Learn more Download now Shop now Learn more Shop now Shop now Shop now Shop now Shop now Shop now Shop now Shop now Learn More Shop now Shop now Learn more Shop Fire Shop Kindle Exclusive track - Ed Sheeran Shop now Shop Women's Shop Men's

Customer reviews

4.6 out of 5 stars
4.6 out of 5 stars
Waiting For The Sun [Expanded] [40th Anniversary Mixes]
Format: Audio CD|Change
Price:£5.32+ Free shipping with Amazon Prime

on 23 October 2017
0Comment|Was this review helpful to you? Report abuse
TOP 500 REVIEWERVINE VOICEon 18 October 2010
One of my favourite Door's albums (along with the other five), Waiting For the Sun managed to overcome "third album syndrome" with a burst of creative maturity that cemented the band's status as one of the most successful experimental bands of the sixties (or any other decade). It sparkles with energy, reveals some of their tenderest work and presented them both with their only number one album, and first chart topping single (Hello, I Love You).

Many bands suffer with their third album: they are normally signed with enough material for two albums, and then have to write fresh songs whilst touring and in the studio. Here, though, The Doors come across as confident and exuberant as ever. Morrison's voice still has a warm, summery chime (precipitating the grizzled, whisky-house laments of LA Woman) but he now commands his lyrics far more majestically, a subtle shift in development away from the uncontrolled passions of his youth. The creative output is as strong as ever, and, whilst still scouring the darker sides of Morrison's poetical consciousness, the band manage to retain the breezy summer-rock feel that distinguishes them from some of their more indulgent contemporaries.

The album was supposed to draw out with another dark epic (based on Morrison's poem, Celebration of the Lizard, of which, on this special edition, a 17-minute demo is included), though only the musical centrepiece of this (the pulsating, and harrowing, Not To Touch the Earth) was deemed fit for release. Other dark matters include: The Unknown Solider (a powerful anti-Vietnam statement, that manages to persuade through a alternating combination of fragile subtlety and brute force) and Spanish Caravan (a stormy and subversive demonstration of Robby Keriger's flamenco roots). To counter these shadows, Love Street (a whimsical serenade for Morrison's lover Pamela Courson), and Wintertime Love (simply a heart-warming love song), give us two of The Door's most beautiful works. Hello I Love You, the albums opener, is a vibrant pop-song that was written much earlier than the rest of the material here, and it does show. The other four tracks are fun and functional (Summers Almost Gone and We Could Be So Good Together), or quirky and poetical (My Wild Love and The River Knows) little curiosities that punctuate the summery storms.

You can't really go wrong with Waiting For the Sun, it gives you a full-blooded taste of The Doors performing in their prime and is as unique and impassioned as any of their work. It's charming and challenging in equal measure, but always manages to raise a smile and is one of my favourite "I need to sit down" albums...
0Comment| 4 people found this helpful. Was this review helpful to you? Report abuse
on 13 June 2013
A number of people have commented that they are annoyed about this release because they feel that they already have this album on other formats and they therefore resent spending money on it again. I can understand that point of view, but since I didn't already have it and I was wanting to expand my Doors collection beyond the Greatest Hits, that problem didn't exist for me. I have bought the MP3 version. My disclaimer is that these reflect my personal experience of the album and that many of the songs are, frankly, impossible to put into words. Will try my best though.

1. Hello, I love you - a really catchy tune that I love. Short, full of sound and blows you away.
2. Love Street - a regular flowing tune with a lovely melody. Nice lyrics and good sounds. One of my favourites, I can often listen to this on repeat.
3. Not to touch the earth - Noisy, big sounds, disjointed lyrics - it seems almost to represent someone's thoughts, i.e. unconnected fragments. Clever, great song!
4. Summer's almost gone - slow moving all the way through, again lovely and very typical Doors.
5. Wintertime Love - lovely song - reminiscent of Golden Brown by the Stranglers and also Hotel California in terms of the background music.
6. The Unknown Soldier - a deeply moving song. It talks about the juxtaposition of the people at home hearing about the war and the hell of the war itself. Very cleverly done with its inclusion of of military drill sounds, the military drummers and gunshots as well as instrumentals and different speeds of music - a high recommend.
7. Spanish Caravan - lovely song beginning with the Spanish flamenco style music. A lovely free flowing easy to listen to song which ends in a much faster crescendo of sound.
My number 8 - I have actually cheated here and included "Waiting for the Sun" from the Greatest Hits in my particular copy as I love the song and found it strange that it wasn't included on the album with the same name.
8. My Wild Love - interesting song. Starts with no music, just Morrison's voice with single hand claps in-between. His voice starts reasonably soft and then gets shoutier.
9. We could be so good together - typical regular flowing doors song with an instrumental part, very nice too but not easy to describe.
10 Yes the river knows - piano, quite a deep and very nice song.
11. Five to One - like the opening song, fast, catchy and short.

I love each song and the whole album. If you are a Doors fan or like nice 60s music with unusual instruments, then get this, you won't regret it.
0Comment| 4 people found this helpful. Was this review helpful to you? Report abuse
on 4 January 2009
I bought this new version of "Waiting for the Sun" to get a studio-version of the legendary unreleased song "Celebration of the Lizard". Obviously the strongest part of the song is, what was released on the original album as "Not to Touch the Earth", and the track is what it says, "a work in progress". Still interesting moments. The other takes of "Not to Touch the Earth" which are included as bonus-tracks have made me realize how good a song this really is.

What surprised me the most when I listened through the album was that I thought it sounded different. Was it really that long since I last heard it? I did not realize that the album had been both remastered and remixed. I guess it will take some time to get used to these new "versions" - but the sound is really crisp and clear, and if I want to hear the old mixes I can always return to the originals.

The original album contains some the Doors' most poetic and melodic moments like "Yes, The River Knows", the exquisite "Love Street" , which is one of the highlights of the album. The moving "Summer`s Almost Gone". "Wintertime Love" and "Spanish Caravan" are other highlights.

"Not to Touch the Earth" and "Five to One" : Classic Doors !!!
The hit singles "Hello I Love You" and "The Unknown Soldier" may not have aged as well as the rest of the album`s songs. Except of course the weak "My Wild Love" which probably always will annoy me.
0Comment| One person found this helpful. Was this review helpful to you? Report abuse
on 1 September 2002
Classic opener "Hello I love you" gives a bit of a false dawn, really. It's hypnotic, gritty beat is just classic Doors at their very rock and roll best. This is followed up by "Love Street", which you will either love or hate. It certainly hasn't aged too well, but is a decent enough song, although it is hardly "Crystal Ship" as seen on their debut. Track 3 is "Not To Touch The Earth" and is a great, surreal song that twists and turns, Morrison's vocals sounding totally sincere and justified. Tracks 5 and 6 are in the same vain as "Love Street", but it is the powerful "Unknown Soldier" that really picks the album up. The wonderful "Spanish Caravan" is mysterious and beautiful, with a flamenco guitar opening things up before the sweeping guitar takes over. "My Wild Love" is, to my knowledge, the only Doors track that has no music playing. Morrison croons his gorgeous tones over the top whilst an indian tribe chants in the background. This enhances Morrison's shaman image, and also keeps the album going nicely. Tracks 10 and 11 are interesting, but not the Doors at their best, and the way they perform it seems to suggest they know that. However, album ender "Five To One" is enormously powerful and wonderful. The classic Drum intro, quickly followed by the thudding guitar, set the scene and it soon escalates into perfection. In conclusion, a very strong and somewhat underrated Doors album that sees the band in typically intriguing fashion.
0Comment| 6 people found this helpful. Was this review helpful to you? Report abuse
on 22 September 2008
Los Angeles' finest The Doors released their third album, "Waiting for The Sun", on the back of breaking the UK market with a new catchy song, only to find themselves caught between being far too underground for mass consumption and being overly commercial for their hardcore fans.

"Waiting for The Sun" was released in the summer of 1968 on Elektra Records, it saw The Doors release material of a much more laid back nature then their previous two efforts, with mixed results on the buying public. Much has been made of the inclusion of their big UK smash "Hello I Love You", a song previously recorded on a 1965 demo tape, here it is the opening track on this album three years later, aside from the criticism surrounding its inclusion, on its own it remains an excellent song.

Track two on the album is much more in line with the general mood of the album, "Love Street" is classic Doors meets ballad, giving Morrison free range to be as beautiful as ever creating laid back gold. This happens throughout the album, "Summer's Almost Gone", "Wintertime Love" and "Yes The River Knows" are songs which I can only describe as lovely, with Robby Krieger on guitar and Ray Manzarek on keys creating the backdrop needed for their charismatic frontman.

It should also be said that there are some classic oddball Doors' tunes to be had on this album too, noticeably with Track 3 "Not To Touch The Earth" and the antiwar song "The Unknown Soldier", both of which are a fine listen. Incidentally track 3 was to play a bigger part in the album then it actually did. This song is actually just a section of a much larger song, "Celebration of The Lizard", which featured on a later live album.

The criticisms of this album are not unknown to other bands from throughout history. This third album was trying to be all things to all men, but in the end it found itself in no mans land, not driving home the bands new found international fame after Hello I Love You with mainstream audiences, and dividing hardcore Doors fans who just wanted another 1967 album or at least an album with the full version of "Celebration of The Lizard" on it.

But enough of this negativity, that was then and this is now, with hindsight what we have here is actually The Doors maturing somewhat and generally creating a more refined sound. In 2 years time the band would release the much-celebrated Morrison Hotel, I would argue that without this third album, The Doors wouldn't be able to have done such work in 1970. This album has a hit, spookiness, gorgeousness, is rich and all the while maintains an edgy quality, that's really all you can ask for from a Doors record surely?

So not as bad as has been said by critics in the past, as with all Doors' albums, turn the lights off and listen to it in the dark.
0Comment| 22 people found this helpful. Was this review helpful to you? Report abuse
on 7 February 2007
The Doors back catalogue has been due a makeover for years, and wow, haven't they spent some effort on it. The sound quality on these discs has never been bettered in my opinion. If you're thinking of upgrading your entire Doors collection, consider the Perception Box Set, if not read on...

This album contains some great songs (Five to One, Unknown Soldier), but it's not up to the exemplary standard of the first two albums. Songs like My Wild Love; Yes, the River Knows; We Could Be So Good Together and Love Street are OK songs, but they're musically and lyrically `light'. They're not the dense, poetic, dark, sinister, songs that crowd the first two Doors albums, and pale when compared against them.

However, the bonus cuts here are particularly interesting. Celebration of the Lizard is the highlight here. This was the song, or piece, that was intended to fill a whole side of the album, but the band were never happy with the result. The studio cut here is not at all bad, though whether it's closer to the Doors' goal than the recording on Absolutely Live or Live in New York is a moot point. Not to Touch the Earth was an outtake from Celebration that made it onto the album as a song in its own right. Albinoni's Adagio In G Minor was always an odd one for the Door's canon methinks...
0Comment| 16 people found this helpful. Was this review helpful to you? Report abuse
on 6 April 2013
I was thrilled to receive the SACD remaster of the original. Analogue Productions did a good job as usual. I don't need to comment on the contents because I dig the Doors in general. All I can say is that SACD rules if prepared properly. Recommended for any fan of the Doors and SACD format.
0Comment| 2 people found this helpful. Was this review helpful to you? Report abuse
on 8 November 2014
I received this cd well packaged and it arrived very quickly. What can I say - Absolutely fantastic! What makes the doors so unique is the combined talents of all FOUR members, most importantly, their sound is of no other band - The Doors are in a league of their own. I could go on but I think it's best if I just say, buy it, hear it and simply enjoy.
0Comment|Was this review helpful to you? Report abuse
on 16 January 2007
I think that this is one of the best doors albums. However i feel it is wrongly missed out for what it does not contain, i.e the celebration of the lizzard. However i feel in some ways this is a good thing, as it shows they are not a one trick pony, where all there albums end in a long epic song. Furthermore people are also disappointed taht the title track 'waiting for the sun' doesnt appear until their 4th album, but the in my opinion i feel it does a good job being on morrison hotle.

People often say that the doors took more comerical root to this album. But i disagree this album contains many songs (my wild love, the unknown solider, not to touch the earth, five to one) which are challening musically now, let alone for the 1960s. And yes the album does conation comercial songs such as hello, i love you, but then again so did all their other albums (like light my fire on the debute). I feel the doors needed these comercial songs to get heard and once people then buy the album they look beyond the singles and to the greatness that is the doors.

Every song on the album is worth a listen, and i feel that this is the most easiest doors album to get into.
0Comment|Was this review helpful to you? Report abuse

Sponsored Links

  (What is this?)