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on 21 June 2017
great voice, great songs. excellent stripped back album
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on 17 October 2011
Shelby Lynne's self-penned and self-produced album 'Revelation Road' is an intimate, confessional and mainly acoustic recording that presents superb voice and songwriting to the fore. There is self-harmonising and some multi-tracking of her own vocals, as on the sweet 'I'll Hold Your Head' and sombre 'Lead Me Love', but overall there is refreshing restraint in the production techniques employed. She is credited as the sole performer too and this reflects a mature offering from an artist confident in her musical skills and the candid detail of her lyrics.

Simple mandolin supports the opening title track and it is a complex lyric that seems to reject everything but the singular true self because it is for this, and only this, that we will be judged: `Doing onto others is a farce, a laugh, a joke/Remember when the black veil falls/We all stand alone/Barefoot on the gravel man/We're on Revelation Road'. Second track 'I'll Hold Your Head' seems autobiographical about growing up in Alabama and the hardships of family life - it is another strong narrative, with a sense that telling the story should draw the pain in the memory to a close: `Come on Sissy let's close the door/Don't want to hear the noise no more' [the reference to `Sissy' is Shelby's name for her sister, fellow singer Allison Moorer].

These are deep and thoughtful songs, bristling in honesty. 'The Thief' is a simpler story and tells of lost love and the urge to do anything for its return, but that simplicity is itself a reflection of the album's overall directness. Sixth track 'Woebegone' is an electric country rock song that provides some relative pace in the album, its narrative again reflecting on past mistakes and here too there's no redemption: this is just how it is - unless it is in the telling that she finds some resolution. Seventh track 'I Want To Go Back' speaks of embracing this past of mistakes and supports this chance of resolve by using the songwriting, perhaps, to deal with its reality: `Does my heart need these scars to keep me alive/Oh and every time I pick up my guitar/Ah the sweet chord and memory/I just add to the collection of my broken dreams'. Is it an expression of suffering as muse? There does seem to be an overall darkness in these revelations, but the candour and acceptance is possibly the positive, cathartic response: `I got misery to share/With anyone who cares' she sings in 'I Don't Need a Reason to Cry'.

Penultimate track 'Heaven's Only Days Down The Road' is a song that possibly deals with Shelby Lynne's by now well-known horrific past where her father killed her mother and then himself. The song presents a murderer's persona `insane since I was 9' who is out to kill and when he does reflects `I want to put her back but don't know how/Heaven's only days down the road/Nobody wants me down here no more/Look at what I did to make them hate me for/Can't blame the whiskey or my mammy's ways/Two little girls are better off this way'. It's a powerful tale, musically too, and it's hard to imagine the creative and emotional process that leads to this kind of revelation.

The album ends simply again with mandolin, light percussion and beautiful vocal on 'I Won't Leave You', a potent sentiment in the context of the whole, and this is without doubt the excellent album that reasserts the declaration of her breakthrough 1999 release 'I Am Shelby Lynne'.
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on 30 October 2011
Shelby's albums have always been superb, with heart wrenching lyrics and an honesty many singer/songwriters can only dream about. On Revelation Road, Shelby has hit such artistic heights, the results are staggering. I love the fact she has written, produced and played everything on the album. This makes it even more honest and sincere. She touches on subjects here that have been glossed over on previous albums and packs such an emotional punch that listening to the album as a whole is a very mesmeric experience. I find it quite ridiculous that she is such an under appreciated talent and even many who proclaim to admire her seem to pull her to pieces.
Heaven's Only Days Down The Road may just be the best song she has ever recorded.
For me, the album of the year!
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on 30 October 2011
What is revealed on Revelation Road?

- That an artist who releases albums on her own record label is an artist unshackled.

- Shelby's sublime, distinctive style of Americana-soul.

- Songs such as I'll Hold Your Head that stand alongside her best.

- Music that envelopes you at first (and every subsequent) listen.

It surpassed everything I'd hoped for from a new Shelby Lynne album.
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on 18 September 2013
I have enjoyed all of Shelby Lynne's albums since 'I am Shelby Lynne' and Revelation Road adds to what has gone before - It is truly sublime.The bonus live CD and DVD only add to what is, in my opinion, an excellent album.
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on 28 July 2015
Her best album!
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on 11 November 2016
Ok
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on 7 April 2013
Δεν γνώριζα την SHELBY LYNNE διάβασα γι' αυτήν και επέλεξα αυτό το cd σαν αντιπροσωπευτικό της που είναι, έχει καλούς στίχους, αν και λιγάκι τα θέματά της έχουν αναφορές για το θεό, πράγμα που δεν με αντιπροσωπεύει, αλλά έχει πολύ καλή μουσική, λίγο φολκ λίγο μπαλάντα. Ωραία τραγούδια και όμορφη φωνή!
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