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Truman Capote’s 1966 account of a notorious, barely motive-driven rural multiple murder which took place in Kansas in 1959 catapulted him into the best seller lists and celebrity status.

An upstanding, hard-working family from Holcomb, a small community in the wheat-plains of western Kansas, were brutally murdered by person or persons unknown, in November 1959. The Clutter family, Herb, church-going, teetotal dairy cattle-farmer, his rather delicate but equally upstanding wife Bonnie, and his two children, 16 year old Nancy, vivacious, popular, responsible, admired, and her bookish 15 year old brother Kenton were all shot at point-blank range, having previously been tied up. Herb Clutter also had his throat cut before being shot.

Inevitably, investigation first turned to possible personal and local motive, but there was no evidence at all to suggest this. The community was a tight-knit, respectable, co-operative one, and all the Clutters were warmly regarded by their colleagues, peers, friends, family and neighbours

“The hitherto peaceful congregation of neighbours and old friends had suddenly to endure the unique experience of distrusting each other; understandably, they believed that the murderer was amongst themselves”

The conclusion was that this might have been a burglary which went wrong. The idea of this definitely ruled out local involvement as everyone knew that Clutter did not keep money or valuables in the house, but banked it

The crime seemed to point towards something of a growing trend – murder without any real personal motive. There have always been such, in times past, but, for obvious reasons, they were more likely to take place in crowded cities, where perpetrators could quickly vanish amongst the hordes. Such crimes in isolated areas, carried out by perpetrators completely unknown, where victim and murderer had no direct connection with each other, must have been comparatively rare before owning cars became common, so that going on the run and being able to hide anywhere, became easily possible.

The perpetrators of this crime, after an intense investigation, were found to be a couple of small time crooks, who had met whilst serving time, far away from the scene of the crime. The successful solving of the crime, not to mention the capture of the pair, also depended on chance as much as skill, and the existence of mass-media (radio, TV) to highlight awareness of the crime and the search. The motive was indeed a robbery gone wrong, with the murderers, neither of whom had ever met Clutter, unaware that this rich man did not have a safe in his house (as they had assumed he would)

Truman Capote’s account of the case, originally serialised in The New Yorker, was rather a literary, ground-breaking one. The book was extensively researched from documents and interviews, but Capote structured this like a converging story, rather than a linear account. The structure, the language and the shaping are that of story, not journalistic reportage. Indeed, levelled against the book was criticism (particularly locally) that some dialogue had been invented, and small human touches and potent images had been invented.

Interestingly, his researcher on the book was his friend, and later, admired author, in her own right, Harper Lee. She is one of the two people Capote dedicates the book to.

The crime was indeed a gory one, but Capote withholds the gory details until near the end of the book, Instead, he paints a low-key, un-histrionic , unheroic, un-villainous picture of all the individuals associated with the case – this includes the victims, the murderers and all connected in the investigation, bringing to justice, and the community in which these events happened.

The author avoids operatic, overblown rhetoric. The reader (well, this one) has the sense of an author listening for a way to tell a shocking story in a simple, measured way, allowing the events themselves to be revealed in a way which suggests they have objective existence, and are not driven by authorial agenda. Nonetheless, the choices he made do of course shape the reader’s own perceptions. This is not a mere recounting of facts, but the reader is not being punched by the writer’s persona. Nonetheless, it is obvious that Capote did feel a kind of fascination with one of the perpetrators, whose status as half Cherokee, half-Irish, child of a broken marriage, whose mother was an alcoholic, and who spent part of his childhood in a brutal care home, marked his card, somewhat from the start. A classic outsider who FELT like an outsider to himself. Capote, himself an outsider, clearly felt some kind of – if not sympathy, than an identification of ‘outsiderness’

Unlike a more modern trend in some ‘true crime’ writing, Capote avoids a ramping up of the gory details of the undoubtedly gory crime. He is not trying to titillate or be gratuitous, Instead, there is a cool restraint. There is of course no ‘excuse’ for the crime, but there is a recognition that the fact that these types of crime occur shows ‘something’ about human nature. Because the writer does not go the route of ‘aberrant, demonic, despicable, bestial monsters’ the reader is uncomfortably forced to acknowledge this too is the possibility of human choice, human behaviour.
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An absolutely brilliant reconstruction of the 1959 mass murder of a whole family in a remote Kansas town, by two drifters for no very logical reason. Capote sets the scene brilliantly in the first chapter, as he jumps from the family living their ordinary day to the two murderers, chatting, driving. The reader knows an awful event is about to happen; as little events happen, such as the neighbour's child coming over to visit, you wonder whether she is going to be harmed or will she get away in time...
In the 3 succeeding chapters, the police are looking for these 'persons unknown' until the answer presents itself. And throughout we learn more of the killers, though not enough to comprehend their motivation.
Shocking and highly readable.
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on 29 March 2017
Having seen both films inspired by this book I decided it was time to read it. It's quite exceptional. A unique hybrid, part novel, part reportage infused with deep humanity yet unsentimental and clear headed. I now understand why Capote found it impossible to write anything substantial after this and that is very sad ... but what he gave us is a masterpiece ... and if I could write one paragraph as good as any in this book I would be elated
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on 21 October 2015
The timeless classic by Truman Capote. I read it years ago but have no idea what became of my original copy. I bought this terrific updated Penguin edition in order to read it again. I can't add anything to what has already been written about this book, just to mention that this is a worthy edition to buy if you are somewhat confused by all the versions out there.
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on 15 May 2017
Great book, Makes you ask why one human could do such an awful thing to another. There are some very sick people out there,
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on 7 April 2017
This was not an easy read but extremely well written and the plot structure is unique for a true life story
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on 7 June 2017
A really interesting read and deservedly a best seller at the time.
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on 20 May 2017
Truman Capote's book is one of the best I have ever read.
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on 21 April 2017
A documentary style narrative with rich description.
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on 17 May 2017
Good literature, good insight into a time and into a perennial problem. Masterly written, it is very much worth reading.
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