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Customer reviews

4.6 out of 5 stars
Tell Where I Lie
Format: MP3 Download|Change

on 8 April 2013
With a wonderful mix of Fleet Foxes and Turin Brakes at their best, this album delivers on all fronts. After listening to their two previous EP's and the free download from their website, the first full length album was eagerly awaited.It delivers with a wonderful flowing musicality, making it easy on the ear whatever the mood and wherever you are?

This two piece from Leeds will hopefully gain more fans from their current tour and I for one look forward to seeing them in Bristol. The challenge is to reproduce the mood in a live setting and to keep coming up with outstanding tracks such as Let It Go, which will make the band more commercial and gain increased levels of air play. As an album, the tracks all play their part to make the mood work and long may it continue.

Buy the album, put on your headphones and just listen. Trust me, there are far worse things to do in this life.
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on 18 May 2013
Their harmonies to die for. I've been waiting seemingly ages for this album to come out and I wasn't disappointed.
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TOP 500 REVIEWERon 22 December 2013
I was lucky enough to catch these at a festival (End of the Road) earlier this year and was not expecting too much and yet was blown away. They all play beautiful music so effortlessly that it seems almost too easy. They harmonise brilliantly with falsetto ranges that blend perfectly with the tunes. The album is a collection of songs that seem to flow into one another but all retaining enough individuality to be able to stand alone.

I particularly am enthralled with opener `Let it go' but also `boy with blackbird kite' and `under my arrest' are all sublime with soaring vocals and musical accompaniment that is based around strings of one form or another. `When Frank became an orb' was also a previous single and oozes quality. They have been compared to both `Fleet Foxes' and `Turin Brakes', which is very fair but I actually think these guys are better - there seems to be more meat to their music and certainly so in the live performances that I have been privileged to see. I have been listening to this for a number of months and it is still growing on me which is no mean feat. I can absolutely recommend and can't wait for a new offering from them.
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on 9 April 2013
Think the rich harmonies of Fleet Foxes, the intricate melodic architecture of Elbow, the rhythmic drive of James' Laid, and the lyrical dexterity of Bon Iver. Or, since this already feels like a classic, Simon and Garfunkel meets The Byrds and Harvest-era Neil Young. The generation you hear in its influences really doesn't matter, but the album surely does. Fossil Collective is a band with serious musical ambitions and their debut LP achieves the small miracle of pulling an authentic, nearly lo-fi, rabbit from a meticulously recorded hat. Only musicians of rare talent and soul can achieve this feat, which is borne out by the fact that multiple vocal harmonies, subtle dynamics and instrumental perfectionism are also the core of the band's live sound.

This album's motif is the element of air. Skies, stars, kites and birds adorn the lyrics, and the soundscape conveys the sense of an aerial view. Perhaps that's why Tell Where I Lie satisfies and intrigues enough on first listen to warrant further attention, like being struck by the beauty of a new country from the air so wanting to land and explore it. Landing here does not disappoint; it grows and grows with every subsequent outing until you find yourself humming the horns from Brother or the strings from Monument without even knowing what they are.

Let It Go, On and On and When Frank Became an Orb have previously been released on singles and EP, and they form the album's band-defining spine. But the new material is a joy. Under My Arrest sounds like late spring rain falling on your face after a hosepipe ban, Dave Fendick's angelic lead vocals wondering "Am I just a falling star?". Boy with Blackbird Kite struggles upwards like its subject and ends soaring in clear skies. Wolves pulsates with the bitch-in-heat of a sweaty summer night. British Sea Power would be proud of the shimmering Brother, which explores the theme of reconciliation and includes a line which could be the album's long-haul motto: "Now it's time to forget about time". Monument and The Magpie are the most ambitious tracks, and neither misses a beat. Each creates a cathedral-sized instrumental space which is amply filled with the sonic equivalent of watching the sun set over the Himalayas from 30,000 feet. The Magpie put me in mind of The Indigo Girls meeting recent Radiohead; and the 2:44 minute guitar-and-vocal How Was I to Know testifies to the pure songwriting nous that underscores every track, ending the album on a wintry note and hinting at another reason why the whole effect feels timeless: the album is structured, consciously or not, like a flight through the seasons of a year.

Only time will tell whether this album gets the attention it richly deserves, but it could be the soundtrack to your 2013. It will be mine.
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on 8 September 2014
why did i buy this?
i wonder if i can get some other sucker to buy it off me?
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on 14 September 2013
It's all been said already here, the soaring reverb soaked harmonies, beautiful melodies, fleet foxes inspired. But there's also a good dose of Midlake in there too, which seems to lend itself perfectly to this time of year, melancholy, reflective....(maybe Turin Brakes too, but don't let that put you off!) It's just what you need in September in England as you think back to the now fading summer. I stumbled on them at End of the Road festival a couple of weeks ago, and had a perfect half hour lying on the grass, couple of pints of proper beer and a few clouds floating across a blue sky. I've listened to this album a few times since, and it keeps getting better.
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on 2 February 2015
Wow! I just downloaded this album on the strength of other reviews and it was recommended along with the Barr Brothers. This is a fabulous album, one of the best I've heard in a long time. Everything about it is good, all songs are very strong, no fillers. The vocals and harmonies are stunning and instrumentals are varied and outstanding. This is a must buy album and usually I'm hard to please. I've only played it once and had to write the review immediately. Well done Fossil Collective, a fantastic album!
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on 16 December 2013
I saw this band live in Portsmouth a few weeks ago having never heard of them before and I fell in love with them instantly.
Absolutely amazing live and they seem like very nice, modest and humble chaps.
Highlights for me are 'Let it Go', 'Under My Arrest', 'On and On' and 'When Frank Became an Orb' but the whole album is stunning. I really hope they get the recognition they so richly deserve in 2014
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on 19 May 2013
Love this album , even better live. The harmonies, vocals beautiful, original and chilled listening but enough to keep you listening,very cleverly done.
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on 3 September 2013
I bought this CD a couple of months ago after reading that they would be appearing at the 'End of the Road' festival, which we were going to in late August. I liked their music instantly - their harmonies reminded me of CSYN and Fleet Foxes and I wondered if they would be as impressive live. Well dear readers, they certainly were, so if you get the chance be sure to catch them at a venue near you before they start appearing in big, soul-less arenas.
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