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on 20 January 2013
I went for this production given the somewhat dubious reviews the various other options available on Amazon were. It was a bit risky, but it paid off well.

Yes, another reviewer is correct that not all the performances are perfect, but I think all the important characters came off well, and Onegin seemed absolutely perfect for the role. The production is very much in period - and in excellent style. I don't tend to like modern interpretations, so I am very pleased by this, but if that is your thing you may need to go elsewhere. The singing does not fail, Pushkin's brilliant writing comes through in the plot and of course Tchaikovsky's composition is characteristically excellent, gushing forth with memorable melodies with a seemingly effortless ease!
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on 9 April 2009
Good voices, conducting by Andrew Davis, playing, sound and picture. Elena Prokina as Tatyana is an excellent actress. It is quite a shock to hear Onegin in Act 3 singing that he is 26 (as in Pushkin's poem). One expects an older, sauve man of the world. Wojciech Drabowicz looks decidedly immature in Act 1, more like Bertie Wooster. ("I say jolly flattered and all that but I'm not the right cove for you don't you know.") By Act 3 he has acquired considerable gravitas so the final confrontation with Tatyana is very moving.
There is strong competition from the Met DVD with Renee Fleming and Dmitri Hvorostovsky. The voices in that performance are just a little more impressive.
Fleming is a poor actress. (Her facial expressions always strike me as silly rather than dramatic.) Hvorostovsky looks every inch the debonair, world-weary man of experience. (He was 45 at the time of the performance.) Unfortunately he cannot modify his cold facial expression sufficiently to portray a man in the grip of an overwhelming passion. So the final confrontation is visually unconvincing.
The conducting by Valery Gergiev is slightly more dramatic here and there. The Met sound is drier and Harsher than the comfortable Glyndebourne sound. (The latter does however need above average amplification to bring out its virtues.) On the other hand the Met picture has the advantage of 2007 technology.
Most traditional operas are not suitable for minimalism. Forget jaded professional critics who praise to the skies the novel no matter how inappropriate, the average opera lover expects lavish scenery, the more lavish the better. Both stagings are minimalist, that at Glyndebourne being less stark and not having a litter of leaves in some scenes.
Overall I prefer the Glyndebourne performance.
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on 5 January 2015
One of of my favourite pieces in one of my favourite productions. The sound is a bit hit or miss... Too many dead spots upstage but still highly recommended.
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on 13 May 2014
This 1994 performance at Gyndebourne may be quite old, but I cannot see how it could be bettered. I've have it on VHS so I have been watching it for years. After reading reviews of other versions I ordered the DVD, which is just perfect.
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on 30 March 2015
SUPERB! SUPERB! SUPERB!
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on 2 August 2014
EXCELLENTE PRESTATION A GLYNDEBOURNE. C'EST PEUT-ETRE TATYANA(Elena PROKINA)QUI EST LA MOINS BONNE INTERPRETE DE L'ENSEMBLE.Quand on sait que WOJCIECH DRABOWICZ est mort tres jeune c'est triste car il avait beaucoup de qualites(acteur et chanteur)Il est interressant de connaitre ce DVD. A recommander.
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on 30 January 2015
great
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