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VINE VOICEon 29 April 2009
A decade ago Paul Theroux wrote a vivid and unflinching account of his friendship with Naipaul that had broken down some years previously. It was described as `literary suicide' and in many ways has come to define Theroux's career since the late-1990s. French is largely dismissive of the American, portraying Theroux as a fawning character whose book was a bitter personal attack on Naipaul and replete with inaccuracies.

And yet he draws most of the same conclusions. After the publication of French's book, Theroux wrote: `French's biography amply demonstrates everything I said and more. It is not a pretty story; it will probably destroy Naipaul's reputation for ever, this chronicle of his pretensions, his whoremongering, his treatment of a sad, sick wife and disposable mistress, his evasions, his meanness, his cruelty amounting to sadism, his race baiting. Then there is the "gruesome sex", the blame shifting, the paranoia, the disloyalty, the nasty cracks and the whining, the ingratitude, the mood swings, the unloving and destructive personality.

At the same time French brings some context to these character traits. For example, Theroux complained bitterly in his book that he was always left holding the bill when they lunched. But as French reveals, while Naipaul was one of the most revered novelists in the country, until the late 1970s he was pereptually broke, reliant on his wife's salary and was at times even homeless.

The book is at its best when it reveals Naipaul's immigrant experience in the 1950s, the poverty and pallor of his existence. The relationship with his first wife Pat - its early romance and many lows - is well rendered, and her last days are touchingly told. Her recollections in her diary are sad and harrowing.

It falls short when it comes to his abysmal treatment of his mistress, Margaret Gooding, who is discarded and disappears off the pages as if she is dead. What she makes of the physical and metal abuse at Naipaul's hands is not known. The explanation of his marriage to Nadira Alvi is inadequate. It still seems incomprehensible and horrendous that she moved into his marital home a day after Pat's funeral. The book ends with Naipaul and Alvi scattering Pat's ashes in the mid-90s, but what happened next? The Nobel award is dealt with in the introduction, but the last 15 years are not mentioned.

French is also not critical enough of Naipaul's carefully cultivated cult of personality as `the greatest living writer of English.' He's not. It's true that he's written some great books, but little of note in twenty or more years. Beyond A House For Mr Biswas and, perhaps, A Bend in the River, how many of his works will be read in 30 or 50 years time?

But for all these faults, this is a fantastic book - as vivid and comprehensive a literary biography as you can ever expect to read. Patrick French's life of VS Naipaul is a rare thing: an authorized biography that is at once rigorous and critical of its subject. Impeccably researched and brilliantly written, French unravels the enigmatic Naipaul,. Anybody with any interest in Naipaul should read it.
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on 6 September 2014
French has done a thorough job as usual, and you can corroborate it accurately with accounts in the writing of Paul Theroux in his own relationship with this Nobel Laureate. Naipaul is my favourite writer and this book gives an idea of the background to his writing, though wisely avoids analysing the writing itself too much - since Naipaul is without peer even among reviewers. As a biography it has the right amount of detail, and seems to have fleshed out lots of detail tirelessly. You do get a sense of how close to his own life Naipaul's characters and settings were. But be warned, it delves into the private life of one of the literary world's more deplorable characters, for this genius comes across as complete **shole, it shatters an illusion, and though it's widely known that Naipaul was a cantankerous and arrogant wannabe British snob, the extent of it, his meaness, philandering and poor treatment of poor Pat - his dutiful wife, and usage of Margaret his mistress of 2 decades is exposed in detail. It's unflattering but perhaps deserved.
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on 13 April 2008
This is a terrific autobiography of Sir V S Naipaul. Patrick French's style of writing is very economic, real page turner- and it helps that he has chosen such a writer. I am not going to comment on the controversial politics of V S Naipaul, but there are lines in this book that make you laugh out loud. For days afterwards! Here's what Naipaul said on hearing about the fatwa against Salman Rushdie, ''It's an extreme form of literary criticism.''

I wished there had been a chapter devoted to the craft of writing and his writing influences for all aspiring writers. His favourite author 'Balzac...I suppose.' Just makes you laugh.

Sir V S Naipaul has also opened himself to real public scrutiny, brutaly honest. When everything is taken into account this honesty has to be admired. There will be many in depth reviews to follow I'm sure - but I highly recommend this book.
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on 16 May 2008
Meticulously researched.Fair but brave.Well balanced.Dramatically gripping.Illuminating.Proves that himself is the most enigmatic character
Sir V.S.Naipaul ever created.
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on 9 August 2008
The author certainly seems to have said all there is too say on his subject - and even more. `Be specific! Add detail!' is what the writing courses teach us. Well, this otherwise impressive piece of work is a fine showcase of how one can overdo it. The author had only to follow the writing advice of his subject (who in turn got it from his father) and the result would have been more readable and definitely a lot shorter. Still, it is an interesting read, at times even gripping, certainly for people already familiar with V.S. Naipaul. Those who like a quicker (though less accurate) insight into the man behind the genius should get the book by Paul Theroux.
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