Top positive review
34 people found this helpful
Dense and delightful
on 22 June 2012
The interesting thing about reading these reviews is that the one star and the five star reviews both make comments about this album that it is difficult to deny: it is slow and one paced, it doesn't really ever break its emotional or musical stride and a lot of the tracks do blend into one another.
But that is also its remarkable strength. I think the only real problem with this album is that it needs much, much longer silences between each track so that the listener can effectively absorb what has just been heard. And what has just been heard is always, always, gorgeous. Paul's voice is, as ever, a suberb instrument that he holds on to here, never letting go as he did on some 'Peace at Last' tracks and to a certain extent elsewhere in the Blue Nile cannon. Here he holds on to the emotion in a 'Family Life'esque kind of way which, yes, does sometimes make you want to shout at him 'Let go, Paul, just let go', but you also know him well enough to know that really he can't and that is what makes his voice so powerful and his music so very engaging.
This is an intimate parlour record best listened to on your own, with headphones, late at night with a glass of Scotch and the family asleep upstairs. You can indulge yourself and remember that despite it all, despite the quotidian tedium of getting up and going to work, despite the housework and the cooking, the cleaning and the washing, it is all worthwhile because you are in love.
This is a lovely, lovely record. It is slow, it is one paced. It doesn't break out of the perametres it sets itself. But within them, it is a thing of great beauty.