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4.8 out of 5 stars
4.8 out of 5 stars
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on 18 October 2004
Biffy have gone and done it again.
I wasn't the most certain of this album when I first listened to it. A couple of the tracks jumped out at me immediately, and I was a huge fan of the single Glitter and Trauma; but the album as a whole didn't strike me as particularly good.
But first impressions can be deceiving and I was oh so wrong. So wrong indeed! I have to warn you now though, the only way I can do this review properly is to compare to Biffy's earlier work. So if you don't know it well, then "these words won't help you if you're looking for answers".
This is quite simply the most varied, intelligent, unpredictable and accomplished album I have ever heard. Starting off with the Eightiesesque dance rock anthem "Glitter and Trauma", with a typical thumping Biffy baseline after the amazing anticipatory (real word?) minute long intro; and finishing with the quiet majesty of "Pause it and Turn it Up", this album never lets go of your brain and eardrums and you just have to jump up and joiun in the lyrics in true Biffy tradition. The music "twists and turns, wrapping around me" as Simon shrieks in "Jaggy Snake", one of the more complicated tracks that took me a few listens from when I first heard it live to 'get', but I love it now.
As for the rest of the tracks, "Strung to your Ribcage" is a frantic warped love song that rips along at breathtaking pace, "Got Wrong" is a grungier almost Weezerlike song of a similar loudness, while sandwiched between them is the catchy cheekiness of recent hit single "My Recovery Injection". Following this raucous start, Biffy pause for breath with the beautifully sad "The Atrocity", which sees Simon sounding his most Scottish ever. A good thing if you ask me.
Next up is the surely classic-in-waiting "Some Kind Of Wizard", which recalls such previous Biffy wonders as "The Go-slow", while the explosive time changes and sensational melodies also display just how far the band have come in only three years. Following this is "Wave Upon Wave Upon Wave". Words cannot do this song justice. Its like a better "Liberate the Illiterate". And that was one of my top 3 alltime Biffy songs.
The rhythm then changes with the awesome baseline and jangling guitars of "Only One Word Comes To Mind", followed by "Man from Crasp". This latter is bizarre; with no music only Simon, Ben and James singing in choral harmony; but strangely compelling. This immediately breaks into the cracking riff of "Jaggy Snake".
Then, the glory of the most magnificently titled song of all time - "The Kids From Kibble and the Fist Of Light". The song even does the title justice, flying along with roaring guitars and the jazzy chorus, before splintering off into some introspective trumpet (!!!) and the sensational repeated line of 'these strange explosions hit me like a fist of light". Magical.
Then to round off, we have the big band start and great ending of "The Weapons Are Concealed" followed by the aforementioned contemplation of "Pause it and Turn it Up". There is also a bonus track, consisting of Simon reading a great little poem over a background of raucous static guitar feedback. Its not pretty on the ears, but makes sense.
In summary, if you are looking for a bland, by the numbers record with one or two poppy choruses, don't buy this album. However, if you aren't afraid to try new things, to listen to bands who aren't afraid to push boundaries, experiment, and just generally have a good time while doing it, get this album. It may take several listens, but once you get it, it will be a friend for life.
Of course, if you love the Biffy already, what the hell are you waiting for?
"Do You Believe In Magic?" After this you may just.
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on 1 June 2006
Biffy Clyro are a mixture of various music styles, ranging from post-indie and punk to hard rock and metal. However overall I would class them as a heavy rock band with many influences.

Every song is brilliant on this album, there isn't a reason to skip to your favourite, because they're all so brilliant. The lyrics are unique and never tiresome either, backed up with musical and instrumental genius.

Many people may be put off by the singers unpredictable singing style, which ranges from very mellow and calm, then suddenly bursting into fits of screaming and swearing. But don't let this put you off. the songs are all the better for it, trust me...
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VINE VOICEon 8 April 2005
Like Biffy's previous 2 albums I found Infinity Land hard to get to grips with at first and it can often be a frustrating listen; just when you think they're on to something accessible and superb in a particular song it changes via strange time signatures and angular guitars into something completely different and more challenging. You may begin to doubt the album if you are new to the band but the rewards for repeat listening are huge - the album reveals itself to be a truly superb piece of work and, in my opinion, the best of 2004.
Simon Neil's vocals range from fits of screaming to soothing harmonics but always convey pure passion. The music is hard to classify but is rooted in hard guitar indie/indie punk. The melodies swerve and dodge making for a totally gripping aural experience. This non-linear approach keeps the music fresh and there is always something new to discover and a new favourite song to pick!
Very highly recommended.
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on 16 October 2004
to start with, i apologise for that title, its a bit obvious frankly. but there you go.
immaculate album, truly. not a poor track.
jaggy snake is an immediate track, that really stands out, and for me, theres no such man as crasp stuck out, because its the lyrics from jaggy snake, which i had heard prior to the first listen of the record. i laughed alot, on the bus. loudly...
the weird dance beat prelude gives away to the hip swaying glitter and trauma. the weapons are concealed sounds like a bizarre cop show soundtrack with its blaring horns, and then turns into the spiky guitars that you and i both love. wave upon wave upon wave, the tribute to simon neils late mother, is both beautiful and ugly. each song is different, and its obvious the band are progressing. hoorah.
this took me a while to really get into - theres less heavy guitar and more screaming, which i wasnt expecting - and theres probably still more for me to get my head round. if you have just heard biffy, and want to start with them, id reccomend you blackened sky, the debut, which is more accessible and a better place to start really. but if you love em, why dont you have it already? its damn good
mon the biffy
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on 14 October 2004
Oft described as the Scottish Nirvana, Biffy Clyro have the same almost effortless ease with generating radio friendly hooks in heavy songs.
However Biffy are a whole different ball game - this album could be considered their polished 'Nevermind' period - yet songs like Jaggy Snake and Strung To Your Ribcage are as progressive and meaty and shouty and plainly different to the competition as anything they've previously written.
These sit well as a juxtaposition to more accessable numbers like Got Wrong, My Recovery Injection and Glitter and Trauma.
If you know and love Biffy Clyro already, then you probably own this already (and if not, why not?), and if you don't know them then congratulations you've just discovered your new favourite band.
Honestly this album is not just difficult to put down, it compels you to pick it up and play it again.
Buy it, love it, tell all your friends!
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on 4 July 2005
I just wanted to say that the above reveiws do not give Biffy Clyro full justice, in my opinion, they are a band that you have to see live as well as have the CDs. I've seen them 4 times and all of them were amazing. The music they write and play does not sound as good on CD as it does live. If you liked the CDs, go and see them live, you'll like them even more!
Mon the Biffy
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VINE VOICEon 21 June 2005
'Infinity Land' is unmistakeably Biffy Clyro. Retained are the harmonies, the guitars sound the same and even the style of music is the same, but if anything the constant touring and writing schedule has just enabled the Biffs to hone their three-piece quietLOUDquietLOUD noise even further, without resorting whining like emo kids whose parents won't give them any pocket money. If you've never heard Biffy, I guess there are a few necessary comparisons which must be drawn. First off, their style of music is a progressive distorted wall of guitars and drums and probably shares quite a lot of elements with grunge, and also the emotive songwriting of what is normally termed 'emo' these days, but is actually just rock. Lead Vocalist Simon Neil's husky nonchalant drawl mixed with high pitched screaming is reminiscent of dead Seattle grunger Kurt Cobain in some ways, but the general songwriting and time-signature experiments rightly eleviate Biffy above most other bands with a Nirvana-esque label.
From that bog-standard description, it sounds like nothing's changed for 'Infinity Land', but it's the little touches. Opener "Glitter and Trauma" opens with a minute-long synth (probably) introduction before the live drums and guitars kick in to one of the four singles that were lifted from this album. Simon's vocals waver from relaxed notes to high wails halfway through lines to dramatic effect, as the synth effects in the background continue to add weight to proceedings. It adds a different dimension to the band, but with second track "Strung To Your Ribcage" we're back to screamy proceedings in a song which sounds so familiar it could have been lifted from either of the other albums. Next up is the 'hit' single "My Recovery Injection", which starts with an almost ska-like riff for a minute before the real song kicks in.. naturally, this was removed for the Single Edit but works well for building up to the song proper. Once you're passed the ska, "My Recovery Injection" is quite a light fluffy tune sound-wise, but quite dark lyrically which is a magnificent contrast ("small scars of love and hate and happiness/you hide your scars so well"). Halfway through it turns into a small guitar solo, and ends in a loud crescendo of backing vocals sounding like a much different song to the one we started with. Maybe they haven't changed that much after all.
There are a few slightly more tender moments on this album. It's not unusual for the Biffs to slow songs down slightly in order to build songs up for the end, but on 'Infinity Land' there are a couple of what can only be described as Power Ballads - namely the distorted-but-heartfelt "Got Wrong" and final single "Only One Word Comes To Mind". Probably the biggest sign of mellowing here is the acapella track "There's No Such Man As Crasp", but the loud still outweighs the quiet as this is followed by one of the standout tracks: "There's No Such Thing As A Jaggy Snake". As well as being the first single to be lifted from 'IL' (albeit a download-only one), it also showcases Biffy's flair for their unusual timing tendencies which haven't featured as prominently on this album as the last two. Starting in a simple guitar intro, it soon breaks down into a cacophony of screams and distortion before hitting the chorus with radio-friendly harmonies and turning from there into a light song which utilises lines from the acapella. It's a clever move and showcases a more mature style of songwriting.
If you've heard Biffy but never had a reason to buy them, or have found their other albums a little too harsh, you could do worse than check this out. The songwriting has matured without them resorting to making a last-gasp acoustic album, and they maybe have mellowed a touch, without really departing from what they've always been: good hard rock.
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on 6 January 2005
I've listened to it almost constantly since its release and i'm not bored yet! Easily as good as "vertigo of bliss". Some truely memorable songs. "Crasp" will leave you confused, then "Jaggy Snake" will knock you flat on your arse! How do Biffy keep releasing an album a year, at this quality? C'mon guys, how about a headline slot at reading?
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on 29 July 2016
Before listening to this album, I was in the mindset that Biffy Clyro was a slower alternative pop/rock band. Upon hearing the entirety of this, I couldn't have been more wrong. I must admit it takes a while to get used to what you're listening to; this is the most experimental album I own. From start to finish it contains powerful vocals and lyrics, strange time signatures, loud overdriven guitars, ferociously strong bass and absolutely smashing drums. If you appreciate rock music, you need to have this!
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on 5 October 2004
Yep so biffy fans will know the story. everytime biffy release a new album old fans hate it coz its different but after listening to it for a few runs they realise it is awsome. well surprise surprise its the same deal here. there will be recognizable elements from both the first two albums and of course a whole load of new stuff. the single glitter and trauma still remains one of the stand out tracks for me, although the aggro offering of strung to your ribcage and the windy madness of 'jaggy snake' are also excellent. this is a very varied album with strange guitars and versatile vocal performances and even a trumpet in the last few tracks. Older biffy fans with also be entertained to here simon singing in his native scottish accent on 'the atrocity'. overall its a great and as an example of the inventivness of British rock it is perfect. the only let down here is 'there is no such thing as a man called crasp' which, despite the promising name, has no instruments in and is frankly a misjudged attempt at godknowswhat.
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