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4.7 out of 5 stars
4.7 out of 5 stars
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on 14 March 2013
This set of three CDs and one DVD of live performances from 1969 neatly complements Volume 1 of the Bootleg Series with its performances from 1967. The formal clothes of the 1967 quintet have been replaced but, as usual, Miles continues to out-dress the other band members and asserts himself as the leader. There is some overlap with the 1967 repertoire, but from the earlier quintet Herbie Hancock, Ron Carter and Tony Williams have gone, and are replaced by Chick Corea, Dave Holland and Jack De Johnette in the new lineup – only Miles and Wayne Shorter remain of the ‘2nd Classic Quintet’. The instrumentation remains the same. The set offers performances recorded in Europe, similar to the ’67 sessions on Volume 1.
The music is outstanding with all band members on top form. Miles has a full trumpet sound and only rarely uses his mute. Chick Corea plays electric piano mostly, but does play some exceptional acoustic piano solos on the third CD. Although this quintet was short-lived and represented the later stages of Miles performing live in a quintet, all musicians have clearly settled in well and complete a dynamic unit. The playing is quite wild at times, but is not as outlandish as the later Cellar Door sessions.
Sound quality is good in comparison with other live sets, but Dave Holland seems to get a bit lost in the rhythm section mix and can only be heard clearly in his solos, which are strong. Wayne Shorter is often in Coltrane mood and mode, on both tenor and soprano.
Several of the pieces that are new to the repertoire were played on the albums by a larger and more varied group of musicians, so these live versions are markedly different from the studio versions, but are strongly performed regardless. Paraphernalia is very different to the version on the Miles in the Sky album (the unusual guitar work from George Benson on the original could never be repeated and wisely no one tries to cover for it) but is still very enjoyable.
As with Volume 1 several tracks are feature at several venues but, as with the earlier Volume 1 set, no two performances are alike – for example there are three versions each of Sanctuary and Directions. Varying lengths of performances help remove any hint of repetition across the four concerts – for example It’s About That Time comes in at 9 minutes in one version but stretches to 14 minutes in another.
There is less ensemble work in the concert performances than the studio albums, but much of that has to be sacrificed when there is no opportunity for tweaking of the tapes by Miles and Teo Macero in the studio. Bitches Brew and many other tracks could not be played live in the same way as the studio versions, but it is great to hear what the band makes of them. All the performances in the set are much stronger than the Double Image album of a set recorded in Paris, one of the few to document a similar period.
Watching the DVD after listening to the three CDs is very illuminating. The band make an edgy start, similar to that on the first CD, looking as if they have been rushed to start before they were happy with the setting up of instruments and mikes, but then they settle – initially Chick Corea looks as if he does not want to be there at all! The venue is also quite difficult with the musicians exposed on a smallish island stage surrounded by the audience. The frenzied nature of parts of the performances also comes across once the band hits its stride– De Johnette clattering his drums, Holland sawing at his bass and Corea stabbing at his keyboard - and all musicians are clearly playing with both great passion and sensitivity. The CD draws to a close with some superb delicate duo work between Miles and Corea, with both musicians playing intelligently and subtly. This section of the music is quite magnificent and throughout all the concerts Chick Corea has been a revelation, to me at least.
As the music fades and the audience applaud the band thoughts turn to the question of will there be a Volume Three.
Is there anything else to be released? I hope so.
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on 19 June 2017
I loved it,and yes,it's not quite audiophile quality,but very decently recorded nevertheless.I especially enjoyed disc 3,Jack is more than a match as a replacement for Tony Williams,and the incomplete track,it's such a shame,with Chick Corea reaching Cecil Taylor-ish heights,I'd have loved to hear how it ended.Unfair to pick out any single player,really,all are shown to their best advantage,and prove that although only Miles and Wayne remained from before,this version of the quintet deserves far more exposure than it has received.I wonder how Gary Peacock ended up in the Keith Jarrett Standards trio,listening to Dave Holland here....maybe he was reluctant to not be the leader?Or at least,primus inter pares?Given the shared histories of everyone,it would have seemed logical...
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TOP 100 REVIEWERon 17 April 2013
This momentous and exciting release comprises 3 CDs and a DVD of 'The Lost Quintet' with Miles Davis(trumpet); Wayne Shorter(tenor sax & soprano sax); Chick Corea(piano & electric piano); Dave Holland(bass) & Jack DeJohnette(drums).
CDs 1 & 2 were recorded at the Antibes Jazz Festival on July 25 & 26, 1969 shortly before the 'Bitches Brew' sessions during August.
CD 3 was recorded in Stockholm on November 5, 1969.
The DVD shows high quality colour footage of the quintet at an electrifying concert in Berlin on November 7, 1969.
'Live in Europe 1969' captures Miles' transitional quintet at a creative peak and this magnificent release will undoubtedly feature highly in jazz album of the year polls for 2013.
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As I commented with Miles Davis Quintet - Live In Europe 1967 - The Bootleg Series Vol. 1, calling these recordings bootlegs does them a massive disservice!

The recordings here once again come from radio/TV broadcasts, but they demonstrate the advance in recording techniques between 67 and 69. On the CDs the quality is near enough perfect, and the picture on the DVD is near pristine with sound to match! (I played mine through a blu-ray so there would have been some up-scaling, but the picture is very, very good).

So why are these recordings so important? The answer lies not in the fact that you have top musicians here (Davis, Shorter, Corea, Holland & DeJohnette), but in the fact that this particular quintet never recorded any studio sessions. Miles himself considered this a marvellous band and regretted that there were no available recordings. There is a quote from him on the enclosed written material which I am unable to reproduce here due to his colourful language! I am sure that he would be delighted that such brilliant recordings have been made available now.

So what of the music - well it is forceful, demanding, imaginative and stimulating in my opinion. Old favourites have new life injected into them (Milestones, Round Midnight) and the new material (Miles Runs The Voodoo Down, Bitches Brew) contain their urgent searching nature, but the versions here probably sound different to those better know ones. Unlike Vol 1, the drums & bass are well recorded here with Shorter playing as if his life depended upon it. In fact, I am almost tempted to say that Shorter is the star here, much as he is on The Complete Live At The Plugged Nickel 1965, although the big difference here is that Miles is on top form.

The packaging is similar to Vol 1 being a fold-out digipak, but it has the benefit of a slot to hold the folded poster with the written material on the reverse. A much better solution than the previous volume which simply has the booklet loose inside the digipak.

In summary, this collection of recordings is of historical importance for jazz lovers, and essential for fans of Miles - it is a bargain which should be snapped up at the first opportunity in my view!
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on 3 May 2013
Any "new" Miles Davis recordings are welcome, particularly of this famously 'unrecorded' touring band. However, there are superior recordings of this group which are still bootleg limbo, eg two Salle Pleyel concerts, Rome and the Rotterdam concert the BBC broadcast at about 2AM few years ago. We can live in hope.
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TOP 1000 REVIEWERon 19 February 2013
Amazing what people find lurking in their wardrobes, filing cabinets, garages, whatever. Somewhere in the world I'm still holding out for a trove of Clash live recordings, stashed away in the late seventies by some substance-addled punk. In the meantime, the Miles recordings keep flowing.

As with the arrival of Bitches Brew Live, the last Miles CD to arrive en la casa therealus from Sony, La Rubia, my long-suffering significant other, gives a knowing look. After all, look at the track titles here. Isn't that one on at least half a dozen other CDs? And that one? And so on?

Yep. But you Miles savants know like I do that a title signifies nothing. There's a brief statement of a recognised tune, a flourish on the trumpet, and the band go careering off in a new direction. Ninety per cent of what you hear on CD 1 of this set you won't hear on CD 2, and so on, although the Bitches Brew material is a little closer to the studio versions than it becomes a year later.

And then occasionally they really surprise you and stick with a tune for a few minutes, as with Nefertiti, though played here about a quarter faster than on the eponymous album. But it's a little like suddenly seeing a familiar face in a dream. Something instantly recognisable. But then it's gone again.

Also like in a dream what appears is sometimes a face you never thought you'd see again. So in amongst the new fusion-oriented tunes and electric extemporisation are such gems as Footprints, `Round Midnight, I Fall In Love Too Easily and No Blues. And at the end of CD 1 there is a symbolic fusion of the old closer and the new closer, The Theme and Sanctuary. There is, in short, something for everybody. Except, of course, the purists. But to show how fast things were moving at the time, at the Fillmore dates a few months later, in spring 1970, most of the old tunes had gone.

One of the stand-out features of the set is the rhythm section, and especially Holland and DeJohnette, whose thunderous backing drives proceedings like a cattle prod at times. Corea is excellent: a little less funky, a little more delicate in the main than Keith Jarrett, to be heard a year later at the Isle of Wight festival (the main feature on the Bitches Live set). And Shorter is at his most dynamic, especially on the DVD, where it's possible to actually see him winding himself up like a spring before letting rip (and remarkably, you can hear just the same on Without A Net, recently released by the now octogenarian).

But also audible throughout is the clarity of Miles's playing and musical vision. Here he is on the cusp of a major shift in musical styles, and that knowledge is truly awe-inspiring. Takes your breath away.

The quality of all the recordings is superb (I have to agree with the other reviewer who says "Bootleg" is a very misleading title - there were no substance-addled punks involved in this enterprise), and the DVD especially is worth seeing. The colour and clarity are remarkable given the recording's vintage. It could have been made last week.

Inspired by this, I went ahead and ordered Volume 1 (more knowing looks from La Rubia). But although I've long given up on the appearance of more Clash live recordings, I'm still hopeful that Volume 4 of this series is unheard recordings from 1973-4 (Volume 3 has to be from 1970-2), still sadly underrepresented on my shelves.
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on 9 February 2014
You have loads of Miles box sets already and you're wondering if you need this. The answer is yes. Miles is on absolutely blistering form and the energy in the group is tremendous. It is also a fascinating document of a famously under recorded band. Amazingly, a year and half later we have the Cellar Door sessions that were only recently released in full and turned out to be one of the great live recordings of all time. This group looks backward and forwards and doesn't quite attain the highest levels as a result. But that's only by Mile's impossibly high standards. Lots here to to enjoy.
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on 5 July 2013
I bought this tremendous Miles artifact on the strength of the glowing 5 star review in Jazzwise magazine! The packaging and entire presentation of this wonderful CD/DVD is absolutely outstanding! There is a marvelous poster included complete with extensive background information and the accompanying DVD is amazing footage for the time! Miles, Wayne Shorter and Chick Corea improvise with skill and dexterity providing a copious myriad plethora of listening pleasure for any discerning Jazz fan! Do yourself a great favour and purchase this immediately - you won't regret it!
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on 3 May 2013
Why is it even called bootlgged? This is probably hos best live recordings i have come across. Par excellence. His legacy lives on.
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on 9 February 2013
A must have for anyone who likes this period of Miles prodigious output. Two complaints - why has the Stockholm concert only got the 1st set. They did a storming second set which should surely have been included and why no audio of the Berlin DVD? Still, this is wonderful stuff.
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