Top positive review
20 people found this helpful
Are authors afraid to write about happiness?
on 7 September 2012
This is the story of late-developing love between a 38-year old Dublin woman, Addie and a 50-year old American, Bruno, who comes to Ireland to trace his roots. The year is 2008. Bruno has recently been sacked from Lehman's in the financial meltdown and is fervently hoping for Barack Obama to be elected in the US election. Addie is an out-of-work architect and daughter of a cantankerous doctor father. She is also the owner of a dog called Lola, a key character in the story and a delightful one. Addie and Bruno are not expecting to find love - indeed, they had both given up looking for it - and the scene in which they meet, courtesy of Lola the dog, is very well written and a delightful set piece. Other characters in the book are also well drawn: I particularly liked Addie's older sister Della though was less convinced by Addie's father, Hugh. Everyone walks on eggshells around him but his prickliness was not exactly terrifying and the side-plot of his big, dark secret petered out a bit. Other than that, the story-telling is good and the growing love between the two main characters genuinely heart-warming. It's clear fairly early on that something is going to go wrong. Without giving anything away, I would just say that I found this aspect of the book deeply disappointing. It is as though writers today have a real problem writing about happiness, as though it is not a "real story" unless there is conflict/tragedy/disaster, whatever.
Why is this? What actually is wrong with a happy story?