Top positive review
A Night in the Call Car
on 17 July 2016
I really enjoyed the first book in the Paddy Mehan trilogy: The Field of Blood and the slightly overweight, under confident trainee journalist in the sexist environment of the news room in 1980s Glasgow really got under my skin. Denise Mina has come up with an incredibly appealing combination of a thriller mixed with a hint of nostalgia at a particular time in history when everything was changing.
The Dead Hour is set about three years later and Paddy riding in the ‘night call car’, the one that follows the police radio around the city looking for newsworthy stories when they are called to one of the better areas in Glasgow. It seems to be a case of domestic violence, one that the attending police officers aren’t too interested in and despite being disturbed by the woman’s appearance there isn’t a great deal to call in about this on, and well the woman didn’t want Paddy’s help and the man had pressed a £50 note into her hand which Paddy hasn’t declared… until the next morning when a woman’s body is discovered. She was murdered; brutally beaten, tortured and left to die, Paddy has to readjust what she saw against this new knowledge.
What follows is a well-timed mystery set against the back-drop of this Scottish city largely struggling with poverty. Paddy is the only wage earner in her household, and the family’s position looks more precarious when the newspaper is forced to make cuts to the workforce. With office intrigue, a personal life that is over-shadowed by her Catholic upbringing and a fierce ambition which is at odds with society’s ideas of what should be important to a young woman.
I loved the 37 short chapters that move the story along at a pace which simply begged for just another one before I closed the book and although the underlying storyline wasn’t quite as compulsive as the previous one, there was never any doubt that this was a story being told by an assured writer. There are plenty of opportunities for Paddy to put in her black throwaway lines that make these books such a joy to read.
“It was Lord of the Flies without table manners.”
And of course there is plenty of references to the eighties, that decade of superb fashion:
“Paddy saw short ra-ra skirts and ski-pants and nipped waists. It was a bad time for big girls.”
But running through the book is the scourge of drugs, a less welcome aspect of the decade which is possibly why I didn’t enjoy this story quite so much. Reading about drug dealers and their petty rivalries and the effects on those who fall under their spell just isn’t really my cup of tea, although I’m sure that Denise Mina has accurately captured them in all their glory as she has done with the local police who have a whiff of corruption surrounding them.
“You’re only a year older than me. How come you dress like Val Doonican?”
He sat back and smiled at her, pulling his V-neck straight. It wasn’t his usual toothy matinee-idol smile but a coy asymmetric face crumple. “I’m a polis. This gear is cool in the polis.”
As this book ends on a bombshell, there is no doubt in my mind that I will be reading the last episode of this trilogy, The Last Breath, in the not too distant future and I can tell you I big plans to investigate the entire back-catalogue of work. After all if I can be captivated by a book that focusses on my least favourite aspect of crime I know for sure that this is one author that will be forever on my watch list!