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on 13 April 2005
This is a behemoth of an album - a thrilling testament to pure ability, raw talent and an understanding of rhythm, rock and blues.
As a huge fan of anything blues and anything rock (from Jimi Hendrix to Kings of Leon to the excellent Mofro), I can heartily recommend this album. If you like your singers gruff, downtrodden (but fighting) and passionate about their music then you won't be disappointed. Dan Auerbach gives his sandpaper delivery enough punch to have you wishing you could do the same and questioning just how someone of his ethnicity manages to sound so good. On top of this, he lends beautiful guitar-work to every track, creating an individuality rarely seen outside of Hendrix performances (especially by the more mainstream acts such as Kings of Leon and others).
Patrick Carney provides ample drum work to back up each track and have you tapping along shamelessly in public places!
The fact that this album was reportedly recorded in just 14 hours of one day is astounding - and the result of such a feat is unquestionably great. Perhaps only the late, great Alice In Chains managed such a brilliant album in such a short space of time with their wonderful Jar Of Flies/Sap output; albeit in a different genre of music.
Get this now - you will not regret it. And while you're at it, check out Mofro's Lochloosa album.
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on 24 January 2005
How did only two guys from a small town, who didnt even intend to make it big, make such fantastic music.
The only good rock music nowdays is modern blues/soul/garage stuff.
And this is one of the best examples. The keys are the best band not to come from detroit.
Forget all the hives vines and kings of leon crap, that is so undoubtedly over rated, the keys are one of the best modern rock bands blow away the likes of the lost prophets and him and the rasmus and the likes.
With john auerbachs black sounding voice and ever so slightly hendrix sounding guitar, complimented by patrick carneys sublime druming and production skills. These guys are up there with the stripes and soledads and dirtbombs, helping to make the only true good modern rock.
This album is also one of the best i have heard. The vocals on thickfreakness-the title track and the general rythem and guitar playing through out the album are inspiring. especially set you free, my personal favourite. and even for people who wouldnt useually listen to the more demanding hard core guitar styles, this album is quite easy listening and is great to unwind too.
Brilliant is the only word to describe it.
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on 17 May 2017
Wonderful album.
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on 31 March 2017
Good quality vinyl - a nice, fat sound that fills the room.
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on 28 September 2017
Not bad
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on 17 March 2004
I first heard "The Black Keys" on the fantastic "Punkorama 8" and bought this album on spec. Skillfully controlled two piece blues rock that roars out of the speakers, with more subtlety and soul than "The White Stipes" manage. The recent explosion of "The" bands (Hives, Vines, Datsuns etc.) and their clones all left me unimpressed. Until now. "The Black Keys" deserve to be huge. Will be interesting to see how their sound developes (as all bands must). Not only an album for blues/rock lovers, but for all fans of "real" music.
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on 8 July 2017
The album that i received was a pictured vinyl with no sleeve. It was not the black vinyl I expected It to be. It came in a plastic dust cover you would buy to protect the initial cover sleeve. Disgusted and let down after paying nearly £ 28 pounds.
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on 16 October 2006
This album was a revelation to me, and this review may end up reading like a love letter!

When I first heard the Black Keys, I was hooked... Three instruments (drums, dirty guitar, growling voice) creating a wall of raw sound that to this day gives me goose-bumps. Describing the music is easy... its big, riff-driven, blues-based, soulful rock and roll. With exploding drums. And a vocalist who sounds like he's in pain. In fact, it's like Otis Redding as the front man in a group with Hendrix on guitar and Animal from The Muppets on drums. Yes, it's THAT good.

Recorded with a patented technique to give it an extra authentic sound (fuzzy and growling), it sounds like a lost classic from the 60's that someone has found in a garage somewhere and blown off the dust. It's 10 original tracks (and 1 cover) of pure rock and roll joy, with melodies so catchy and classic that you can't believe they've not been written before.

Please, if you don't have any of their albums, part with your money today. By tomorrow, you'll be writing reviews like this one. A CLASSIC.
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The best blues-rock album i've ever heard. The album sounds like it belongs in the gutter, with Dan Auerbachs wonderfully low-down dirty guitar play and brilliantly growling vocals to Patrick Carneys hypnotic beats, yet at the same time there is an undeniably regal qualty to it (of the sort that only the greats were capable of creating). The best way to describe it is as the musical equivalent of Swampy and the Queen having a love child. But it.
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on 10 October 2003
2003 has been a very strong year for music, what with Radiohead's comeback, AFI's successful transition to the mainstream, The Mars Volta's prog masterpiece, Killing Joke's blistering return to form, Muse's edging to perfection, and The Strokes' "if it ain't broke" formula working a treat. Somewhat lost amongst several other excellent albums this year was The Black Keys' Thickfreakness. The band have been brought to attention from the irritating White Stripes comparison (the only real similarity being that there are only two people in the band), and they are the latest example of John Peel's championing of superb and diverse music (this was the man that introduced several of us to such delights as Napalm Death and Carcass). The word has been slowly growing, though, with the Keys playing to a packed Carling Tent at Reading this year. The Black Keys play straight blues (and have production values that don't go further than 1961) but have certainly drawn on the influences of other artists and rock genres in several of their songs on here. The lack of a bassist and the slightly pretentious "keeping it real" raw sound grate a little. Nevertheless, on second listen you will suddenly realise that this is one of the albums of the year. Tracks that stand out in particular are Hard Row, Have Love Will Travel, No Trust and Hold Me In Your Arms. The album is a slow burner but those who like to listen a few times before passing judgement will be richly rewarded.
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