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on 29 July 2011
PS Classics are renowned for not only issuing superb recordings of current Broadway musicals but also for discovering treasures from the past that only those devotees in their dotage would have any knowledge of . One such is their latest issue , a superb recording of Vernon Duke and Ogden Nash's SWEET BYE AND BYE, a show with an extraordinary plotline which never got beyond Philadelphia in 1946 due to problems with the libretto .London's Pat Kirkwood originally had the leading female role but withdrew to a sanatorium and was replaced by Dolores Gray .The plotline is too complicated to go into here ; however the music and lyrics [ some of the latter quite hilarious ] are gorgeous and , as performed here by Marin Mazzie, Philip Chaffin , Rebecca Luker and the usual PS hand - picked cast really prove what a charming and listenable score this is . It may sound very bizarre [ it is !! ] when you first start listening but, stay with it and you'll be enchanted , amused and entertained . The original orchestrations were lost but the UK's Jason Carr has done perfect and in period arrangements . Tommy Krasker has done his usual superb job of producing this gem from the past.Enjoy !!
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HALL OF FAMEon 29 August 2011
Sweet Bye and Bye, a 1946 musical that never made it to Broadway, was a disaster despite a pedigree that had music and lyrics written by Vernon Duke and Ogden Nash and a book by S. J. Perlman and Al Herschfeld. From what I've read, it deserved its fate. Not only was it set in the future, it labored under the need to be a light hearted, sardonic, humorous and even gentle satire about business...but the four creators didn't add up to Brecht and Weill. As it happened, the two book writers had one kind of musical in mind and the songwriters had another. Songs were cut, including the best ones. Casting was awful.

What we only have now to go by is the new release on CD by psclassics of the complete score as it has been reconstructed. If you like old Broadway musicals and Vernon Duke, this is an album worth getting. Duke was a good friend and protégé of George Gershwin. Not too many people may remember him, but many of his songs have lasted, especially the great score for Cabin in the Sky, and the songs April in Paris, Autumn in New York and I Can't Get Started.

The score for Sweet Bye and Bye, in my opinion, is variable. There are a number of patter songs and recitatives that most likely were set after Nash wrote the lyrics. I found them interesting the first time I listened to them, but after that I wasn't entranced by the lyrics and the music didn't stimulate much interested. (I've listened to them several times since and my opinion hasn't changed.)

But Duke and Nash came up with three extraordinary songs that have been - and shouldn't be - forgotten. This album is worth the price just for these three.

Sweet Bye and Bye sets the musical, describing a future that will be wonderful. It doesn't take long to realize the description is nothing but clichés. Duke's music is clever.

Round About is sad and poignant:
You go round about and round about
And round about you go
For an olden spell is wound about the game.
Then it's ring around and swing around
Your partners as you go
But the more they change, the more they are the same...

Born Too Late, so plaintive:
Born too late,
No more worlds to conquer.
Born to late,
All the deeds are done.
Long ago, somewhere around the corner,
Slumbered a princess
Waiting to be one.
The sky was bright with fiery dragons,
Mermaids filled the softly singing sea.
Now the sea and the sky are humdrum,
And the princess, where is she?
Faint and far,
I can hear the music
Fade and die.
Leave me with my fate.
Faint and far, I can hear the princess sighing,
You were born too late.

You'll never know just how good these songs are unless you hear the music.
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on 7 February 2015
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