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Customer reviews

4.6 out of 5 stars
42


on 11 August 2015
i have always liked Gretchen Peters singing and this did not dissapoint me.
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on 9 August 2015
Excellent
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on 23 December 2014
Fabulous - dreamy voice and one of the best song writers
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on 11 February 2012
Just prior to Christmas 2011, Bob Harris played a track from this new album by Gretchen Peters. I was struck by that track enough to look for the album, but had to wait until the end of Jan for it to be released. However that wait was well worthwhile. On the first few listens, I was a little unsure about the last four tracks, which are very much downbeat, but repeated listening to the lyrics has lifted them in my estimations. The overall package is simply superb. Gretchen Peters as it turns out is an accomplished songwriter. Her lyrics are intelligent and thought provoking and on a par with any of today's great songwriters such as Tom Russell or Mary Gauthier. The first seven tracks are just simply stunning, and as I have already indicated the last four are good but take a few listens to get under your skin. For me however the second song, Saint Francis (Co-written with Tom Russell) is the albums centre piece both lyrically and musically. Two of the songs had me thinking about where I had heard a similar melody and after a few listens they came to me. Song No5 puts me in mind of Ode To Billy-Jo and song No 6 is similar to one written by a local N Ireland singer songwriter by the name of Junior Johnston (The title escapes me at the moment).

I can only urge you to get your hands on this superb album. One reviewer has stated that this album is essential and I do have to agree with them. If your tastes are along the line of Kathy Mattea, Mary Chapin Carpenter or even Rosanne Cash I suspect you will like Gretchen Peters. Musically this is a folk / rock mix with a slight touch of country thrown in. She is touring Ireland in March of this year and I would suspect GB would be included. I have already got a ticket to go see her in Belfast. Another reviewer has indicated that she is great live, so I am looking forward to that.
13 people found this helpful
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on 25 February 2012
Fantastic new album from Gretchen- well worth the wait. Love all the tracks but particular favourites are 'The Matador' , 'Saint Francis' and 'Dark Angel'. Can' t wait to see them performed live at the Sage. Congratulations to all the team involved, and especially to Gretchen for all her hard work
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on 4 July 2013
Lovely music from a lovely lady. I would have thought that most people reading this review would be like me a Gretchen Peters fan, have their opinions of her and so any comments are unnecessary.
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on 10 March 2013
Bought as a present - it's fine. Nothing more to say just filling out all the words necessary to be able to submit feedback
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TOP 100 REVIEWERVINE VOICEon 31 January 2012
My last encounter with Gretchen Peter's was with her 2009 recording with Tom
Russell 'One To The Heart, One To The Head', a delectable listening experience.
'Hello Cruel World' finds her alone again and on very fine form. Ms Peters
has the kind of world-weary voice which manages to combine both warmth and
pathos in equal measure. There are eleven new songs in the set some of which
stand among the best in her esteemed career. The album has an overall ambience
of melancholy and even when things get a tad more raucous, as they do on
'Woman On The Wheel', her predilection for minor keys never becomes morose.

There are some truly beautiful compositions on offer here. The tender 'Saint
Francis', co-written with Mr Russell, sports some gloriously restrained harmonies;
'Camille', delivers some jazzy late-night trumpet and painfully poignant lyrics ;
'Idlewild', a song which touches on both deeply personal and universal themes
and final track 'Little World', performed with heartrendingly focussed reverence.
The sublime 'Five Minutes', however, gets my vote for top track; the bruised candour
of its imagery and plaintive melody makes the very air stand still around it.

'Hello Cruel World' is yet another unimpeachable addition to Ms Peter's fine body of work.

Essential.
22 people found this helpful
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on 5 February 2012
If mature self-reflection and classic American confession is to your taste, then this is an album of both, augmented by cover-to-cover musical confidence.

I had the pleasure of seeing Gretchen Peters playing live a few years ago and she is simply a great artist. This album is distinguished by the intelligence of the lyrics and the assured strength of Peters' vocal. On playing this recently the performances had a power to make me concentrate and hear rather than just listen. I hope that deceptively pat line carries the true weight of its simple but heartfelt message.

'The Matador' is heated in its storytelling with the haunting accordion and metaphor or real killing; 'Dark Angel' is enhanced with the accompaniment of Rodney Crowell and the hardly original but convincing oxymoron of the lyric 'and if there's no hereafter/oh and there is only here/life is still a beautiful disaster', and the Bobby Gentryesque string-infused southern blues of 'Paradise Found' is as sultry as a swamp. This album is highly recommended.
10 people found this helpful
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on 25 June 2017
As I write under the pseudonym of Prog/Rock Pensioner one might wonder why I should have purchased this Country/Folk Singer Songwriter from Nashville. The answer is simple this C/D has some wonderful lyrics, some beautiful piano playing, fine guitar and trumpet combined with great melody and vocals. I am sure in amongst my normal musical tastes I will be playing this c/d as and when moments of relaxation are required.
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