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on 18 March 2007
This novel is an absolutely wonderful piece of literature. It is funny, moving, emotional, and beautifully crafted. Golding's attention to detail here are second to none, and the symbolism he uses in this fantastic novel is extremely complex.

The whole experience can smilarly be described as complex, but not complicated. It is easy to follow and enjoy, but as you look beneath the surface, the novel features surprises, foreshaddowing and religious significance.

As the boys lose their rules they develop and Jack forms his own tribe of terror, events in the book progress from simple bullying to stylised animal rape and even murder. Golding effectively uses these episodes to explore the darkness of man's heart, and the novel can show us what we are capable of in a similar situation.

The characters range from the Christ-like figure of Simon to the Satanic symbol that is Roger, and the opposite extremes provide a great contrast to create the tensions Golding has in the novel.

The effective conclusion is very pessimistic as is Golding's outlook on the subject:

"Ralph wept for the end of innocence, the darkness of man's heart, and the fall through the air of the true, wise friend called Piggy".

It is a wonderful novel that everyone should read; as a good story, as beautiful literature and as a dire warning.
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on 30 November 2001
This is a compelling novel, despite the content which is disturbing but true. Golding has turned young innocent children into animalistic savages, with stunning imagery and language that we have come to expect from him.
This edition is particually useful for anyone studying Lord of the Flies at school or college. The introductiion is very worth reading, giving background and insight into the book, helping with understanding of the plot and symbolism. The notes in the back are also interesting, explaining Goldings neologism "flinked" as well as most other points of interest in the novel. Highly recommended!
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on 18 May 2005
What genre could you slip a book into when it just seems to be in a genre of it's own? And even when you've found that genre, it contradicts itself and you can see it is something else, entirely different. Lord of the Flies is such a book. Trying to slot it into a pigeonhole has proved impossible to me. Just when it seems as if it fits into 'action' it wiggles free and shows me how it is, in fact, a thriller. Immediately disagreeing with itself, it tells us how it is a mere social commentary. Wait, is it a horror book? It's scary, but not in a 'ghosts and ghouls and nightmares' sort of way. Yes, it is thrilling and action-packed, but not in a 'car chases and bombs and guns' sort of way. It's even quite romantic, but not in a 'boy meets girl and falls in love and elopes with her' sort of way. It is much subtler than that. Reading this story is similar to looking at one of those optical illusion drawings. Look at it one way, you can see a horse looking over fence. Looking at it from a different light, it shows a frog sitting on a lily pad. However, this is not the type of book that simply cannot decide what it wants to say, so keeps switching and hopping around in a desperate bid to seem interesting. Lord of the Flies is a book that knows exactly what it wants to say to you, how it's going to phrase it and, child, you shall listen and you shall not forget that message. That sort of book, that forces you to sit up and listen, that lingers at the back of your mind for weeks, months, years after you've read it, should only ever be called a masterpiece. That is simply what it is. This book will change the way you think, the way you see yourself, other people and how society is organised. That is what a true masterpiece is.
Lord of the Flies tells the story of a group of English schoolboys aged between six and twelve stranded on a 'paradise island' in the middle of the Pacific Ocean. Surrounded by crystal clear waters, with icing sugar beaches that stretch the whole way round the island and the mysterious jungle to explore, it gives the impression of pure bliss, an escape from everyday life. With no adults present, the boys are forced to develop their own society. This stage of the book shows similarities with human evolution, as they 'discover' fire and establish levels of authority. They appear to have formed a mature, democratic system, but gradually this organisation starts to slip away as the boys primal instincts seem to take over, and the 'society' crumbles.
The plot is very simple, yet at the same time, strangely layered and twisted. It is gripping, quick-paced yet it is not written hurriedly, and, to sum it up in a word, beautiful.
Lord of the Flies is a terrifying story. Reading how the boys' fight for their survival, against the children who they were friends with makes you wonder how you can trust anyone. You find yourself wondering how you would cope in that situation. I expect most people would think that they would remain rational and not give in to their instincts, but do you know that? If you had asked Simon before he found himself on the island what he would do, would you expect him to say that he would probably kill someone? I doubt it.
I am in year 10, and was told by my teacher what an amazing book it was. I doubted her, but now i can see what she means.
This book is an utterly essential read. Never have I read a book quite so accurate, yet so exaggerated. Disturbing. Amazing. Unforgettable.
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on 2 October 2002
Nobody who reads this novel fails to realise the significance of it. I read it for my GCSE course, and then again for the sheer hell of it. Golding's depiction of a group of boys' descent into madness and savagery is totally gripping and believable.
Shocking and powerful, the Lord of the Flies is a novel of supreme quality that will always move any reader with its scenes of humour, drama, and terrible savagery. It is compelling and wonderful from start to finish. A revelation.
I can quite honestly say I have read nothing better.
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on 16 May 2005
This is an excellent book and can be read on many different levels. It tells the story of a group of young children stranded on a deserted island, no adults, no order and what ensues.
It's a very powerful book, very simple yet very complex on different levels. It is highly relevant in today's society and we can all learn a lot from it. It is very real, at first you don't want to believe that children are capable of such atrocities, but as you read on you realise it is undeniable human nature. It is a very gruesome and horrible but it makes you aware of the depravity of the human race.
I was given this to read as a set book for school, once I started reading I couldn't put it down. It's not often that I am genuinely hooked on a book. It's suitable for all ages and readers who can read. William Golding uses deep character relationships which are very moving. The pace of the book is quite slow but it's very descriptive and you can build up a vivid mental picture.
This is a must read it has it all, and there is something in it for everyone. It is very honest and has lead me to question myself if I was stranded on a desert island with my classmates how would I react? Before reading Lord of the Flies I would have said I would be a leader and it would all be fine. After reading the book I fear my intentions would be honourable but I don't know about the consequences.
It is a short easy read and one of my all time favourites, an all time classic, buy it!
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on 5 July 2007
My nephew's 10, a great kid, but you can't pull him away from the Nintendo. The other day, I did a deal (OK, a bribe) - if he read the first chapter of Lord of the Flies, I'd buy him a new game of his choice.

Job done. He sat transfixed, and read the whole book at one sitting (OK, a half-time break for a bacon butty). Still hasn't hassled me for the Nintendo game. I'm starting him on Salinger and Orwell and Iain Banks next week. That's my boy!

But seriously, there's loads of press about kids not reading anything other than Harry Potter. Catch them in the right mood and they'll lap it up. And it's the old favourites that work every time.

I hope I'm not breaking any confidences when I tell you that Jake cried when... well, if you've read it, you'll know the bit I mean.
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on 9 December 2013
This novel concerns the experience of a group of boys, roughly aged between 6 and 12, stranded on an uninhabited desert island following an atom bomb attack. The novel is set in the 1950s. Golding describes their gradual decent into anarchy and helps us to understand the essential evil in human nature, according to Golding. The novel would be regarded as occupying the action/adventure genre, however we can also regard it as a psychological thriller but also social commentary. The three main characters are Ralph, the protagonist, the first 'chief' and the upholder of law, order and decency; Jack, Ralph's antagonist, chief chorister, hunter and ultimately the leader of the savages; and Piggy, a natural victim but also the purveyor of common sense and scientific understanding. The novel revolves around key scenes, the initial confrontation between Raplh and Jack over Jacks' favouring blood lust over rescue, and the killing of Simon and Piggy, Simon's death is savage and uncontrolled, Piggy's is a calculated murder. The novel is a classic, particularly important for 13 yr olds, because we recognise ourselves and our peers in the characters. Read this novel, it will change you.

The Edinburgh Academy. Class 3.1
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It's difficult to write a concise review for a book which touches so many issues and represents so many different ideas.

There are definite religious and political parallels drawn in Lord of The Flies, and the idea of how a society thrown together in a loose semblance of democratic order can quickly break down and become savage has since (and indeed before) provided a good spine for a story.

The real strength of this book however is the human story. A novel dealing with young boys stranded on an island was always going to be emotive - and Golding seems to have steered away from making the book over sentimental. This maybe takes away some of the raw emotion the reader ought to feel, but it also makes the book feel more authoritative - strengthening the underlying political messages.

Central to the book is the relationship between Ralph and Piggy. Ralph being the broody leader of the group; the nearest thing to an adult mind. And Piggy being his aide, albeit not officially - him being the only boy able to unite the group, even if it is a union of mockery. There are some tense moments in the book, particularly towards the end where there is a struggle for power between Ralph and choir-boy-turned-bad, Jack.

Golding manages to use subtle devices to convey a wider meaning with only a few words, or a simple gesture. The way the boys simply deny an event happened to ignore the horror of their actions. The way the conch shell seems to symbolise power, and how an innocent uttering can be loaded with vitriol.

It's the power-struggle and the desire to know the ultimate fate of the boys on the island which compel the reader to read on. This is a fascinating read and it plays on your mind for a while afterwards. The ending seemed a little flat, almost too convenient, but it also vilified Ralph's constant request to keep the fire burning.
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on 3 June 2003
This bok is normally read at GCSE, but i;m doing a project at school, and we are reeding it this year (Y9). I was a bit dubious when i started reading, it's not the type of book i normally go for. When i finished reading i thought it was good, but didn't really see the hype behind it all. (I've changed the star rating about a dozen times allready). The reason i chose to give it five stars though, is because i haven't been able to think of anything but this book for weeks! The more i think about it, and re-read bits of it, i get more and more from it. I'm really glad i'll be studying it for GCSE because i feel there's sooo much i have to say about it. Bear with it, because once you get the bland first few chapters, the pace really picks up and you'll find yourself really enjoying it. It's fair to say that not many of my peers thought it all that good, but if you're open minded then you'll love this book! Read it - it would be a shame to miss out on this marvellous piece of literature!!!!
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I can’t remember the last time I read this book, but I must admit it was good to come back to something like this which is something that really draws you in. I should think that at least half the country by now has had to study this book at one time or another, and so loads of allegories and symbolism can be argued over certain passages in this novel.

At the beginning though it didn’t look like this book would be published at all, but after being pushed by an editor at Faber and Faber and requests for a few alterations this eventually hit the shelves in 1954. It is rather ironic that some of the most well known and popular books of the last century, that also made some authors household names were initially rejected by numerous publishers, so if you are a writer carry on and persist in your endeavours.

With a plane crash a group of schoolboys come together on a deserted island and have to make the best of things. Apart from a choir group who all know each other, and twins who obviously do know each other for the majority here they have never really met before and age from about six to twelve years old. William Golding was himself a school master for many years and so he knew and could see how children can become suddenly vicious when left to their own devices and this comes across very well in this book.

Ralph is arguably the main character in this book, but there is also Jack who is head of the choirboys, and Piggy, an overweight, bespectacled and asthmatic boy who is the most intelligent in the group. From the initial shock of their predicament we see how at first they try to get organised and make preparations for surviving and being rescued. But these are little boys and soon things start to get left undone as the smaller ones play and there is disputing amongst the older ones.

As we see the group start to flounder and separate there are tales of a monster and more and more of the boys turn to barbarism from their civilized upbringings. As the story progresses so does the savagery, which Golding doesn’t shy away from, and although we know that ultimately a group of adults would start to alter with the young boys the disintegration of modern ways happens in a shorter time frame.

Still influencing authors today this is always a good read and is ideal for those who are going to secondary school or older persons, as it reminds us all how close we really are to our ancestors despite the veneer of civilization that we try to cling to.
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