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4.2 out of 5 stars
4.2 out of 5 stars
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on 7 April 2017
I was a big Yes fan from the issue of The Yes Album through to Relayer but i never got around to buying/hearing either of their first two albums. However i recently purchased a Syn retrospective which included a version of Time & a Word (which i really liked) so i thought i'd give this one a shot, albeit somewhat late!!
My expectations were quite low but it was a generally pleasant surprise with a few minor issues. The sticker on the case declares it to be an "Orchestral masterpiece" which is perhaps an exaggeration and to be honest i found it to be over-orchestrated. The inclusion of snippets from the western 'The Big Country' & parts of 'The Planet Suite' didn't do much for the overall sound and i preferred it when the band were just playing on their own.
Notwithstanding the orchestra, most of the tracks except for 'Clear days' are very good and certainly hint at what was to come later in their career as many of the motifs, particularly some of the bass-lines, sounded quite familiar.
Apart from 'Dear Father' (which was a b-side) the other 3 bonus tracks, which are different versions of songs on the album, didn't seem that different to me but were a nice addition. There's also a booklet containing some history and lovely photos, so overall not as bad as i'd expected.
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on 3 May 2017
1970's 'Time And A Word' is a frustrating, albeit decent, follow-up to Yes's highly promising debut album in that, as with other projects which have attempted to meld rock group and orchestra, it doesn't really work. On the positive side, there are some really lovely tracks particularly the catchy 'Sweet Dreams', the pacey 'Astral Traveller', 'Then', and the superb 'The Prophet'. Disappointingly for Peter Banks, this was his last studio outing with the group as artistic disagreements started to arise and Steve Howe became the band's new lead guitarist just as things really started to take off with 'The Yes Album'. For me, this isn't a great leap forward from 1969's 'Yes' but both are worth picking up at low prices just to complete your early Yes collection.
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on 27 August 2017
I enjoyed listening to this album for the first time with this purchase. Very good indicator of better things to come from the band.
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on 19 May 2017
Classic Yes. Extra tracks a bonus.
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on 10 November 2011
I've always had a soft spot for "Time and a Word". This was the first Yes album that I ever bought and, all these years later, I'd even go as far as to say that I prefer it to "The Yes Album". For most people though, only familiar with the title track, this is not classic Yes.

The tensions within the band are obvious. Peter Bank's playing, which was so perfectly suited to the first album, seems uncoordinated and clumsy - the inclusion of the original mixes of "no opportunity..." and "Sweet Dreams" highlights this particularly and hint as to why an orchestra was thought to be necessary. The symbiotic relationship which the band would later have with producer Eddie Offord is a thing of the future. The band are still lacking in self-confidence and Tony Colson's production wasn't always to their liking - the use of the orchestra has been described as possibly the most unsympathetic in a rock album ever - while the band's ambitions were clearly way-ahead of what the existing line-up were capable of delivering.

Yes were still covering other peoples material at this time - Richie Haven's "No opportunity necessary, no experience needed" and Buffalo Springfield's "Everydays" getting the Jon Anderson treatment. "Then", "The Prophet" and "Astral traveller" point the way towards the band's next incarnation in "The Yes Album" while "Clear Days" is basically just Jon and orchestra.

The first bonus track is "Dear father" which has found a new home since, I guess, the "Yesterdays" album is somewhat redundant, in the current catalogue. The final track, unusually for a single version, is a different recording of "The Prophet", in full, rather than an edited down "radio" single and is a nice addition for those who haven't come accross it before.

Nice :)
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on 27 July 2007
Only Yes would have the balls to enter a studio and record with an orchestra for only their second album. The results are interesting.
Some of the material on Time And A Word gives an increasing insight into the future direction of the band. 'Then', 'The Prophet' 'Astral Traveller' and their treatment of Buffalo Springfield's 'Everydays' have the kind of long, complex instrumental passages that would become one of Yes' trademarks. In fact 'Astral Traveller' is almost a precursor to the following album's 'Starship Trooper.
'No Opportunity Necessary, No Experience Needed', 'Sweet Dreams' and the title track are good examples of the band's ability to write short, more accessible pieces to counter the more ambitious efforts, and like the debut, the individual msuicianship on display is quite excellent.
The only real downside on 'Time And A Word' is the orchestral element. It provides more nuisance value, rather than compliment the existing music. In fact, a CD is available (maybe from this website) of BBC sessions from this era of Yes that contains much of the Time And A Word Material, and the difference is staggering. The music flows better and has much more impact when you can hear the individual playing without an orchestra involved.
The use of an orchestra on this album led to guitar player Peter Banks' departure, and I have to say I'm in the Banks camp when it comes to this aspect of the record.
Another downside is the quality of the production on the title track, it's simply awful. For some reason, Peter Banks doesn't get to play guitar on the track so instead of a nice acoustic guitar being played, there's an awful twanging at the start of the track that sounds like a five year old is playing. The live version of the track was always far better. That's the reason for two points dropped. Otherwise, a good album, and a good tongue wetter for what was to follow with the Steve Howe inspired The Yes Album.
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The great second studio album by the group yes is TIME AND A WORD. This album has a live orchestra throughout most of the album. This idea by Jon Anderson was not favoured by fellow band member Peter Banks and later Banks left and was replaced with Steve Howe after the completion of this album.
Like the first album there are songs by the band and musical influences from other sources including the Richie Havens song No Opportunity needed, no experience necessary. Featuring the main them from the film The Big Country by Jerome Moross and the track prophet has excerpts from Gustav Holst's The Planets Suite. Also like the first album there is a Stephen Stills song with Everydays. (from Crosby, Stills, Nash and Young)
Once again we get the original British album comer here with the Dada esque black and white photo of a nude woman with a butterfly.
Track listing is
1 No opportunity, No experience needed. 2 Then 3 Everydays 4 Sweet Dreams 5 The Prophet 6 Clear days 7 Astral Traveller 8 Time and a word. Bonus tracks are 9 Dear Father 10 No opportunity necessary, No experience needed (original mix) 11 Sweet Dreams (original Mix) 12 The Prophet (single version)
all tracks remastered
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on 6 July 2017
I'd forgotten how good this album is! Ok its a bit dated in some respects, but the band sounds so tight, the late Chris Squire was so brilliant on this album. there is hardly a duff track to be found. Really enjoyed listening to it after so many years.
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`Time and a Word', the 1970 second album release from Yes, has a distinct character different from the rock-pop feel of the debut and different again from the 1971 landmark `Yes Album' where the young band found its definitive sound. Some see TaaW as an ambitious but failed experiment and for sure it doesn't float every fan's boat, but it definitely has its moments and is in many ways a lot more interesting than Yes' first album.

TaaW has the founding Yes line-up, i.e. Peter Banks on guitar and Tony Kaye on keyboards, to be replaced within 2 years by Steve Howe and Rick Wakeman respectively. The distinctive sound of TaaW is the not-always-successful use of orchestral strings on most of the tracks, a Jon Anderson initiative which instigated a row with Peter Banks leading to his departure from the band the day recordings were completed. Generally the strings get in the way more than they augment the sound, though they work well on `Everydays' and on the explosive opener, an imaginative re-work of Ritchie Havens' `No Opportunity Necessary, No Experience Needed' which is for me the album's star track.

The standout musician is Chris Squire, whose inventive and busy use of bass guitar in the treble register drives along the more rock-based numbers (like `Sweet Dreams' and the aforementioned `No Opportunity...'). Anderson's song writing is one of the album's weaknesses: not yet developed to creating impressionistic lyrical landscapes so characteristic of the `Yes sound', `The Prophet' and the title track `TaaW' in particular sound naïve, new-agey and dated.

But overall TaaW is interesting as a historic oddity, with more developed multi-part compositions like `Everydays' and `Astral Traveller' (you can hear the musical origins of `Starship Trooper' in this song) signposting the band's future direction, which they were to declare unambiguously with the follow-up, the international best-selling `Yes Album.'

This re-mastered CD has 4 bonus tracks: the version of `Dear Father' originally on the B-side of the `Sweet Dreams' single, and alternate takes of `No Opportunity...', `Sweet Dreams' and `the Prophet' - none significantly different to those featured on the original album.

The usual 16-page booklet insert completes the package featuring a retrospective penned by Mike Tiano, all the song lyrics and period photos of the band. The B&W surrealist painting of the naked girl which graced the original UK album cover was deemed too prurient for the US market, and was replaced by a photo of the band. There are plenty of good photos of the line-up featuring Peter Banks, but the decision was made to use a photo with Steve Howe in place of Banks on the US album cover, as Howe had already joined the band at the time of release of TaaW.
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VINE VOICEon 28 February 2003
... but still a strong decisive move in that direction. By classic Yes, i refer to the albums from "The Yes Album" up to "Going for the One" which are known amongst Yes fans as the strongest period of the band's history.
However, being a fan of the psychadelic and rock movements towards the far end of the 60s, i was attracted to general sound on this album. Be warned, it's a fairly raw and edgy, and without Steve Howe's more refined playing, Peter Banks uses guitars in a harsher style that may not appeal to everyone. However, i have grown to love the comparitively primative sound of organ-based rock, and enjoyed the album immensly.
Stand out tracks for me are the title cut, "Then" and the truly startling "Astral Traveller" (a title which was skillfully echoed later in "Starship Trooper" from "the Yes Album").
I must warn you again, that a lot of pre-Howe Yes is not what one might expect from such a derided prog rock band, but if you like bands like the Nice, Soft Machine and a little smattering of early Caravan, it's well worth looking into both this, and the self-titled debut.
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