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4.4 out of 5 stars
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on 29 August 2017
great book.... bonus audio book enjoying it on my commute...
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on 7 September 2017
A very fine read. Great narrative.
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on 27 February 2012
Hmm, how do I explain this book without totally spoiling it? Very difficult. I think this was Aldiss's fourth or fifth novel. It was written in 1958, so you can guess that the writing style is slightly old-fashioned. For me, this added to its immense charm, rather than detract from it. The characters are great, particularly Marapper, who I could see and hear quite clearly from the first time he speaks. The Greene tribe are fairly primitive in their ways, constantly on the move through a world of corridors filled with overgrown vegetation. Roy Complain is a hunter, who ventures beyond the guard barriers into the ponics, where he kills pigs to trade for bread and such. The tribe is threatened by other tribes, and by the Forwarders, and the Outsiders, and rumours of the Giants, who were once thought extinct but have been seen again. When 'his woman' follows him on a hunt she is taken by another tribe in an area called Sternstairs and Complain, flogged for losing her, Marapper and three others decide to escape and try and find the mythical Control.

The exact nature of their world, who the other races are, and why they are there is slowly deciphered by the characters as the story progresses. Much of it is easy to guess, but the pace of the novel, the charm with which it is told, and the steadily developing characters meant I didn't begrudge that at all.

My one problem with the book is the brevity of the ending. Where I was expecting another chapter the story just ends, and very abruptly at that. It's the only part of the book that feels rushed, which is a real shame, almost like he wasn't quite sure how to conclude it. Still, I suppose that's nothing new in sf with big ideas. Apart from that, it's a great read.

And I haven't mentioned the rats ...
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on 20 September 2000
Roy Complain, a hunter, living in Quarters and thus a product of his upbringing, however, is not content, deep inside he always knew that there must be something more than his petty existance. Together with the priest Marapper he goes on a journey and as his knowledge grows, he changes and grows with it. I do not intend to give an outline of the story and thus spoil the pleasure of reading, or as I did, absorbing the book, not being able to turn the pages quickly enough to my liking. Like Roy I had to know what was going on and more importantly, where he was.
Brian Aldiss succeeds in portraying his characters realisticly, they are just like you and me, petty, always argueing about everything. However as the journey progresses, slowly but surely they change, especially Roy, who is capable of taking a step back and look at his situation objectively : P.92 : "He saw a parallel between the lives of the rats and the human lives emphasized in their man-like conduct of ill-treating a fellow creature, the rabbit. The rats survived where they could, giving no thought to the nature of their surroundings ; Complain could only say the same of himself until now."
It is a beautiful story, beautiful in a linguistic way, e.g. the first time Complain sees space, or the moment when he sees Laur's face caught in sunlight. But it is also a sad story, the struggle for life and in the end the harsh, cruel truth. In science man has made many discoveries and scienctific progress, unfortunately the human heart has not grown in the sense that would make it more humane. On the contrary, the human heart has evolved in a different direction. It has not grown warmer, but colder. I highly recommend this book!
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on 27 March 2010
As other reviewers have pointed out, a good portion of the story is given away in the blurb on the back of the book, or is obvious, but this still makes a good read. The story centres on Roy Complain (I'm not sure if the name has some meaning that I failed to grasp) and a small band of men from his settlement who set out to explore their surroundings. They come from a fairly primitive tribe who live in a jungle that clearly has man-made aspects. There are various rumours and half-forgotten myths about the origins of the tribe and Roy has always felt like there was something vital that he doesn't know.

During their travels the men come across various other inhabitants of the jungles, and eventually learn what they are and where they came from. This is done through a series of events that gradually reveal what's going on, but I personally found the last third or so of the story a bit of an unwelcome departure from the style of the beginning of the story. The ending in particular was, to be honest, a bit of a disappointment. There could have been any number of reasons for the tribe's circumstances, but the one chosen was a bit of an anti-climax in my opinion.

A good story, and worthy of inclusion in the SF Masterworks series, but not as good as some others in the collection.
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on 29 June 2003
One thing is for sure in the field of Science Fiction; if you like your plate full of 'heroes' who are paragons of moral probity - Brian Wilson Aldiss is the author to give you a triple dose of stomach-churning indigestion.
Quite from where he draws inspiration for such spiteful, perfidious and yet deliciously appealing protagonists as those found in Non-Stop (not to mention his other works) is beyond me. And in all honesty - I don't really want to know.
Meet Roy Complain, member of the Greene tribe, a nomadic group of semi-primitives trapped aboard a malfunctioning generation star ship ploughing its way through the Universe. Roy's job is to forage for food throughout dark and foreboding corridors overrun by choking plant life.
Surprisingly enough, the members of the tribe appear completely oblivious to their actual predicament; the truth of their existence, and that of their environment, is shrouded in mystery - lost and corrupted over the centuries.
Only the fiercely redoubtable Father Henry Marapper suspects that there may be more to the 'world' than meets the eye, and when Roy's mate is abducted in the corridor jungles, the priest enlists the resourceful hunter for a dangerous trek into the unknown reaches of the spacecraft in search of answers.
Along for the journey come several other individuals who would appear to represent the absolute worst examples of humanity such as Wantage, hideously disfigured and the hopelessly psychotic, and Roffery, a brazenly corrupt meat salesman. Marapper himself, whilst being hugely entertaining, is a certifiable maniac with a penchant for dispending a brand of 'religion' that probably wouldn't be out of place during the Spanish Inquisition.
In all honesty, you'd be hard pressed to imagine this disparate group of quarrelsome lunatics ever reaching their goal, but after negotiating their way through the hazardous Deadways (populated by all manner of strange and terrifying creatures) that's exactly what some of them achieve. Of course, a major spanner is thrown into the works when it is discerned that the 'goals' weren't what they bargained for.
An excellent example of the classic 'conceptual breakthrough' SF novel, Non-Stop delivers twist after devilish twist, and whilst it's possibly not of the same calibre as Aldiss's masterwork 'Hothouse' (the narrative does tend to meander at times), it would be unfair to regard this novel as anything less than an insightful and thoroughly entertaining piece of work.
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on 12 September 2006
I wish for this to remain a non-spoiler review. To give away anything of this story, would be a crime in my opinion.

The Greene Tribe live in relative ignorance, generally only aware of their own immediate surroundings, and meagre existence. For them to really consider where they are, is truly beyond them. This is until one of their kind - Roy Complain - decides to investigate beyond his dwellings.

A story can be very powerful when told in the right way. Non-Stop does this in a very well poised and paced manner. Although the book does start slowly, and really does not get going until about a quarter of the way through, the revelations brought upon the reader are truly shocking, with a long lasting effect. I was totally stunned by what Complain discovers. Shortly in, you find out why the book is called 'Non-Stop', and from that point, the shocks keep coming for Complain that turn his whole universe inside-out. He realises that for the whole of his life, and that of his tribe, they have been totally deceived, and that their whole existence is an age-old lie gone horribly wrong.

This is, in my opinion, Aldiss' finest work. Having read the majority of the Sci-Fi Masterworks series, amongst many others, this rates as one of the true greats of the genre. This book will get under your skin, and stay with you for a long, long time.
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on 5 January 2007
Although not the first Generation Ship story to be written and certainly not the last, `Non Stop' is the book that stands head and shoulders above the rest.

David Pringle in his `100 Greatest Novels' acknowledges that Aldiss owes a debt to Heinlein's `Orphans of The Sky', a fix-up novel consisting of two novellas from the 1940s. The two books take the same basic premise, that a colony ship is launched from Earth, knowing that generations of humans will live and die within its hull before it reaches its destination. In each book, the knowledge of what the ship actually is has been lost and the descendants of the crew have reverted to a tribal existence while the ship ploughs on through space.

In contrast to Heinlein's escapist adventure however, Aldiss's vision is a darker one and succeeds, where Heinlein's doesn't, in making clear the vast distances between us and even the nearer suns in our galaxy.

We see the world of the Ship through the eyes of Complain, a young hunter whose tribe lives in Quarters. Long ago, a mutated hydroponics food plant has adapted to its surroundings and now grows everywhere, forming jungles on abandoned decks where pigs and insects thrive.

When Complain's woman is kidnapped by another tribe he is approached by Marapper, the tribe's priest, who is planning an expedition through the jungle-choked decks; an expedition to the mythical Forwards, where they may find the secret of what their world actually is.

It's a very sobering vision, since, like Wyndham, whose main novels were published only a few years before this, Aldiss refuses to provide any answers or a cosy conclusion.

What also separates this from Heinlein's work is that the characters have more of the bite of human reality about them. Most of the people we encounter are selfish to some degree and concerned for their own survival.

Aldiss very clearly show here humanity's propensity for ignorance, denial, acceptance of religious dogma without question, violence and self-destruction, and ultimately the Ship may serve as a metaphor for how we behave in the only 'world' we have.
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TOP 500 REVIEWERon 7 April 2016
'Non-Stop' by Brian Aldiss is quite rightfully a classic in the Sci-Fi field in that it deals with some quite interesting and hard issues and does so under the cover of a fictional story.

The story begins in a relatively primitive tribe, with many hints of this existing in an environment that has once been much more advanced but decayed since. A group of people from the tribe, including the protagonist - Roy Complain - at some point decide to go beyond the dogma and the limits of the tribe, and explore. And without giving any spoilers, there is much to learn.

The book deals with so many topics it is hard to summarize them all. They include dealing with catastrophic calamities, the emergence and spread of religion, genetic alterations, the role of man in society, moral hazard, and so much more.

The characters may be a bit hard to follow and comprehend from the beginning, since the author endeavored to make them believable in the context of their existence more than likeable to the readership. As such it takes you some time to understand their motives and drives.

This makes the book probably not the easiest, most page turning read you have encountered, at the same time the book raises so many points that reflection is in order anyway. The limited action there is is well paced and sufficiently gripping but it is much more the dawning of understanding that drives the plot and the book overall.

The book should work for most people who like their science fiction a bit more cerebral, with less focus of space fights and more on societal change and thought experiments. At any rate, one can say that it is a classic in its field and that it deserves to be read for that alone.
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on 9 January 2017
Having almost by accident first purchased a copy of this novel in 1960 I am purchasing a new copy because the original is now falling apart. In the reprint I spotted a few changes, the original welder has now become a laser. The Biologist June Payne has become June Bursti leaving me wondering why, none of which affects the original story though.

Since the 1960s the pace of scientific study has rather obsoleted the plots of most science fiction novels but this novel is almost unique in having stood the test of time remarkably well. It remains a possibility that at some time in the distant future something like this plot could still happen.

The range of human behaviour is explored and natural curiosity emphasised. The human race is very curious and ultimately, very observant. The "Dizzies" were becoming aware that something was wrong and had begun to suspect the existence of the "Outsiders" and were actively seeking these. It is possibly only a matter of time before the "Dizzies" figured out the full details of their existence.

Did Brian Aldiss ever write a sequel to this novel as it′s an interesting speculation what might have happened had the "Dizzies" ever been repatriated to planet Earth.
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