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A STORY OF LOVE COMPLICATED BY TIME TRAVEL
'What a wonderful, strange, terrifying, brilliant novel this is' Kamila Shamsie, author of Home Fire
New York, 2000.
Kate and Ben meet at a party and immediately fall in love. It is the first year of the new millennium, the first year without a war anywhere in the world. The United Nations has just planted its flag on Mars, and a Green Party senator is about to become the first female president of the United States. Kate falls asleep, knowing that she is loved.
Kate wakes as Emilia - the mistress of a nobleman - and finds the plague at her door. Afflicted by premonitions of a burnt and lifeless city, she sets out to save the world. Each decision she makes will change her life with Ben forever.
A story of love and alternate universes, madness and time travel, The Heavens is a dream bound up in a strange awakening; it is a bewitching novel of what we have lost, and what we might yet be able to save.
"What do you think of my fiction book writing?" the aspiring novelist extorted.
"Darn," the editor hectored, in turn. "I can not publish your novel! It is full of what we in the business call 'really awful writing.'"
"But how shall I absolve this dilemma? I have already read every tome available on how to write well and get published!" The writer tossed his head about, wildly.
"It might help," opined the blonde editor, helpfully, "to ponder how NOT to write a novel, so you might avoid the very thing!"
Many writing books offer sound advice on how to write well. This is not one of those books. On the contrary, this is a collection of terrible, awkward, and laughably unreadable excerpts that will teach you what to avoid—at all costs—if you ever want your novel published.
In How Not to Write a Novel, authors Howard Mittelmark and Sandra Newman distill their 30 years combined experience in teaching, editing, writing, and reviewing fiction to bring you real advice from the other side of the query letter. Rather than telling you how or what to write, they identify the 200 most common mistakes unconsciously made by writers and teach you to recognize, avoid, and amend them. With hilarious "mis-examples" to demonstrate each manuscript-mangling error, they'll help you troubleshoot your beginnings and endings, bad guys, love interests, style, jokes, perspective, voice, and more. As funny as it is useful, this essential how-NOT-to guide will help you get your manuscript out of the slush pile and into the bookstore.
In 2009 it was How NOT to Write a Novel ('A hilarious, wickedly observed and deeply useful guide' Observer). In 2010 it's READ THIS NEXT - Sandra Newman and Howard Mittelmark have written the perfect book for anyone who has ever struggled to choose what to read next.
But this is far more than a guide for book groups. Covering 600 books ranging from The Shock Doctrine to Gentlemen Prefer Blondes, and exploring all the important issues like how to tell the difference between Naomis Wolf and Klein, whether anyone really likes Emma Bovary, what makes a really good loo book and whether it's really wrong to marry for money, READ THIS NEXT reminds you exactly why you love reading and then makes you want to go out and read lots more. And what's more, it's very, very funny.
When Chrysalis Moffat and her brother, Eddie, inherit a mansion on the coast of California, Eddie hatches a plan to fleece credulous Californians of their cash by starting the fraudulent Tibetan School of Miracles.
But something else is happening. Through Chrysalis's reunion with her brother, she begins to discover her adoptive father's secret past, causing her own identity to unravel. As Chrysalis lays down the facts of her life, she gambles her identity against the contradictions, half-truths, and fables of her past, leading her ultimately to question what it is we can truly know and whether it is fate or chance that dictates our lives.
In the aftermath of a devastating plague, a fearless young heroine embarks on a dangerous and surprising journey to save her world in this brilliantly inventive dystopian thriller, told in bold and fierce language, from a remarkable literary talent.
My name be Ice Cream Fifteen Star and this be the tale of how I bring the cure to all the Nighted States . . .
In the ruins of a future America, fifteen-year-old Ice Cream Star and her nomadic tribe live off of the detritus of a crumbled civilization. Theirs is a world of children; before reaching the age of twenty, they all die of a mysterious disease they call Posies—a plague that has killed for generations. There is no medicine, no treatment; only the mysterious rumor of a cure.
When her brother begins showing signs of the disease, Ice Cream Star sets off on a bold journey to find this cure. Led by a stranger, a captured prisoner named Pasha who becomes her devoted protector and friend, Ice Cream Star plunges into the unknown, risking her freedom and ultimately her life. Traveling hundreds of miles across treacherous, unfamiliar territory, she will experience love, heartbreak, cruelty, terror, and betrayal, fighting with her whole heart and soul to protect the only world she has ever known.
Guardian First Book Award finalist Sandra Newman delivers an extraordinary post-apocalyptic literary epic as imaginative as The Passage and as linguistically ambitious as Cloud Atlas. Like Hushpuppy in The Beasts of the Southern Wild grown to adolescence in a landscape as dangerously unpredictable as that of Ready Player One, The Country of Ice Cream Star is a breathtaking work from a writer of rare and unconventional talent.
"Wirkmächtig, anregend und kathartisch." - The Guardian
"Ice Cream Star, die Heldin dieses Romans, ist der Frodo Beutlin, den unsere Zeit verdient. Ice Cream Star konfrontiert uns mit der unwiderlegbaren Tatsache, dass die Bürger der Zukunft die Geschichte wiederholen müssen, die wir heute für sie machen." - The New York Times
The Scarlet Letter by Nathaniel Hawthorne
Adventures of Huckleberry Finn by Mark Twain
The Red Badge of Courage by Stephen Crane
Billy Budd by Herman Melville
With an Introduction by Sandra Newman