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This is a book which just oozes sheer quality in every way. The heavy hard cover has vinyl grooves emulated on front and back. The book is really well bound, so no splitting at the seams as happens with a lot of these thicker books that need opened right out to see all of the images. It is a heavy book thanks to the use of a decent weight of china(looks like it to me, not that I am an expert in modern printing paper) paper. None of the images are printed across the spine, which is a major plus, as I have had books of similar cost splitting when they were opened out to see what was hidden in the depths of the spine crease.

The images are stunning when printed on high quality paper to the size used here. CD packaging is just not in the same league as this, not even close. All of the detail gets lost. The 12 by 12 inch"canvas" of the vinyl album was a superb format for sleeve designers to work in. A vinyl album sleeve afforded the designers enough space to add in details and information that could be enjoyed and looked again and again. CD sleeves are often designed on a large scale and then shrunk down to fit, thereby reducing detail and, quite often, text to a size that is a pain rather than a pleasure. Some CD sleeves have lyrics printed on them that are indecipherable, even with a magnifying glass, because the ink has bled slightly through the paper.

The text is straight to the point and is informative, interesting and humourous, with contributions from Storm Thorgerson and Aubrey Powell mainly, along with contributions from Peter Blake, Nick Mason, Scott Rowley and others. There are insights into meetings with bands, brass necking, trips abroad on a whim paid for by record companies just to get a photo of a wave of a particular size and colour etc................

I was impressed with the range of artists that Hipgnosis have worked with over the years, from Black Sabbath, 10cc, The Scorpions, Led Zeppelin, Pink Floyd(possibly their best known customers) and many others that had slipped under my radar. All different and yet stamped with that Hipgnosis style.

All in all an essential book for any lover of photography, art and rock music in general. This book reminds those of us who grew up with vinyl of what is missing in the age of digital miniaturisation. Those who download are at an even greater loss.

If you are reading this then you must have an interest and all I would say is just go ahead and buy it, you will love it!
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on 11 April 2017
A good gift for fans of Vinyl.
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on 27 July 2013
I bought this book after hearing about the sad death of Storm Thorgerson, who helped set up the graphic design company Hipgnosis back in 1968. It's a quality book and I really love it. It's a bit pricey but if you are into graphic design and 1970's rock music you will probably love it too. I grew up listening to the likes of Led Zeppelin, Pink Floyd, Wishbone Ash etc whilst studying graphic design in the 1970's and find it very interesting to hear from the guys who set up Hipgnosis the studio who created so many wonderful album covers back then. Aubrey Powell and Storm Thorgerson write with a great deal of passion and humour about there interesting experiences (some good, some not so good) with some of the biggest names in music from that period. I would definitely recommend this book to anyone who has an interest in graphic design and rock music from that era.
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on 7 December 2014
An excellent book for any fan of vinyl
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on 15 July 2009
Los autenticos maestros de las portadas de LP's de todos los tiempos.
Encontraras la historia que hay detras de la mayoria de sus caratulas, contadas por ellos mismos o por sus interpretes musicales.
Un gran libro para los coleccionistas de vinilo, presentado a todo lujo.
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