Top positive review
16 people found this helpful
on 4 February 2007
Katherine Mansfield's quietly devastating prose and absolute commitment to craft remain two of the most potent twentieth century contributions to the difficult genre of the short story. This well-chosen selection demonstrates why.
Rich in colour, atmosphere and poetry, these tales most frequently turn on questions of loss and self-realization. Mansfield often takes as her subjects the resonant emptiness of lives framed by the tightest of parameters - a lonely woman's complete attachment and identification with her canary, a man's dependence on the memory of his dead son - and times where cherished certainties fall away in moments of revelation.
Perhaps the most famous of the latter type is 'Bliss' where the abrupt emptying of juvenile hostess Bertha Mason's boundless, yet ultimately restricting, exhiliration comes as an ambiguous opportunity for both delayed misery and growth. Elsewhere, tiny phrases in conversation unravel inescapable disparities in relationships; the complex emotional tensions of Mansfield's characters lie, as in Chekhov, primarily beneath the glittering surface of her clipped and confident style.
Intricately crafted, the nuanced dimensions of these stories haunt the reader, echoing in your mind long after you've put the book down. I find them compulsively re-readable.
This selection contains all of Mansfield's most famous tales including 'Bliss', 'The Canary', 'The Fly', 'The Daughters of the Late Colonel', 'A Dill Pickle', 'A Cup of Tea' and a recently available, unedited version of 'Je Ne Parle Pas Francais' which restores the full depth of its narrator's deliciously depraved senses of self and sensuality. A must-read.