Top critical review
on 28 July 2017
Go ahead, let the creepy cover put you off. The Ozawa version has all the shiny newness of an old Roman coin treated to Brasso, which is something that never should be done of course. The naughtiness, earthiness, the pride and pomp, the swagger, the joy and more are all scrubbed away and on the whole far too coldly "pleasantly" presented.