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HALL OF FAMETOP 500 REVIEWERon 23 April 2012
It is perhaps surprising that I have only recently started listening to Bert Jansch's solo work. I have long been a devotee of Pentangle and John Renbourne, as well as artists such as Dylan, Fairport Convention and the like. But up until now I have never really dipped my toe into the world of Jansch. And now that I have I regret that I have spent so long without this sublime music in my life.

I recently listened to the great `Romsemary Lane', and decided to try this album next based on the highly scientific principle that I love the title and cover art. Anyone who uses one of my favourite Escher drawings as the basis for a cover is bound to get my attention. A Rare Conundrum is a traditionalish folky album, released in 1977 at the end of his tenure with the Charisma label. It is produced by Lindisfarne alumni Rod Clemens, who contributes some bass and guitar. The drummer is Pick Withers, who a year later would shoot to fame as the drummer with Dire Straits. Stylistically it is rooted in folk, but as with so many of the artists of the time Jansch uses a much wider musical palette, introducing elements of jazz, blues and a tinge of rock. There are also large elements of country to be found here with some delicious banjo work. It has moved on quite a way from the bluesier albums of his earlyier career, and the more folky material of the Rosemary Lane years, though it still retains huge elements of both. It shows an artist growing, assimilating new styles, but not changing direction or forgetting his past.

Jansch is lauded as a master technician on the guitar, and he really shows why here. Playing with a depth of skill that is breathtaking, he delivers vivid emotional imagery just with a few plucks of a guitar string. But at the same time he is singing, and the melding of voice and guitar, the balance between the two is just perfect. He delivers ballads and love songs with real grace and clarity.

This is what music should be. It enters the soul and lodges there, driving feelings and emotions and evoking real passion. I just love this record and am looking forward to hearing more from Jansch's back catalogue.
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on 8 December 2011
Absolutely my favourite album from the late and eternally great Bert Jansch. A great selection of songs together with the guitar and banjo virtuosity that made Bert so exceptional. Buy it!
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on 14 April 2014
Too perfect for words !
One of Bert's best. A very sad day when he passed away.
Would recommend to anyone who enjoys music.
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on 15 September 2015
Good to hear Bert solo
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on 21 June 2015
Excellent
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on 11 February 2015
timeless
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on 29 January 2013
Everything that has characterised Bert's muse is best represented here. Gentle songs of love and hope, pride and place accompanied by stunningly understated guitar and ensemble playing form a stellar cohort of familiar folk.
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on 16 July 2014
Great
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on 17 November 2014
great
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TOP 500 REVIEWERVINE VOICEon 9 July 2015
Bert Jansch has always been more of a folk musician even though he has used elements of jazz, blues, country and rock in his recordings. His early albums were more folk blues, and in the seventies the palette did widen.
There were three albums recorded on the charisma label, L.A Turnaround, which is excellent, and Santa Barbara Honeymoon which was one of the poorest of his albums, and finally this albums which is as good as L.A Turnaround but largely overlooked.

It is a shame since this is a great album from 1977 and offers us a more Folk rock sort of album. Everything gets back on track after the mess of Santa Barbara. The songs are by Jansch and they are really good.

The album has guest musicians who contribute greatly to a smashing album indeed.
Rod Clemens on Bass, mandolin guitar and vocals. Ralph McTell on Harmonica and vocals, Mike Piggott on violin, Pick Withers on drums and Bert on vocals and guitars.
There is one Traditional piece Curragh of Kildare but the whole album has a lovely folk feel to it and is definitely one to collect.
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