Learn more Shop now Learn more Shop now Shop now Shop now Shop now Shop now Shop now Learn More Shop now Shop now Learn more Shop Fire Shop Kindle Learn More Shop now Fitbit

Customer Reviews

5.0 out of 5 stars
2
5.0 out of 5 stars
5 star
2
4 star
0
3 star
0
2 star
0
1 star
0
Format: Audio CD|Change
Price:£14.93+ Free shipping with Amazon Prime

There was a problem filtering reviews right now. Please try again later.

In recent years, a few recordings have begun to appear of the music of this hitherto little-known Neapolitan composer of the mid-baroque. With one exception, the hard-to-find Provenzale/La Colomba Ferita, these have generally concentrated on Francesco Provenzale's sacred music. This present work, then, is a revelation, at least to me. Post-Cavalli in style, the music is highly attractive, graceful and colourful, with never a dull moment.

The plot of this 1674 opera is full of the usual baroque absurdities. As befits a work titled "The Revenge of Stellidaura", it's a story of passion, amorous intrigue, rivalry, treachery, vindictive and wrongful punishment, mislaid letters, mistaken identities, miraculous recovery from presumed death, long-lost relatives and, of course, a last-minute fit of problem-solving (sorry for giving it away!). But this kaleidoscope of baroque activities is a vehicle for genuine and heartfelt emotions, beautifully expressed in music that is subtle, varied and full of great tunes. The five singers - mezzo, two tenors, countertenor and bass - respond superbly to these opportunities, with voices well contrasted and full of character. There's a touch of comedy, too, in the character of the servant Giampetro (bass Enzo Capuana), but finest of all is the splendid performance by the lovely-voiced Stellidaura of mezzo Jennifer Rivera, with every one of her contributions a delight to the ear.

The playing of the period-instrument ensemble Academia Montis Regalis is excellent too, with some colourful and adventurous instrumentation, plenty of plucking, strumming and piping of recorders in the mixture - though with just a bit too much percussion in places for my taste. The playing and singing are stylish and committed throughout, under the admirably spirited direction of Alessandro De Marchi. The two-disc set comes with an excellent booklet, with full notes on music and background, plot synopsis, text and translation. The sound is excellent - it's a live recording, but you wouldn't know it except for a few laughs in the humorous passages and applause at the very end.

Altogether this is a delightful discovery and a highly attractive prospect for baroque fans.
0Comment| 11 people found this helpful. Was this review helpful to you?YesNoReport abuse
on 31 October 2015
excellent
0Comment|Was this review helpful to you?YesNoReport abuse


Need customer service? Click here

Sponsored Links

  (What is this?)