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4.6 out of 5 stars
4.6 out of 5 stars
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on 28 April 2017
Superb for "Be my baby" - what a tune !
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on 22 June 2017
Great girl group, and a good selection of songs
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on 7 March 2017
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on 26 June 2017
Brilliant CD for my father who likes the ronnettes and Phil spector
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on 9 July 2016
The best
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"Be My Baby: The Very Best of the Ronettes," pretty well delivers what it promises, the best of the early work of Ronnie Spector, nee Bennett, and her backing group, the Ronettes. And, due to the intransigence of her mad genius former boss and husband, Phil Spector, it was just released last year.

Ronnie Spector's big throbbing, sensual voice, her instantly-recognizable tremelo and her "oo oo oo's," (borrowed from Frankie Lyman of "The Teenagers,") made her one of the greatest female rock and roll stars of her day, rock's original bad girl, in basically the early 1960's, as lead singer of "The Ronettes. " She and the relatives of hers who constituted The Ronettes were instantly recognizable in person too: They wore the highest hair, the shortest, tightest skirts, the highest heels; and nobody stepped higher. She worked for producer Phil Spector, as is well-known, in his legendary studio, Gold Star, where he invented the wall of sound: basically backing up his powerful rock singers with full orchestral sound. He called his productions `mini symphonies for teenagers.'

Ronnie began life, a young, half-Puerto Rican, half Native American Indian girl, had that remarkable voice, was "discovered" as a dancing teenager, and, of course, married Spector, the boss. She always said that marriage was her toughest gig, and recent history seems to bear her out on that. Her voice, with its tremolo, boomed out of jukeboxes world wide, with "Be My Baby," "Baby I Love You," and "Walking In The Rain,"among other hits. She and the cousins also toured with the Rolling Stones, the only girl group ever to do so, and played a major part in Spector's evergreen Christmas album of 1963. She's just inescapably part of everybody's sound track of that time: A lot of people danced to her voice, and romanced to it, too. I've been lucky enough to see her in person several times. Think I will not soon forget watching her one sunny lunch time, free concert at the World Trade Center, when it was there. The sheer joy of the crowd, a thousand voices singing with her: "For every kiss you give me, I'll give you three." And a man who appeared to be African by his dress dancing ecstatically to her music on one of the giant urns that dotted the Trade Center Plaza. Well, I think we all felt that way: Prominent Long Island born rocker Billy Joel tells us that as teenagers, he and his friends always knew they were going to get lucky with the girls when "Be My Baby" boomed out of the jukebox.

Of course, when Ronnie split with Spector, personally and professionally, and took up a solo career, it was years before her former producer allowed her to use this repertory. And, obviously, years before he allowed its rerelease on record. (I've read and reviewed, in fact own, her memoir Be My Baby: How I Survived Mascara, Miniskirts, and Madness, or My Life as a Fabulous Ronette, and Darlene Love's as well, My Name Is Love: The Darlene Love Story: neither one of them easy to find.) But finally, we have her inimitable early hits here: "Be My Baby," "Baby I Love You," "The Best Part of Breaking Up," "Do I Love You?" "Walking in the Rain," and "I Can Hear Music." As is true of many of my greatest favorites, I actually own the original vinyl of this record, but, of course, it's too precious to play. I am in seventh heaven with this CD release.
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TOP 100 REVIEWERon 9 November 2011
At last.
This is the first affordable compilation of the Spector-era Ronettes for decades, due (I believe) to the stubborn intransigence of said mad genius.
The sound of Ronnie Spector (nee Bennett), her sister Estelle and cousin Nedra, is still the ultimate sound of teenege sexual stirrings, the sound too of post-war cosmopolitan New York, of Spanish Harlem, pre-hippy America discovering its postwar self in all its multitudinous shades, shapes and sizes. Would you believe The Ronettes had only one Top Ten hit in the US? Incredible, huh? This is one group (we didn`t have bands then, they were all groups) whose legacy - whose voluptuous,
brazenly opulent, seemingly inevitable iconic uniqueness - is untouchable. If they had only recorded Be My Baby or Baby I Love You, their status would be assured.
Luckily, they recorded more than that, though not so much more.
Here are 18 tracks from the Phil Spector days. He co-wrote most of these songs, and notoriously not only married Ronnie, the lucky swine, but kept her prisoner in his mansion, and made her life an unpredictable purgatory for years before she finally managed to fly the coop. (Read her autobiography, "Be My Baby", it`s superb.)
Compilers are a strange breed. If they`d asked me - and I do wish they would - I`d have opened this collection with the famous ominous drum thwacks of Be My Baby (remember Harvey Keitel waking up to them near the beginning of Mean Streets?) then given us a less well-known number, saving Baby, I Love You for a bit later. Why would anyone want to hear their two most lauded, and similar, songs next to each other? Have some imagination for God`s sake!
Be My Baby has become The Ronettes` calling card, their most iconic song, the one that sums up their allure. It`s sexily sweet, it came first, and it`s perfect.
But spare a moment for the thunderous breadth of Baby, I Love You. This is a track that capitalises on the earlier hit, giving us an even more asssured vocal from Ronnie, as well as those unforgettable "Woh-ho - a-woh-ho ho-ho" lead-ins. It`s a magnificent piece of early 60s symphonic pop that does something to me that I can barely put into words. (In fact, I can`t imagine anyone with a pulse not loving The Ronettes, but such souls do exist, in some nether region no doubt.)
Other inimitable pearls include (The Best Part Of) Breaking Up and Walking In The Rain. But there is not one single song here that isn`t worth hearing, including the original of You Baby (later covered by the Mamas and Papas; not the contemporaneous Turtles song of the same name) and a song the Beach Boys later made their own, I Can Hear Music. I`d forgotten The Ronettes had already sung it.
There is a fulsome, funny, slightly pretentious, suitably adulatory sleevenote by the Patti Smith Group`s Lenny Kaye, track listings, and a few fairly good pics of the girls.
The unrepeatably sumptuous Ronettes were THE girl group. This long-awaited compilation pretty much does them proud. If it introduces Ronettes virgins to their
music - well, imagine if you were hearing Be My Baby for the first time...!
I could go on, but I need to play Baby, I Love You just one more time before I call it a day.
Play as loud as you can get away with.
Pop perfection.
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on 20 March 2016
This cd contains 18 tracks recorded for the Spector label, all bar one of which were produced by Phil Spector. The odd one out, produced by Jeff Barry, is "I Can Hear Music", being the original recording - before the Beach Boys cover version.

The total running time is just under 56 minutes, so I wonder why the compiler chose only 18 songs. I can understand why their 3 Xmas songs were excluded, but why not include at least the following and maybe more?:
How Does It Feel? [B side of Walking In The Rain]
Chapel Of Love [recorded before the Dixie Cups]
Blues For Baby [B side of Born To Be Together]
Oh I Love You [B side of Is This What I Get For Loving You?]
I have looked into other Ronettes cds, but a (double) cd of their complete Spector master recordings unfortunately appears to be non-existent.

This cd comes with a 12 page booklet, with notes by Lenny Kaye. The recording dates of each song are shown, and all except tracks 8, 9 & 10 are in date order.
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What can I possibly say about the music contained on this disc that hasn't been said before. There are 18 beautifully crafted mini opera's on this disc. Each time I hear any of these tracks I realise how astounding they are. They are the pinnacle of musical art. They are so fantastically produced, written and sung. My favourite track has to be 'I wish i never saw the sunshine' the lyrics are so sad and heartbreaking they'll make you cry. The 12 page booklet is nicely designed with some liner notes, pics and track credits. I stress the fact that if you only know 'Be my baby' then you need to buy this straight away from the USA. I have the others in this particular re-issue series 'The Crystals' and 'Darlene Love' all are newly remastered according to the liner notes. I can't wait for the box set due out in June of various spector produced albums.
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GREAT MUSIC BUT HORRENDOUS DULL MONO SOUND, it may be digitally re mastered but from what, a very poor sound source for sure.
Sadly there is a great shortage of decent stereo recordings of The Ronettes and as Spector is in prison for murder and apparently deaf in one ear, as is Brian Wilson of the beach Boys, there is little or no chance of official re releases of decent stereo tracks.
Even the expensive new vinyl release is in dull mono, but back in 1964 it was released in a rare stereo format, as well as mono which was normal in those days, hifi stereo was very rare in even the late 1960's, I went stereo in about 1970, but most stereo releases were classical, pop music was rarely catered for.
So what can you do, search the web for downloads, free from my experience, of stereo tracks and burn your own CD, I did that using re mastering software, also free for 30 days, the end result is quite impressive even if I do say it myself.

Or buy the only CD's I know that are in stereo, The Ronettes: Ultimate Collection, Greatest Hits, almost certainly taken from rare old stereo vinyls, see my review and Ronettes (2014 Remaster) [Japan CD] WPCR-27874 or the other remasters of the same tracks, I only got the Japanese one as it was much cheaper, see my reviews. The latter CD is strictly speaking not the Ronettes, it was cut before they became The Ronettes, ie not a Spector release, but sounds like it, great wall of sound, something dull old mono can never achieve.
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