I thought that “Le Beau Serge” was a pretty amazing film. It was made sixty years ago and was Claude Chabrol’s first feature film as well as being the first feature film for Bernadette Lafont.
I love the look of this film. One can tell that it is fiction, and that it is even perhaps over-acted in parts and yet on the other hand it has an almost documentary feel about it and taken as a whole – I think it is fantastic.
If you like French cinema from the late ‘50’s and early ‘60’s then I would definitely recommend “Le Beau Serge”.
The DVD (Amazon ASIN: B00AMECA4S) comes with a thirty-two page booklet that has information and some great photographs of the three main cast and of the director. The cover of the booklet has on the cover what looks like a poster from the time of the film’s release and the poster shows a pivotal moment in the film that is full of symbolism (to say any more could be a spoiler!).
The DVD itself has got:
“Le Beau Serge” (1 hour 39 minutes) Chapters Selection “Chabrol Launches The Wave: Part 1” (55 minute documentary feature) “L’Avarice” (18 minutes). Short film from 1962 Theatrical Trailer for “Le Beau Serge” (3 minutes)
The 1st Chabrol is a very intense movie. The acting of Brialy, Blain & Lafont is sublime. A story of true friendship where one friend does everything in his power to save the other however it is not that easy because Serge has a huge alcohol addiction. Again sheer beautiful packaging by Eureka! and interesting extra's. A true must have for each admiror of the nouvelle vague.
Classic tale of a complex triangle,the restoration of virtue and nobility within the confines of an insular life. Cast aside the Hollywood flim flam old and new and step into the real world, the birth of New wave cinema!
In what is considered the first film of the French New Wave, Claude Chabrol gives us a hypnotic vision of opposites in the same style as Hitchcock's Shadow of a Doubt. Le Beau Serge follows the story of Francois, a young man who returns to his home town after twelve years, who finds that the town is dying. His landlady even tells him that everyone will be gone soon enough. In particular, he finds that a once-promising childhood friend, Serge, is trapped as an alcoholic in a loveless marriage. The brilliance of the film lies not in its storytelling (it is quite slow at parts) nor its acting (most of the actors were non-professionals) but in its structure. Everything is seen in doubles. Francois and Serge are two sides to the same coin. Each has an elder counterpart. Each has a female relation which seems to switch off at times. Serge has both a wife and a mistress who is at one point Francois girlfriend; at the same time, Serge's wife becomes morally attached to Francois. In addition, scenes are doubled; two scenes in the cemetary, two implied sexual scenes in Glomaud's home, two turns by Francois and Michel at the beginning, the list goes on and on. Furthermore, entire shots are doubled with different couples in each. It is brilliant. In addition, the film looks as if it were unpolished (which is a basic tenet of the New Wave), but it looks as if it was a director's first attempt. But that's not necessarily a bad thing. The greatest detraction (apart from the sometimes overacting) is the musical score. It is extremely discordant with regards to the movie. Minimal scenes such as Serge exiting his house are accompanies by percussion that sounds as if it were a harbinger of doom. I don't know if Chabrol wanted this, but it becomes irritating and causes the viewer to laugh at the film. As an added note, watch for the parallels of Francois and Serge with the town's children. The kids pop up everywhere
I was 11 years old when this film burst on to the international cinema scene, and since I was no cinematic child prodigy, it passed me by. Now, 56 years later, this dvd has enabled me to begin catching up with what the nouvelle vague was all about. I understand French, so it was a joy to be able to watch Chabrol's debut masterpiece at home; although I must admit to falling back on the subtitles a few times when the provincial dialect became heavy. Some clever digital work appears to have been done to restore the print, which is great. Now onwards to its twin film, Les Cousins. This is a great buy for anyone interested in classic European cinema, and a very refreshing change from the offerings from Hollywood.