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on 30 September 2017
Great film, well acted and, on blueray I can - at last - actually see the special effects. Bearing in mind I've seen this flick not just on dvd but vhs and at the cinema, this is the best it's ever looked.
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on 12 February 2015
Had this film on VHS and then on DVD and now on Blu-ray. Great film, much undervalued performance by Connery. He actually gets some acting in, without all the Bond B/S. Although the SFX are primitive compared to today's CGI outpourings, the story really carries the film. The solid tale about family values sits well against the corrupt mining corporation and it's hideous minions. Connery's dysfunctional lawman has to deal with the company hit-men without support from his "team". The female doctor character is a master of understatement. No spoilers, buy it, watch it, love it.
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TOP 1000 REVIEWERon 17 August 2014
OUTLAND [1981] [Blu-ray] [US Import] This Science-Fiction Delivers The Goods! On Jupiter’s Moon He’s The Only Law!

Set on Jupiter's moon Io, Jupiter’s innermost moon, hosts a mining colony CON-AM 27, a high-tech hellhole. There a veteran marshal [Sean Connery] probes some mysterious deaths of miners. In pursuit of the truth, he is alone. ‘OUTLAND’ is a 1981 British science fiction thriller film written and directed by Peter Hyams ‘Timecop’ and ‘2010’ depicts a chilling extension of today’s corporation-driven world. Dehumanization is vividly evoked in Philips Harrison’s striking production design and two-time Academy Award® winner John Stears special effects.

FILM FACT: ‘OUTLAND’ was the first motion picture to use Introvision, a variation on front projection that allows foreground, mid-ground and background elements to be combined in-camera, as opposed to using optical processes such as blue screen matting. This enabled characters to convincingly walk around miniature sets of the mining colony. Director Peter Hyams hired cinematographer Stephen Goldblatt. The film was nominated for the Academy Award® for Best Sound for John Wilkinson, Robert W. Glass, Jr., Robert Thirlwell and Robin Gregory. ‘OUTLAND’ was filmed at Pinewood Studios, Iver Heath, Buckinghamshire, UK, with an estimated budget of $16,000,000.

Cast: Sean Connery, Peter Boyle, Frances Sternhagen, James Sikking, Kika Markham, Clarke Peters, Steven Berkoff, John Ratzenberger, Nicholas Barnes, Manning Redwood, Pat Starr, Hal Galili, Angus MacInnes, Stuart Milligan, Eugene Lipinski, Norman Chancer, Ron Travis, Anni Domingo, Bill Bailey, Chris Williams, Marc Boyle, Richard Hammatt, James Berwick, Gary Olsen, Isabelle Lucas, Sharon Duce, P.H. Moriarty, Angelique Rockas, Jude Alderson, Rayner Bourton, Doug Robinson, Julia Depyer, Nina Francoise, Brendan Hughes, Philip Johnston, Norri Morgan, John Cannon (uncredited) and Maurice Roëves (uncredited)

Director: Peter Hyams

Producers: Charles Orme, Richard A. Roth and Stanley O'Toole

Screenplay: Peter Hyams

Composer: Jerry Goldsmith

Cinematography: Stephen Goldblatt

Video Resolution: 1080p

Aspect Ratio: 2.40:1

Audio: English: 5.1 DTS-HD Master Audio, French: 2.0 Dolby Digital, German: 2.0 Dolby Digital, Italian: 2.0 Dolby Digital, Spanish: 2.0 Dolby Digital and Spanish: 1.0 Dolby Digital Mono

Subtitles: English SDH, French, Spanish, Japanese, German SDH, Danish, Dutch, Finnish, Italian SDH, Norwegian and Swedish

Running Time: 112 minutes

Region: All Regions

Number of discs: 1

Studio: Warner Home Video

Andrew’s Blu-ray Review: 'OUTLAND' wasn't the first film to shift elements of the western to a sci-fi environment, and it certainly won't be the last, but it's still a relatively unique combination, one that makes for a wonderfully entertaining motion picture that might otherwise be thought of as a generic crime thriller. In fact, it could be argued that the marriage of the two genres essentially masks a rather simple plot that could just as easily take place on modern-day Earth. But the subtlety and restraint shown by British writer/director Peter Hyams when merging the two vastly different styles manages to elevate the story into something fresh and terrifically engaging. Aspects of either genre serve only as backdrop or narrative device for telling this crime drama that serves as a clever indictment of corporate conspiracy and greed which devalues the lives of the working class.

Set on Jupiter's moon Io, Jupiter’s innermost moon, set in the far distant future, the merger of the two genres is immediately apparent but never brought to the forefront. Instead, it's an understated framework inside a remote mining outpost functioning on Io, one of Jupiter's many moons, and order is kept by a small band of peacekeepers, led by Federal Marshal O'Niel [Sean Connery]. It's one of the reasons I find the film so brilliant and still highly enjoyable. Peter Hyams isn't constantly reminding his audience of what he's doing beyond the initial opening with the explanatory title cards. Yet, there's a rustic Wild West appeal to the overall film, thanks in part to the stage design and the cinematography of Stephen Goldblatt.

Story-wise, Peter Hyams doesn't shy away from stock characterization, such as Connery epitomizing the rugged town sheriff. As the bringer of justice and social order to the seemingly chaotic frontier of space, Sean Connery's Federal Marshal O'Niel stumbles upon a conspiracy to hide several unsolved deaths of miners. There isn't a whole lot for the Scottish actor to do other than act the determined and deeply committed lawman, but what he does he does exceptionally well, being a hard-nosed peacekeeper that won't back down in a fight. Peter Hyams does give the character a bit of depth as a married family man on the brink of losing what he cherishes the most because he believes so strongly that what he's doing is the right thing to do. And as with everything else, Sean Connery shines in these moments, carrying the thought of his wife and son heading back to Earth without him in his eyes and powering his will to fight.

Helping the Federal Marshal discover a secret drug-ring operating within the colony is the feisty, contentious town doctor, played delightfully by Frances Sternhagen. She's perfect as the spirited foil, almost comic-relief, to Sean Connery's stern temperament, coming to his cause at just the right moment when the man needs the assistance the most. Her involvement in the cover-up is somewhat of a mystery because she doesn't perform autopsies of the dead, though it does become fairly clear when the sergeant [James Sikking], replacing the customary trusty deputy, turns out to be paid a hefty sum to look the other way. While two dealers appear to do most of the footwork, the man at the centre of it all is none other than [Peter Boyle] the head-honcho and ruthless greedy landholder of the mining.

Peter Hyams makes that little piece of information pretty obvious early on. Discovering who's behind this large-scale crime is not really the point. In fact, it's used within the narrative as a means of generating tension and suspense because we know who the cause of the rampant drug use is, hiding the deaths of innocent workers in order to keep profits rising. As Federal Marshal O'Niel follows the clues and gathers the evidence to prove his suspicion, those involved will do anything to defend the flow of money, driving the plot toward a spectacular 'High Noon' showdown. Filled with a cold mechanical atmosphere and the ethereal music of by award winning Jerry Goldsmith, Peter Hyams's 'OUTLAND' is wildly entertaining sci-fi western warning of a corporate future where our greatest enemy remains the monetary greed plaguing our society?

One very interesting fact I have found out, is a comment by Peter Hyams and reads like so:

I wanted to do a Western. Everybody said, 'You can’t do a Western; Westerns are dead; nobody will do a Western'. I remember thinking it was weird that this genre that had endured for so long was just gone. But then I woke up and came to the conclusion and obviously after other people and that it was actually alive and well, but in outer space. I wanted to make a film about the frontier. Not the wonder of it or the glamour of it: I wanted to do something about Dodge City and how hard life was. I wrote it, and by great fortune Sean Connery wanted to do it. And how many chances do you get to work with Sean Connery?

Blu-ray Video Quality – The print used for this 1080p encoded image appears to be in pretty good shape, because 'OUTLAND' looks great on Blu-ray. It doesn't quite match the best we've seen from other films of the same period, but this high-definition gives a gritty realism transfer is a vast improvement nonetheless over the terrible and inferior NTSC DVD release. Presented in an aspect ratio 2.40:1 frame, which is closer to its original aspect ratio and much preferred to previous letterboxed releases, it comes with the expected blurry sequences due to age, but the image is surprisingly sharp and distinct for the most part. Viewers can make out every wrinkle on Mr. Connery's face, and the smallest details of the mining outpost are plainly visible. Contrast is comfortably bright with clean, crisp whites, giving the picture a renewed, cinematic appeal. Colours are not particularly upbeat, which is deliberate to the cinematography, but they accurately rendered and consistent from beginning to end. The more problematic issues come from the wavering black levels, looking deep and intense one minute and murky the next. Exterior shots are excellent with rich contrast between light and dark, but several interior scenes can appear washed out, ruining some of the finer details in the shadows and making the natural film grain seem a bit noisy. It's not to the film's detriment, however, as the overall presentation looks great on high-definition video, a significant upgrade from the previous inferior and ghastly inferior NTSC DVD release.

Blu-ray Audio Quality – The sound design for 'OUTLAND' was a bit of a pioneer, with a soundtrack that is essentially an early form of today's 5.1 surround system. Without any way of actually confirming this DTS-HD Master Audio soundtrack derives from the original 70mm 6-track magnetic print on which it was recorded, this Blu-ray presentation appears to be faithful to the intentions of filmmakers. The design doesn't do much with the available back speakers, but Peter Hyams' sci-fi Western makes excellent use of the stereo sound field, which I'm assuming was always the intention of the new technology. Channel separation is well-balanced with flawless movement that perfectly matches the action. Off-screen effects broaden the soundstage with imaging that's convincing, and the excellent directionality nicely generates a persuasive sense of space. The excellent and brilliant Jerry Goldsmith's ethereally jarring musical score takes greater advantage of the soundscape by bleeding into the rears and immersing the listener. Vocals are plainly audible and well-prioritized while dynamic range remains wide and cleanly rendered. One of the best features of this early surround mix is the boosted low-frequency effects, which come off surprisingly hearty and accurate with excellent response for a 30-year-old movie, making this generally-stereo track a great listen.

Blu-ray Special Features and Extras:

Audio Commentary: Commentary with Peter Hyams: British Writer/Director Peter Hyams revisits his cult sci-fi western and shares many informative anecdotes about the production. He spends a good chunk of his time talking about Sean Connery, the legendary actor's presence on set and getting to work with him as filming progressed. There are also several great comments on the story's themes, the photography, set design and the overall look he was aiming to achieve. All in all, Peter Hyams is able to offer a generally pleasing audio track, speaking with a great deal of pride over his work and the finished product.

Theatrical Trailer [2:54] This is the Original Theatrical Trailer for ‘OUTLAND,’ where they inform you that “The ultimate enemy is still man."

Finally, written and directed by Peter Hyams, 'OUTLAND' is a sci-fi western starring Sean Connery as a deeply committed lawman, the cult film remains a wildly entertaining flick with a spectacular 'High Noon' showdown. The Blu-ray arrives with a great audio and video presentation that greatly improves upon previous home video releases, but sadly, comes with only one exclusive supplement. Fans will surely want to pick this up just for the joy of seeing Sean Connery shoot bad guys with a shotgun...in space. For me, ‘OUTLAND’ remains sadly a very underrated, underappreciated film and it is worth appreciating it now as it was then when it was originally released in 1981. Technically the disc is one of the better catalogue titles Warner has put out recently, and the commentary track does great justice for fans of this brilliant shoot-em up film regardless of their age. If you are new to this film and fans of science fiction, you owe it to yourself to take a look for yourself; as I firmly believe you will wind up enjoying it now and for many years down the road and that is why it has gone pride of place in my Blu-ray Collection, especially with the ever star presence of Sean Connery. Highly Recommended!

Andrew C. Miller – Your Ultimate No.1 Film Fan
Le Cinema Paradiso
WARE, United Kingdom
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on 15 July 2016
Underated Peter Hyams movie.Basically a sci-fi remake of "High Noon" this transposes the story of the lone sheriff up against the bad guys while the towns folk look the other way,to the claustrophobic confines a mining camp on an inhospitable planet.Sean Connery and the rest of the cast are superb and the special effects although dated are good.The blu ray transfer is good but not the best,the sound is an improvement to the dvd.
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on 30 April 2017
The special effects have dated somewhat but who cares when the standard of film making is this high ( Noon).'Realistic' sci-fi is a rarity nowadays and I was so glad to re-watch this and find that it was as enjoyable to watch now as it was when I first saw it back in '81.An extremely good transfer to bluray both video and especially audio.
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on 1 July 2016
A remake of High Noon but set in outer space. A wonderful eighties film starring the wonderful Sean Connery aided and abetted by Frances Sternhagen as the doctor who discovers that a drug used by the workers on Io is not as good as it should be. Connery as the marshall has the unenviable task of putting things to rights. I've previously awarded the movie 8 out of 10 on imdb on amazon I've awarded the movie a 5 stars out of 5 review rating.
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on 18 April 2017
Sci-Fi movies have moved on since this was made, but it's enjoyable enough if you don't mind turning your brain off a bit towards the end. The special effects are good (for the time), the characters are OK (but their motives often seem a bit unclear), and the story seems a bit weak by modern standards. Mainly the ending felt rushed (especially after the stretched-out middle section), and a bit too easy for the Sean Connery to kill the bad guys.
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on 4 November 2015
This movie has always seemed to me to be a remake of the old Gary Cooper Western, but set on a mining station on one of Jupiter's moons. It is tightly plotted and Connery is very believable as the taciturn Marshal investigating what looks to have been one in a series of tragic accidents - except that the miner's death was a consequence of regular drug taking which (it turns out) was condoned by Head Office. Worth watching if there is nothing on the TV.
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on 13 March 2018
This is a bit different from your normal space film, lots of action, really good storyline also.
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on 4 November 2015
I remember this movie did not stay long in the city but I did see it on TV a few years later. It is a good movie as I see how coroporations today are slowly becoming like the corporation in this movie. They will stop at nothing to control the people that work for them. Sean Connery is a good actor and I do enjoy his movies.
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