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TOP 100 REVIEWERon 12 April 2007
This was the first Mingus album I heard in the early 1960s and it still sounds wonderful today.
Mingus assembled a potent band for this November, 1961 session which included multi-instrumentalist Roland Kirk(in his pre-Rahsaan days), the great tenorist Booker Ervin and expressive trombonist Jimmy Knepper all at the peak of their powers.
Mingus's right-hand man Danny Richmond is on drums with Doug Watkins taking over the bass duties leaving the leader to accompany on soulful piano and contributing some bluesy vocals(plus occasional shouting!).
Highlights include the earthy, rumbustious 'Hog Callin' Blues' featuring an inspired Roland Kirk, the churchy 'Ecclusiastics' and the Monkish 'Wham Bam Thank You Ma'am'. 'Eat That Chicken' is a humorous tribute to Fats Waller while 'Passions of a Man' is a strange, surreal early rap with highly unusual and effective instrumental backing. The three excellent bonus tracks from this session, '"Old" Blues For Walt's Torin', 'Peggy's Blue Skylight' and 'Invisible Lady' were first issued on 'Tonight At Noon'.
'Oh Yeah' was the record that turned me on to modern jazz and while not quite a Mingus masterpiece it's a wildly entertaining, turbulent and passionate album that deserves to reach the widest possible audience.

BTW ~ The earlier CD re-issue of 'Oh Yeah'(ATLANTIC JAZZ 90667-2) omits the three bonus tracks but is important for the inclusion of a fascinating 24-minute interview with Mingus conducted by the producer, Nesuhi Ertegun.
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Charles Mingus was proud to be known as a man that (at least metaphorically) 'hollers’ in his music, but on this vibrant, heavily blues-influenced 1961 recording the man literally whoops, shouts and exhorts, in addition to having taken up piano duties and handed the bass to ex-Jazz Messenger Doug Watkins. Elsewhere on Oh Yeah, we discover Mingus teamed up again with Booker Ervin’s tenor sax, Jimmy Knepper’s trombone and Dannie Richmond’s drums, but it is the presence of maverick genius Roland Kirk, utilising to the full his extensive range of ‘home-grown contraptions’ (manzello and stritch, plus more conventional tenor sax) to deliver a whole series of stunning solos, that is one of the defining features of the album. Over his career, Mingus seemed to have been constantly redefining the word ‘exuberance’ and the wild, heartfelt passion flowing through every pore of this album is palpable. Whether it be the layered ensemble playing on opener Hog Callin’ Blues (which gives a foretaste of Mingus’ masterpiece The Black Saint And The Sinner Lady, recorded two years later), or the delicious slow blues of Devil Woman, Ecclusiastics and Oh Lord Don’t Let Them Drop That Atomic Bomb On Me, this Mingus does not let up. Even on the slightly lesser numbers – Wham Bam Thank You Ma’am and Eat That Chicken – the catchy humour is irresistible.

The 1999 Rhino re-issue also includes three worthy additions to the original album recorded at the same 1961 session (and originally released on Tonight At Noon), of which Peggy’s Blue Skylight is particularly notable (not least for referencing a whole range of standards).
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on 11 November 2005
This is one of Mingus' best albums and is unusual in several respects. Most notably Mingus plays piano, and the roaring insistent passages as well as soft comping are hugely effective. The three horns (Booker Ervin and Roland Kirk on sax, Jimmy Knepper on trombone) are powerful and soul stirring. In addition, Mingus' singing/vocalizing punctuate the sounds in a manner similar to drums and bass. For example, the opening "Hog Callin' Blues" begins with a righteously vocalized bop riff by Mingus, and is accompanied by fiery, sometimes dissonant sax work by the great Roland Kirk. The blues similarly colors many songs, but really, Mingus adds his imprimatur to all musical influences.
Ecclusiastics is a blues (well, a Mingus blues) with Mingus' prayer-like bop vocals and piano adding a spiritual dimension. This song is simply beautiful; I'd love to hear this sometime as an orchestral piece! The group shifts from soothing, Ellingtonian strains to buoyant noise in seconds; it is a beautifully realized composition.
"Oh Lord, Don't Let Them Drop That Atomic Bomb on Me" is another musical prayer (with Mingus' famous line "don't let them drop it, stop it, bebop it"). And "Eat that Chicken" is, well, unlike anything: A rollicking song about "eating chicken," which is both farcical and a deeply felt appreciation of appetitive delights. It's a different number alright, but essentially spiritual and akin to a joyous gospel. Passions of a Man is a total surrealistic delight, with Mingus intoning Spanish (or is it a mixture of Spanish and Mingus-ese?) and shouts of "Viva!" set against the group's abstract "Latin." I don't know with what it compares, but it is a daring delight! The Atlantic re-release adds three songs from the 1964 "Tonight at Noon." These are very good, particularly the noirish "Invisible Lady, and are more on the Ellington side of the spectrum, featuring lush arrangements and excellent (but relatively more conventional) sax solos. If you can't get the re-release, you'll still have the essentials of "Oh Yeah."
I highly recommend this to all jazz fans, but it's an essential addition for Mingus fans. The bebop, blues, and spiritual idioms, Mingus' vocal and pianistic efforts, and the brash raucous notes alternating with orchestral statements are combined in an inspired, inspiring masterpiece.

Give this one 12 stars! Hot hot hot record! You won't ever find music more alive then this, if you can sit down while Hog callin blues gets going then you're ready for the crypt. Genius genius genius! Stop it! Bebop it! My god this music is almost obscene in it's brilliance and vitality, at times the ecstasy approaches Klezmer territory, at others it's just sooooo blue that no one else should be allowed by law to even try to play the style after 1962. Filled with all the madness and beauty expected from Mingus, it just goes somewhere else. Rock musicians such as Zappa and Beefheart spent their entire careers trying to capture this feel and never even got close, not really even worth mentioning, I only do so in the event you are a rock fan and don't know this music, so buy this and hear the real deal. Still guranteed to scare the elderly, inspire you to holler and commit various acts of social irresponsibility, while still flooring anyone with musically sensitive ears. Glorious glorious music.

This is quite a group and is easily my favorite of the Mingus recordings I have heard. There are quite a few "mingus's" out there, and this is bluesy, soulful one. The record opens up with 2 masterpieces "Hog Callin Blues", and "Devil Woman". "Devil Woman" features great vocals by Mingus, and a great texas blues solo by Booker Ervin. "Hog Callin Blues" is a Roland Kirk showcase, and other than Duke Ellington, Kirk is my favorite jazz musician. The rest of the record, is a mixed bag of the fast walleresque "Eat That Chicken", the dark "Wham Bam" and the flat out dated and wierd "Passions of a Man". Its just to bad this is only recording of this group.

This is probably my favorite Mingus release, even though "Mingus Ah Um" and "The Black Saint & the Sinner Lady" are probably technically superior (not to mention more accesible). As the title stated, this will please fans of Captain Beefheart and Screamin' Jay Hawkins as much as it will Mingus fans. The factor that makes this unique among his albums is his vocals - yes he sings! Mingus was always known for choosing offbeat song titles ("Better Get Hit In 'Yo Soul", "Orange Was the Color of Her Dress, Then Blue Silk"), but his lyrics are intensly surrealistic. Case point for the abstract lyrics is certainly "Oh Lord, Don't Let Them Drop That Atomic Bomb On Me". Every song is a winner also, this is a rare album that you can play start to finish without hitting the skip button. The high point of the album probably is the final track, "Passions of a Man", which deconstructs - no, demolishes any sort of set rhythm. As much an essential as any of Mingus' more well-known classics.
I collected all the above reviews and put them together here just to show that I am not alone in rating this music...especially in this remastering with bonus tracks... worthy the highest possible praise. Buy it.
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on 4 April 2006
The otherwise infallible Cook and Morton slightly underrate this album for some reason but it has always thrilled me. In fact, it was one of the handful of albums that got me into jazz in the first place. Just try out Hog Callin' Blues and you're hooked -- guaranteed!
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on 18 June 2016
Oh Yeah!
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