novel perfectly.
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on 12 April 2017
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on 2 March 2017
my mum liked her present
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on 5 August 2015
A film featuring some sublime cinematography, a haunting and tragic story and excellent casting and direction, it's hard to imagine a finer adaptation. The Blu Ray version also features a beautiful 4k restoration and is presented in wide screen.
I loved the details of rural life, also the visuals details and the sounds are subtly planted in.
There's lots of beautiful scenery, the picture has a nice yellow during the summer which turns into a slightly subdued blue tint as grey skies and troubled times arrive, there's a nice transition from summer to winter. The Blu ray is a really stunning transfer, the score works wonderfully in 5.1 audio, the dialogue is always clear and distinct. The film deserves praise too for its costume design, sets, location casting and soundtrack. The film is faithful to Hardy's novel and very little has been cut. Tess's hair seems to go from blond to brown as bleak times set in.

The film is about a wronged woman in rural 19th century England, she is blamed and outcast for something that wasn't her fault, the double standards of Victorian and Christianity morality judge her guilty though.

The story is set in rural Victorian England and centres on a young female protagonist and her troubled life. Tess is brought up in a large improvised household and she is a rather underprivileged though not unhappy girl. The condition of the family worsens when her father takes to drink and the family horse is killed in an accident. Tess is whisked off to make money for the family by working for a rich distant relation, her mother hopes marriage to a wealthy gentleman might be the answer to all their woes.

Tess’s character when we first meet her is very sweet and honest, both trustworthy and trusting. She is a good daughter to her parents and shares the responsibility of looking after her siblings as the eldest one. She’s a big girl, bewitchingly beautiful in a pure rustic kind of way. The ideal kind of femininity back then was for a lady to be small and slight, to wear elegant dresses and basically to stay indoors, Tess doesn’t conform to this model.

Tess quickly catches the attention of Alec D’Uuberville the rich young arrogant bad boy of the neighbourhood. Tess immediately feels uncomfortable in his company and especially with his unwelcome advances but she feels unable to leave while her family’s financial future depends on her. She lacks the skills or assertiveness to deal with him while Alec often insists he is only being playful and wouldn’t hurt her, he also spends time buying gifts, including a new horse for her family giving her confused feelings towards him and not wanting to appear ungrateful. In 21st vocabulary we might say the word grooming applies here when describing his behaviour. One night he finally gets her alone after they become lost in the woods on the way back from a party.

The next day Tess heads back to her family home in disgrace, she reprimands Alec for his cruel behaviour and Alec agrees with her that he is a bad man though he does offer to help her if she ever finds herself in need.

Tess confines herself to her childhood bedroom as whispers about her spread across the village, she draws into a state of isolation and depression as a result of what’s she’s been through and how people have judged her. Even in church the one place she ought to be free from judgement and scorn she feels everyone’s eyes on her and hears the whispering going on. The following summer she gives birth to a sickly baby who quickly dies. Tess has spends time recovering before leaving her family again to travel to a new village to look for work. This period marks a bright spot for her, she quickly befriends three milkmaids as well as impressing the farm owner with her hardwork and skills. The summer draws on and life seems idyllic on the farm. Love also appears on the horizon in the shape of a handsome affluent young man called Angel who first appeared near the beginning of the novel. All three milkmaids are also in love with him but it’s Tess who he grows closer too. In spite of his clerical upbringing Angel is a self-styled free thinker who rejects religious orthodoxy. Tess feels she has met somebody much more understanding that others and must decide whether she can tell him the truth about her past. Will he still be able to love her once she’s done so?
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on 5 April 2017
TESS what a wonderful Movie adapted from Thomas Hardy a 19th Century Novelist who portrayed the English West country with so many stories SO SAD AND TRAGIC.
I have just bought the latest version of "FAR FROM THE MADDENING CROWD" by Hardy. It is wonderful to see it modernised and updated beautifully. I love his Books and have every version of all his Book adaptation into films.
I would like to see all of his Adaptations updated into the 21st Century. Like Far from the Maddening Crowd. All 5.1 sound & beautiful soundtracks, and new versions. He wrote so many books. Ye,s all tragedies but fine stories.
I recall reading TESS and crying all the way through it. I could not put it down. It has only been adapted twice. This version by the great Director "POLANSKI"AND A VERY GOOD MINI SERIES
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on 15 September 2003
Polanski's version of Hardy's novel is a cinemagraphic treat, and a deftly scripted screenplay. There are very few deviations from the plot of the book and there are frequent lines of dialogue lifted directly from the novel. Natassia Kinski plays Tess to perfection -- with a fatalistic melancholy and innocence that captures the character that Hardy invoked so decisively. She is also astoundingly beautiful without seeming to ever realise it, which is one of the causes her downfall. The filmic representation of Tess' life is wonderfully managed -- particularly good is the way the summer Tess spends working at the dairy farm and meeting Angel is portrayed in sumptuous golden light before things go pear-shaped and the scenes become mist-filled and mud-strewn as Tess lives out her unhappy life. Hardy was making a statement about the industrialisation of the countryside and the destruction of rural ways of life at the end of the nineteenth century. Polanski has managed to translate this from book to film in mesmerising fashion, mostly with the aid of visuals such as the ear-splitting, steam-driven machinery in use at the industrialised farm Tess is forced to work at after Angel leaves her. This compares to the slow-pace of rural life at Tess' home and at the dairy. The film's atmosphere and the characterisations are deep and rich, and is certainly the best film adaptation of a Hardy novel despite some stiff competition. Just one aside -- the film is dedicated to Polanski's murdered wife Sharon Tate.
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on 11 November 2008
When this film first came out I watched it, having been a fan of the book. It's been many years now, and I decided to buy it on DVD as I was inspired by the new BBC version.

Polanski has shot a truly beautiful version of Tess of The D'Urbervilles. Nastassia Kinski is stunning and so innocent as Tess. Angel is played by a very young Peter Firth (Harry in Spooks), and both portrayals are sensitive and believeable. The way it is shot shows Polanski's talent for cinematography and some scenes just take your breath away.

I do feel this film suffers because of it's length. The end comes too quickly and seems to be rushed. There's no doubt that this film is beautiful and haunting, but it is not emotional enough to make me cry.
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