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Murder On The Trans-Siberian Express Hardcover – 19 Dec. 2001
Purchase options and add-ons
- Print length288 pages
- LanguageEnglish
- PublisherImport US
- Publication date19 Dec. 2001
- Dimensions15.88 x 2.54 x 23.5 cm
- ISBN-100892967471
- ISBN-13978-0892967476
Product details
- Publisher : Import US (19 Dec. 2001)
- Language : English
- Hardcover : 288 pages
- ISBN-10 : 0892967471
- ISBN-13 : 978-0892967476
- Dimensions : 15.88 x 2.54 x 23.5 cm
- Best Sellers Rank: 833,357 in Books (See Top 100 in Books)
- 19,307 in Police Procedurals (Books)
- 93,688 in Mysteries (Books)
- Customer reviews:
About the author

Stuart M. Kaminsky (1934–2009) was one of the most prolific crime fiction authors of the last four decades. Born in Chicago, he spent his youth immersed in pulp fiction and classic cinema—two forms of popular entertainment which he would make his life’s work. After college and a stint in the army, Kaminsky wrote film criticism and biographies of the great actors and directors of Hollywood’s Golden Age. In 1977, when a planned biography of Charlton Heston fell through, Kaminsky wrote Bullet for a Star, his first Toby Peters novel, beginning a fiction career that would last the rest of his life.
Kaminsky penned twenty-four novels starring the detective, whom he described as “the anti-Philip Marlowe.” In 1981’s Death of a Dissident, Kaminsky debuted Moscow police detective Porfiry Rostnikov, whose stories were praised for their accurate depiction of Soviet life. His other two series starred Abe Lieberman, a hardened Chicago cop, and Lew Fonseca, a process server. In all, Kaminsky wrote more than sixty novels. He died in St. Louis in 2009.
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Top reviews from United Kingdom
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settled in my list of favorite--and best--police procedural
mysteries.
Along with Donna Leon, Ruth Rendell, Martha Grimes, and P.D.
James, readers, who prefer this genre, cannot go wrong.
In his latest thriller, Kaminsky's intrepid inspector finds himself almost on a wild-Russian-goose chase, clear across the
Siberian tundra! In "Murder on the Trans-Siberian Express," the author winsomely blends his usual reader-intrigue with a trip into history to provide the reader with a salient, viable parallel of Rostnikov's pursuit.
As his readers of this series have come to expect, Kaminsky is not content to have one plot (certainly not, when three or four others simultaneously will do!) carry the book. Rostnikov of the Moscow Metropolitan Police finds himself,once more, amid the political intrigue of Moscow while trying to sort out--and prosecute--labeled criminals! With his amiable assistants,
Russian criminals are far from safe. Karpov ("The Vampire") and Zelach are trying to find the kidnapped son of a local magnate.
The son is a disfranchised but popular local rock star known as the Cossack. Elena and Iosef (Rostnikov's son) are pursuing a serial murderer in the Moscow subway system); and Sasha Tkach, aside from trying to solve his own marital problems, is working with Rostnikov on the primary case here! A bit much?
A bit much? Confusing, perhaps? Not to this reader, who delights in Kaminsky's terse style, fantastic characterizations, incredible depth of perception of the Russia of today.
To say this book moves with the pace of a speeding freight train might strain the metaphor here, but regardless, Kaminsky maintains his control over the series (of which, one hopes, there will be many, many more episodes). An excellent read--hop on board and get set for a delightful journey!
Top reviews from other countries
Also good packing and follow up by seller.
In this volume, there are three major concerns that consume the investigative agency's personnel: random knifings in the subways, the disappearance of a wild and wildly popular musical critic of the conventional social setting, and the transfer of vital, well we do not know exactly what, material of some sort from what malevolent force to another (which requires a journey on the eponymous Trans-Siberian Express). This tripartite subdivision may well be a legitimate grievance for some readers since the portrayal of the agency's multiple activities might well annoy them by appearing to be three short stories papered together to make a book. I did not find this organization of material weakening the impact, but then, I am quite familiar with the police cast and might have be overgenerous in accepting it. At any rate, the potential reader should be duly warned.
Kaminsky's writing is quite appealing to this reader, who has enjoyed it in all three series he created. It is quite superior to the average volume to be found in the detective section of e-books and a pleasure for this reader in each variation suitable to a given series.
With the admonition given above with regard to the tripartite organization of the text, I can recommend the book to readers not disturbed by its structure.
settled in my list of favorite--and best--police procedural
mysteries.
Along with Donna Leon, Ruth Rendell, Martha Grimes, and P.D.
James, readers, who prefer this genre, cannot go wrong.
In his latest thriller, Kaminsky's intrepid inspector finds himself almost on a wild-Russian-goose chase, clear across the
Siberian tundra! In "Murder on the Trans-Siberian Express," the author winsomely blends his usual reader-intrigue with a trip into history to provide the reader with a salient, viable parallel of Rostnikov's pursuit.
As his readers of this series have come to expect, Kaminsky is not content to have one plot (certainly not, when three or four others simultaneously will do!)carry the book. Rostnikov of the Moscow Metropolitan Police finds himself,once more, amid the political intrigue of Moscow while trying to sort out--and prosecute--labeled criminals! With his amiable assistants,
Russian criminals are far from safe. Karpov ("The Vampire") and Zelach are trying to find the kidnapped son of a local magnate.
The son is a disfranchised but popular local rock star known as the Cossack. Elena and Iosef (Rostnikov's son) are pursuing a serial murderer in the Moscow subway system); and Sasha Tkach, aside from trying to solve his own marital problems, is working with Rostnikov on the primary case here! A bit much?
A bit much? Confusing, perhaps? Not to this reader, who delights in Kaminsky's terse style, fantastic characterizations, incredible depth of perception of the Russia of today.
To say this book moves with the pace of a speeding freight train might strain the metaphor here, but regardless, Kaminsky maintains his control over the series (of which, one hopes, there will be many, many more episodes). An excellent read--hop on board and get set for a delightful journey! ...
The ensemble of human characters jumps right off the page, especially Porfiry, chief inspector in the Office of Special Investigations of the Moscow Police, a unit that handles cases no one else wants. His nickname is "The Washtub" because of his weightlifter build; he's lost one of his legs due to a war wound; and he "meditates" by doing volunteer plumbing around his apartment building. His immediate underling, Emil Karpov, is an unrepentant Communist who looks like Bela Lugosi, only taller. Other detectives include Rostinikov's son Iosef, a former actor and Afghani veteran; his fiancé, and Sasha Tkach, the Robert Redford of the cast, whose wife has left him, mainly because of his meddling mother who had lived with them.
Kaminsky's strategy in Murder on the Trans-Siberian Express is to have the detectives divvy up three cases. Tkach pursues a woman is murdering subway businessmen, up close and personal, with a kitchen knife. Karpov tackles the case of a missing punk rocker, a possible kidnapping victim. Rostinov takes a trip on the Trans-Siberian Express in search of an intriguing historical document involving the Tsarina.
Believe me, it's not the mystery that holds your attention in Kaminsky's Rostinov novels. You just want to hang out with these people, and you hate it when the story ends.
