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on 26 April 2013
Perdido Street Station and The Scar were incredible and deserves 5 stars. This is very very god. I enjoyed it very much.4 stars!
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New Crobuzon is in the grip of economic disaster. A ruinous naval war against the city of Tesh is being prosecuted over thousands of miles, draining the city's coffers. People are laid off only to be rehired on a fraction of their original income to make weapons for the war effort. The seeds of revolution are being sown within the city. Outside, a band of revolutionaries are on another type of quest, to head into the badlands at the centre of the Rohagi continent in search of the perpetual train, the Iron Council. The Council defected from New Crobuzon's control twenty years ago and is now a symbol and a myth to the people, a sign of freedom and hope. But the rulers of New Crobuzon never forgets any slight against it, no matter how small, and have their own plans to take vengeance against the Council...

Iron Council, published in 2004, is China Mieville's fourth novel and the third set in his signature fantasy world of Bas-Lag, though it has little to do with the two previous novels (the solid Perdido Street Station and the excellent The Scar) and can be enjoyed by itself. It's a somewhat complex novel, following three distinct story strands. In the first, a band of revolutionaries from New Crobuzon set out in search of Judah Law, a man who knows the location of the Iron Council. Once reunited with him, they search together for the Council and how to best guide it home. In the second strand, Law flashes back twenty years to the events leading to the Council's defection from New Crobuzon's control. In the third, the story follows a revolutionary named Ori as dissent and anger on New Crobuzon's streets reaches fevre pitch and threatens civil war.

The book combines some influences from real history. Events in New Crobuzon are reminiscent of events in Petrograd (aka St. Petersburg) in the run-up to the Russian Revolution, with a ruinous war being prosecuted beyond the state's ability to fund it and this leading to economic disaster, fuelling social unrest. The storyline in the western badlands is more like a Western, with its iron roads spanning thousands of miles of hostile wilderness and hard-edged men and women fighting for survival with guns. Of course, this is Mieville, so the hostile natives are worm-like inchmen and stilt-like striders (who can be reasoned with) rather than simple tribesmen, and the terrain includes things like the cacotopic stain, an area where reality is bent out of shape and can recreate and change anything that passes through it. As with most of Mieville's output, his imagination is on formidable and impressive display.

The novel focuses on the characters of Cutter, Judah Law and Ori, and Mieville does good work bringing these and a galaxy of supporting roles to life. Ori is a man searching for a role in life and is drawn into the world of politics and activism. Cutter is politically ambivalent and is driven in the hunt for the Council mainly by his love for Judah (which is ambiguously reciprocated). Judah is a more complex character, whose wants and ambitions see him yo-yoing between the Council and the city. He has impressive magical powers, most notably the ability to create golems. Mieville gives these golems a New Weird twist by allowing Judah to create them out of almost anything, including railroad sleepers and even shadows. What seems like a minor side-detail ultimately becomes a major part of the book's resolution. Mieville also infuses the minor characters like Spiral Jack and Ann Hari, with internal life and complex motivations, resulting in one of his better-cast novels (actually probably only second to his masterpiece, The Scar).

Iron Council seems to be regarded as one of Mieville's weakest novels, which is curious as I found it far better-written and more cohesive than Kraken, and certainly much more strongly plotted and characterised than even the revered Perdido Street Station. Criticisms seem to stem from it being too political, which I did not find to be the case. Despite being a socialist in his own politics, Mieville never gets preachy in the book. In fact, characters from numerous and diverse backgrounds are brought together in a situation where they feel forced to respond to the government's acts with disobedience and eventually violence, regardless of former party affiliations. Indeed, an attempt to politicise the revolution, to give it shape and an ideology, falls apart because the disparate factions that make it up are so different (that in itself - stand united or fall alone - may be a political statement, but if so one I don't think many can disagree with).

Where problems do emerge is in the book's tripartite structure. Swapping between events in the city and the badlands is fine, but the addition of a massive flashback sequence in the middle of the novel is a bit unwieldy. This self-contained sequence feels like it would have worked better at the front of the book as its own narrative rather than putting everything else on hold whilst the flashback unfolds mid-novel.

But other than that, Iron Council (****½) is a successful, imaginative and gripping fantasy novel, richly-characterised and fuelled by one of the strongest imaginations working in the field today. The novel is available now in the UK and USA.
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on 27 November 2008
Like two of the writers of one star reviews of this book, I also found it very hard to get into and nearly gave up. It was only the memory of Mieville's other works that made me keep going. I was glad I did because mid way through, the novel really gathers pace as Judah's story and that of the origins of the council unfold. I suddenly found myself gripped. A more linear style would probably have helped but as readers will know, Mieville will rarely take the obvious route.
On the subject of writing style for which Mieville seems to attract a startling amount of criticism, his florid prose is a matter of taste but I find it gives his work a cadence that in no way detracts from the story. Sure he overdoes it but he's writing for adults, not devotees of Peter and Jane. The language is there to be used not to be allowed to degenerate into the sort of utilitarian Newspeak to be found in the work of other novelists.
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on 12 November 2007
I have enjoyed this series even more with release of each book. I just hope he writes another one!
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on 24 July 2014
Struggling with the final episode, but determined to see it through
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on 17 November 2004
remember Hannibal? remember how cheated and let down you felt? the same thing here... two fantastic opening novels in Perdido Street Station and The Scar only to be let down by this nonsense..
Written in a different style to his previous books it seems much more superficial. this was a book i couldn't stop putting down. Left it with 100 pages to go to start The Algebraist by ian Banks... feels like I'm home again.
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on 16 April 2016
As thought-provoking and weird as any of Mieville's boks.
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on 28 May 2012
In his third New Corbuzon novel, Mieville manages to keep up his form on originality and sheer hard to classify creativity and his work remains hard to classify - is it fantasy? Sci-fi? Steampunk? The answer is probably all three and more, but whatever it is it puts more flesh on the bones of his splendidly idiosyncratic world of Bas-Lag.

Unfortunately, Mieville has also managed to keep up his tendency to allow his arts-undergraduate politics to infiltrate his books. It's not as bad as the unbearable gibberings of (say) Kim Stanley Robinson, but the sensation of being continually beaten over the head with a left wing diatribe is inescapable and quite capable of ruining an otherwise good read. Which is unfortunate, since if the man possessed even a little subtlety, he could probably have made the political content less of a dropped anvil and increased the likelihood of his readers taking it in ... but then a subtle China Mieville might not be capable of such outrageous creativity.
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on 27 January 2005
I read both Perdido and The Scar, both of which I loved. However this book does let you down. I don't want to say this as I count myself as a China fan! But...it takes about 100 pages to get into..okay, so its a slow burner. Then you find that China's writing appears to be less...well...China! Not so much in depth narrative or description. I yearned to learn more about the Tesh..and the inner workings of the Parliament. The characters just didnt grab me. In the final pages one of the key characters is shot...and I was just left with a sense of 'oh...'.
The final 'scene' is disappointing as no one really wins/loses but the story (and train) are put on hold! China is a GREAT writer and I will be diving into a hot bath with Perdido to restore my faith this weekend... New Crobuzon holds a treasure chest of great stories just waiting to be told...and I am sure China will bring these to us in a more captivating way than he has this time around...
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on 24 December 2004
I thought King Rat was quite good. Perdido Street Station was very good. The Scar was brilliant. Thus impressed I couldn't wait for the paperback of Iron Council and stumped up for the hardback. Well I read half of the book through gritted teeth but couldn't take any more. The glittering fantasy concepts of his previous works are stil there but, alas, are a poor shadow of their former selves. Disappointment indeed.
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