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I seem to have let this one slip by me last Summer but I'm glad to
have now met its acquaintance. Dan Deacon's last venture 'Bromst'
(2009) was a cracker. A single-minded foray into experimental joy.
Mr Deacon's brand of electronica has a truly human side and one
senses that he is a bit of a trickster at heart underneath that
wholesome beard! There is both intelligence and humour at work in
'America'; a tangled but sincere love letter to his homeland.

There are nine pieces in the set, four of which relate to the
album's title ('USA I-IV') but before we get to the heart of the
project there are five other splendid sonic inventions to contend
with. Opening track 'Guilford Avenue Bridge' is a bold, brash and
breathtakingly complex arrangement full of grinding riffs and
mercurial synth lines spinning wildly in the ether above a rip-
roaring percussion foundation. In contrast 'True Thrush' is a
heartwarming piece of chugging quasi-psychedelic pop with all
manner of woodland creates (or so it seems to me) singing and dancing
along to the nursery-rhyme-like chorus. A truly delightful idea.
The the crash and burn and distorted vocals of 'Lots', too, proves
that, despite his left-field leanings, Mr Deacon is a real craftsman
when it come to the business of kicking a good tune into play.

The 'USA' pieces take us into new territory. Aaron Copeland and
Charles Ives might be smiling from the wings at the introduction to
'USA I : Is A Monster' with its panoramic orchestral sweep but Mr Deacon
doesn't keep the high-seriousness going for too long - a sudden switch
a couple of minutes in and he's channeling The Beach Boys! It's a hoot!
The dense piledriving beats of 'USA II : The Great American Desert' and
the more open-textured and playful 'USA III : Rail' lead us by the ears
to the powerful and uplifting anthemic conclusion of 'USA IV : Manifest'
where all the elements of the work seem to coalesce in an epic vista of
monumental beats, grinding chords and elemental 60's-surfin'-harmonies.

'America' is without doubt Dan Deacon's finest work to date. Hurrah for he!

Highly Recommended.
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on 17 February 2014
I wished id listened
one of the most successful mixes of classical, minimalism and electronica.
blends aggressive sounds with melody
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