Top positive review
3 people found this helpful
on 10 April 2012
DT came to my attention between Scenes from a Memory and Six Degrees. I found Scenes to be interesting but a touch corny. Six Degrees was a colossal step up. Track VII in the suite was quite simply the most dazzlingly proficient prog playing I had heard since ELP in their heyday, or Yes' Gates of Delerium (1974). I was blown away, and eagerly awaited the next outing. But when Train of Thought turned up I was almost totally disappointed. One-dimensionally, insistently and irredeemably heavy. I persisted with Octavarium, which showed some spark of adventure, but then followed the dire Systematic Chaos which, apart from fascinating artwork and the first ten minutes or so, I cannot abide.
When the next one came out, I didn't get the expensive editions I had in the past, but this was a definite step up, with three very good complex tracks that reward repeated listens - Nightmare , Fortress and Tuscany. But I was of the opinion that the miracle of Six Degrees was not going to see a rival.
But there has most certainly been A Dramatic Turn of Events.
What an amazing album this is.
Others have gone into considerable detail about the individual tracks: I will confine my comments to three.
Beneath the Surface, the ballad that closes the album, skates dangerously close to the thin ice of cheesiness, but manages to avoid falling through. James la Brie's rather breathy delivery does remind of some of the more embarrassing singers on the BBC Radio 2 of old; also his climb into a higher register doesn't work too well. But the orchestration is lovely, and the tone selected by Jordan Ruddess' tone during his keyboard solo is perfect.
Bridges in the Sky and Outcry, which seem to form a pair in my mind, appear to call for reconciliation and the end of wars. Both have enormous contrasts, tricky rhythms, and devilishly difficult passages. From 4:50, Outcry launches into a magnificent instrumental passage with everything I could have wanted, and far more than I could have imagined. And they're all involved up to the hilt - with perhaps Jordan in the lead a la Emerson. It's simply electrifying. The vocal line only re-enters after four and a half dizzying minutes.
An astonishing album. I have listened to it, I don't know, thirty times perhaps. And I STILL LOVE IT!
I am really hoping they will tour in the UK to support it.
Thanks guys. How ARE you going to top this one?